In search of the optimal acoustic features for statistical parametric speech synthesis

In the Statistical Parametric Speech Synthesis (SPSS) paradigm, speech is generally represented as acoustic features and the waveform is generated by a vocoder. A comprehensive summary of state-of-the-art vocoding techniques is presented, highlighting their characteristics, advantages, and drawbacks, primarily when used in SPSS. We conclude that state-of-the-art vocoding methods are suboptimal and are a cause of significant loss of quality, even though numerous vocoders have been proposed in the last decade. In fact, it seems that the most complicated methods perform worse than simpler ones based on more robust analysis/synthesis algorithms. Typical methods, based on the source-filter or sinusoidal models, rely on excessive simplifying assumptions. They perform what we call an "extreme decomposition" of speech (e.g., source+filter or sinusoids+ noise), which we believe to be a major drawback. Problems include: difficulties in the estimation of components; modelling of complex non-linear mechanisms; a lack of ground truth. In addition, the statistical dependence that exists between stochastic and deterministic components of speech is not modelled. We start by improving just the waveform generation stage of SPSS, using standard acoustic features. We propose a new method of waveform generation tailored for SPSS, based on neither source-filter separation nor sinusoidal modelling. The proposed waveform generator avoids unnecessary assumptions and decompositions as far as possible, and uses only the fundamental frequency and spectral envelope as acoustic features. A very small speech database is used as a source of base speech signals which are subsequently \reshaped" to match the specifications output by the acoustic model in the SPSS framework. All of this is done without any decomposition, such as source+filter or harmonics+noise. A comprehensive description of the waveform generation process is presented, along with implementation issues. Two SPSS voices, a female and a male, were built to test the proposed method by using a standard TTS toolkit, Merlin. In a subjective evaluation, listeners preferred the proposed waveform generator over a state-of-the-art vocoder, STRAIGHT. Even though the proposed \waveform reshaping" generator generates higher speech quality than STRAIGHT, the improvement is not large enough. Consequently, we propose a new acoustic representation, whose implementation involves feature extraction and waveform generation, i.e., a complete vocoder. The new representation encodes the complex spectrum derived from the Fourier Transform in a way explicitly designed for SPSS, rather than for speech coding or copy-synthesis. The feature set comprises four feature streams describing magnitude spectrum, phase spectrum, and fundamental frequency; all of these are represented by real numbers. It avoids heuristics or unstable methods for phase unwrapping. The new feature extraction does not attempt to decompose the speech structure and thus the "phasiness" and "buzziness" found in a typical vocoder, such as STRAIGHT, is dramatically reduced. Our method works at a lower frame rate than a typical vocoder. To demonstrate the proposed method, two DNN-based voices, a male and a female, were built using the Merlin toolkit. Subjective comparisons were performed with a state-of-the-art baseline. The proposed vocoder substantially outperformed the baseline for both voices and under all configurations tested. Furthermore, several enhancements were made over the original design, which are beneficial for either sound quality or compatibility with other tools. In addition to its use in SPSS, the proposed vocoder is also demonstrated being used for join smoothing in unit selection-based systems, and can be used for voice conversion or automatic speech recognition

Speech Enhancement Using Speech Synthesis Techniques

Traditional speech enhancement systems reduce noise by modifying the noisy signal to make it more like a clean signal, which suffers from two problems: under-suppression of noise and over-suppression of speech. These problems create distortions in enhanced speech and hurt the quality of the enhanced signal. We propose to utilize speech synthesis techniques for a higher quality speech enhancement system. Synthesizing clean speech based on the noisy signal could produce outputs that are both noise-free and high quality. We first show that we can replace the noisy speech with its clean resynthesis from a previously recorded clean speech dictionary from the same speaker (concatenative resynthesis). Next, we show that using a speech synthesizer (vocoder) we can create a clean resynthesis of the noisy speech for more than one speaker. We term this parametric resynthesis (PR). PR can generate better prosody from noisy speech than a TTS system which uses textual information only. Additionally, we can use the high quality speech generation capability of neural vocoders for better quality speech enhancement. When trained on data from enough speakers, these vocoders can generate speech from unseen speakers, both male, and female, with similar quality as seen speakers in training. Finally, we show that using neural vocoders we can achieve better objective signal and overall quality than the state-of-the-art speech enhancement systems and better subjective quality than an oracle mask-based system

A review of differentiable digital signal processing for music and speech synthesis

