The Machine as Art/ The Machine as Artist

The articles collected in this volume from the two companion Arts Special Issues, “The Machine as Art (in the 20th Century)” and “The Machine as Artist (in the 21st Century)”, represent a unique scholarly resource: analyses by artists, scientists, and engineers, as well as art historians, covering not only the current (and astounding) rapprochement between art and technology but also the vital post-World War II period that has led up to it; this collection is also distinguished by several of the contributors being prominent individuals within their own fields, or as artists who have actually participated in the still unfolding events with which it is concerne

The nativization of East Asian buddhism in Brazil

[no abstract

International Comparative Perspectives on Religion and Education

This book scrutinises religion in education in ten countries. It reveals much about the tension between religion and education in secular countries, and the blending between religion and education in religious countries, such as Iran and Malaysia, as well as secular countries such as the Netherlands. It also shows the important role the church currently plays in education in developing countries, such as Tanzania

Japan and Europe in global communication

In the age of globalization, the role of international communication between Japan and Europe gains more importance for mutual understanding and synergy effects on sustainable development. This book Japan and Europe in Global Communication aims to discuss how global communication has influenced the relations between Japan and Europe and has brought to its change/development; how democracy and culture influence this relation in the global communication age; what the differences/similarities between Japanese and European societies are; how Japan recognised in Europe is. The topics contributing to this book especially focus on such disciplines as philosophy, economics, politics, language and culture. The book has the following objectives: to learn about the relationship between Japan and Europe in the context of global communication; to know the differences/similarities between Japanese and European societies; to understand how democracy and culture influence social policy and governance; to share the knowledge on the recognition, reception or representation of Japan in several domains in Europe and how Japanese language education incorporating cultural education could be promoted in Europe in the global era

Proceedings of the 21st International Congress of Aesthetics, Possible Worlds of Contemporary Aesthetics Aesthetics Between History, Geography and Media

The Faculty of Architecture, University of Belgrade and the Society for Aesthetics of Architecture and Visual Arts of Serbia (DEAVUS) are proud to be able to organize the 21st ICA Congress on “Possible Worlds of Contemporary Aesthetics: Aesthetics Between History, Geography and Media”. We are proud to announce that we received over 500 submissions from 56 countries, which makes this Congress the greatest gathering of aestheticians in this region in the last 40 years. The ICA 2019 Belgrade aims to map out contemporary aesthetics practices in a vivid dialogue of aestheticians, philosophers, art theorists, architecture theorists, culture theorists, media theorists, artists, media entrepreneurs, architects, cultural activists and researchers in the fields of humanities and social sciences. More precisely, the goal is to map the possible worlds of contemporary aesthetics in Europe, Asia, North and South America, Africa and Australia. The idea is to show, interpret and map the unity and diverseness in aesthetic thought, expression, research, and philosophies on our shared planet. Our goal is to promote a dialogue concerning aesthetics in those parts of the world that have not been involved with the work of the International Association for Aesthetics to this day. Global dialogue, understanding and cooperation are what we aim to achieve. That said, the 21st ICA is the first Congress to highlight the aesthetic issues of marginalised regions that have not been fully involved in the work of the IAA. This will be accomplished, among others, via thematic round tables discussing contemporary aesthetics in East Africa and South America. Today, aesthetics is recognized as an important philosophical, theoretical and even scientific discipline that aims at interpreting the complexity of phenomena in our contemporary world. People rather talk about possible worlds or possible aesthetic regimes rather than a unique and consistent philosophical, scientific or theoretical discipline

A study in cross-cultural transmission of natural philosophy: the Kenkon Bensetsu

Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Doutor em História dos Descobrimentos e da Expansão PortuguesaThis work shows that the transmission of European natural philosophy by Christian missionaries in Japan during the sixteenth and seventeenth centuries was made in a systematic way, even if at an elementary level. The Kenkon Bensetsu is used as main evidence of this. This text was introduced into Japan by Antonio Rubino, on the orders of Inoue Masashige it was translated by Sawano Chuan, at the request of Kainosho Masanobu it was transliterated by Nishi Kichibei and Mukai Gensho, and this last one also wrote a commentary on its theories from a neo-Confucian perspective. The historical setting and the process that led to the production of the Kenkon Bensetsu are described. From this it is established that the Japanese of all walks of life were curious about the causes of natural phenomena; that the missionaries had the ability to provide those explanations, drawing from the pool of theories provided by sixteenth century Aristotelian natural philosophy, adjusted to the interests and talents of their audience; and that the Japanese authorities considered that these theories were important in some way and thus took the necessary steps to ensure that that they would not be consigned into oblivion as a consequence of their efforts to stamp out Christianity. The text is integrally translated following explicit criteria, therefore opening the way to further exploration by many researchers. Some of its most striking characteristics concerning content and style are analysed