The term “differentiable digital signal processing” describes a family of techniques in which loss function gradients are backpropagated through digital signal processors, facilitating their integration into neural networks. This article surveys the literature on differentiable audio signal processing, focusing on its use in music and speech synthesis. We catalogue applications to tasks including music performance rendering, sound matching, and voice transformation, discussing the motivations for and implications of the use of this methodology. This is accompanied by an overview of digital signal processing operations that have been implemented differentiably, which is further supported by a web book containing practical advice on differentiable synthesiser programming (https://intro2ddsp.github.io/). Finally, we highlight open challenges, including optimisation pathologies, robustness to real-world conditions, and design trade-offs, and discuss directions for future research

Conditioning Text-to-Speech synthesis on dialect accent: a case study

Modern text-to-speech systems are modular in many different ways. In recent years, end-users gained the ability to control speech attributes such as degree of emotion, rhythm and timbre, along with other suprasegmental features. More ambitious objectives are related to modelling a combination of speakers and languages, e.g. to enable cross-speaker language transfer. Though, no prior work has been done on the more fine-grained analysis of regional accents. To fill this gap, in this thesis we present practical end-to-end solutions to synthesise speech while controlling within-country variations of the same language, and we do so for 6 different dialects of the British Isles. In particular, we first conduct an extensive study of the speaker verification field and tweak state-of-the-art embedding models to work with dialect accents. Then, we adapt standard acoustic models and voice conversion systems by conditioning them on dialect accent representations and finally compare our custom pipelines with a cutting-edge end-to-end architecture from the multi-lingual world. Results show that the adopted models are suitable and have enough capacity to accomplish the task of regional accent conversion. Indeed, we are able to produce speech closely resembling the selected speaker and dialect accent, where the most accurate synthesis is obtained via careful fine-tuning of the multi-lingual model to the multi-dialect case. Finally, we delineate limitations of our multi-stage approach and propose practical mitigations, to be explored in future work

Analysis, Disentanglement, and Conversion of Singing Voice Attributes

Voice conversion is a prominent area of research, which can typically be described as the replacement of acoustic cues that relate to the perceived identity of the voice. Over almost a decade, deep learning has emerged as a transformative solution for this multifaceted task, offering various advancements to address different conditions and challenges in the field. One intriguing avenue for researchers in the field of Music Information Retrieval is singing voice conversion - a task that has only been subjected to neural network analysis and synthesis techniques over the last four years. The conversion of various singing voice attributes introduces new considerations, including working with limited datasets, adhering to musical context restrictions and considering how expression in singing is manifested in such attributes. Voice conversion with respect to singing techniques, for example, has received little attention even though its impact on the music industry would be considerable and important. This thesis therefore delves into problems related to vocal perception, limited datasets, and attribute disentanglement in the pursuit of optimal performance for the conversion of attributes that are scarcely labelled, which are covered across three research chapters. The first of these chapters describes the collection of perceptual pairwise dissimilarity ratings for singing techniques from participants. These were subsequently subjected to clustering algorithms and compared against existing ground truth labels. The results confirm the viability of using existing singing technique-labelled datasets for singing technique conversion (STC) using supervised machine learning strategies. A dataset of dissimilarity ratings and timbral maps was generated, illustrating how register and gender conditions affect perception. The first of these chapters describes the collection of perceptual pairwise dissimilarity ratings for singing techniques from participants. These were subsequently subjected to clustering algorithms and compared against existing ground truth labels. The results confirm the viability of using existing singing technique-labelled datasets for singing technique conversion (STC) using supervised machine learning strategies. A dataset of dissimilarity ratings and timbral maps was generated, illustrating how register and gender conditions affect perception. In response to these findings, an adapted version of an existing voice conversion system in conjunction with an existing labelled dataset was developed. This served as the first implementation of a model for zero-shot STC, although it exhibited varying levels of success. An alternative method of attribute conversion was therefore considered as a means towards performing satisfactorily realistic STC. By refining ‘voice identity’ conversion for singing, future research can be conducted where this attribute, along with more deterministic attributes (such as pitch, loudness, and phonetics) can be disentangled from an input signal, exposing information related to unlabelled attributes. Final experiments in refining the task of voice identity conversion for the singing domain were conducted as a stepping stone towards unlabelled attribute conversion. By performing comparative analyses between different features, singing and speech domains, and alternative loss functions, the most suitable process for singing voice attribute conversion (SVAC) could be established. In summary, this thesis documents a series of experiments that explore different aspects of the singing voice and conversion techniques in the pursuit of devising a convincing SVAC system

Developing Sparse Representations for Anchor-Based Voice Conversion

Voice conversion is the task of transforming speech from one speaker to sound as if it was produced by another speaker, changing the identity while retaining the linguistic content. There are many methods for performing voice conversion, but oftentimes these methods have onerous training requirements or fail in instances where one speaker has a nonnative accent. To address these issues, this dissertation presents and evaluates a novel “anchor-based” representation of speech that separates speaker content from speaker identity by modeling how speakers form English phonemes. We call the proposed method Sparse, Anchor-Based Representation of Speech (SABR), and explore methods for optimizing the parameters of this model in native-to-native and native-to-nonnative voice conversion contexts. We begin the dissertation by demonstrating how sparse coding in combination with a compact, phoneme-based dictionary can be used to separate speaker identity from content in objective and subjective tests. The formulation of the representation then presents several research questions. First, we propose a method for improving the synthesis quality by using the sparse coding residual in combination with a frequency warping algorithm to convert the residual from the source to target speaker’s space, and add it to the target speaker’s estimated spectrum. Experimentally, we find that synthesis quality is significantly improved via this transform. Second, we propose and evaluate two methods for selecting and optimizing SABR anchors in native-to-native and native-to-nonnative voice conversion. We find that synthesis quality is significantly improved by the proposed methods, especially in native-to- nonnative voice conversion over baseline algorithms. In a detailed analysis of the algorithms, we find they focus on phonemes that are difficult for nonnative speakers of English or naturally have multiple acoustic states. Following this, we examine methods for adding in temporal constraints to SABR via the Fused Lasso. The proposed method significantly reduces the inter-frame variance in the sparse codes over other methods that incorporate temporal features into sparse coding representations. Finally, in a case study, we examine the use of the SABR methods and optimizations in the context of a computer aided pronunciation training system for building “Golden Speakers”, or ideal models for nonnative speakers of a second language to learn correct pronunciation. Under the hypothesis that the optimal “Golden Speaker” was the learner’s voice, synthesized with a native accent, we used SABR to build voice models for nonnative speakers and evaluated the resulting synthesis in terms of quality, identity, and accentedness. We found that even when deployed in the field, the SABR method generated synthesis with low accentedness and similar acoustic identity to the target speaker, validating the use of the method for building “golden speakers”

Context-aware speech synthesis: A human-inspired model for monitoring and adapting synthetic speech

The aim of this PhD thesis is to illustrate the development a computational model for speech synthesis, which mimics the behaviour of human speaker when they adapt their production to their communicative conditions. The PhD project was motivated by the observed differences between state-of-the- art synthesiser’s speech and human production. In particular, synthesiser outcome does not exhibit any adaptation to communicative context such as environmental disturbances, listener’s needs, or speech content meanings, as the human speech does. No evaluation is performed by standard synthesisers to check whether their production is suitable for the communication requirements. Inspired by Lindblom's Hyper and Hypo articulation theory (H&H) theory of speech production, the computational model of Hyper and Hypo articulation theory (C2H) is proposed. This novel computational model for automatic speech production is designed to monitor its outcome and to be able to control the effort involved in the synthetic speech generation. Speech transformations are based on the hypothesis that low-effort attractors for a human speech production system can be identified. Such acoustic configurations are close to minimum possible effort that a speaker can make in speech production. The interpolation/extrapolation along the key dimension of hypo/hyper-articulation can be motivated by energetic considerations of phonetic contrast. The complete reactive speech synthesis is enabled by adding a negative perception feedback loop to the speech production chain in order to constantly assess the communicative effectiveness of the proposed adaptation. The distance to the original communicative intents is the control signal that drives the speech transformations. A hidden Markov model (HMM)-based speech synthesiser along with the continuous adaptation of its statistical models is used to implement the C2H model. A standard version of the synthesis software does not allow for transformations of speech during the parameter generation. Therefore, the generation algorithm of one the most well-known speech synthesis frameworks, HMM/DNN-based speech synthesis framework (HTS), is modified. The short-time implementation of speech intelligibility index (SII), named extended speech intelligibility index (eSII), is also chosen as the main perception measure in the feedback loop to control the transformation. The effectiveness of the proposed model is tested by performing acoustic analysis, objective, and subjective evaluations. A key assessment is to measure the control of the speech clarity in noisy condition, and the similarities between the emerging modifications and human behaviour. Two objective scoring methods are used to assess the speech intelligibility of the implemented system: the speech intelligibility index (SII) and the index based upon the Dau measure (Dau). Results indicate that the intelligibility of C2H-generated speech can be continuously controlled. The effectiveness of reactive speech synthesis and of the phonetic contrast motivated transforms is confirmed by the acoustic and objective results. More precisely, in the maximum-strength hyper-articulation transformations, the improvement with respect to non-adapted speech is above 10% for all intelligibility indices and tested noise conditions