Sur la Restauration et l'Edition de Vidéo : Détection de Rayures et Inpainting de Scènes Complexes

The inevitable degradation of visual content such as images and films leads to the goal ofimage and video restoration. In this thesis, we look at two specific restoration problems : the detection ofline scratches in old films and the automatic completion of videos, or video inpainting as it is also known.Line scratches are caused when the film physically rubs against a mechanical part. This origin resultsin the specific characteristics of the defect, such as verticality and temporal persistence. We propose adetection algorithm based on the statistical approach known as a contrario methods. We also proposea temporal filtering step to remove false alarms present in the first detection step. Comparisons withprevious work show improved recall and precision, and robustness with respect to the presence of noiseand clutter in the film.The second part of the thesis concerns video inpainting. We propose an algorithm based on theminimisation of a patch-based functional of the video content. In this framework, we address the followingproblems : extremely high execution times, the correct handling of textures in the video and inpaintingwith moving cameras. We also address some convergence issues in a very simplified inpainting context.La degradation inévitable des contenus visuels (images, films) conduit nécessairementà la tâche de la restauration des images et des vidéos. Dans cetre thèse, nous nous intéresserons àdeux sous-problèmes de restauration : la détection des rayures dans les vieux films, et le remplissageautomatique des vidéos (“inpainting vidéo en anglais).En général, les rayures sont dues aux frottements de la pellicule du film avec un objet lors de laprojection du film. Les origines physiques de ce défaut lui donnent des caractéristiques très particuliers.Les rayures sont des lignes plus ou moins verticales qui peuvent être blanches ou noires (ou parfois encouleur) et qui sont temporellement persistantes, c’est-à-dire qu’elles ont une position qui est continuedans le temps. Afin de détecter ces défauts, nous proposons d’abord un algorithme de détection basésur un ensemble d’approches statistiques appelées les méthodes a contrario. Cet algorithme fournitune détection précise et robuste aux bruits et aux textures présentes dans l’image. Nous proposonségalement une étape de filtrage temporel afin d’écarter les fausses alarmes de la première étape dedétection. Celle-ci améliore la précision de l’algorithme en analysant le mouvement des détections spatiales.L’ensemble de l’algorithme (détection spatiale et filtrage temporel) est comparé à des approchesde la littérature et montre un rappel et une précision grandement améliorés.La deuxième partie de cette thèse est consacrée à l’inpainting vidéo. Le but ici est de remplirune région d’une vidéo avec un contenu qui semble visuellement cohérent et convaincant. Il existeune pléthore de méthodes qui traite ce problème dans le cas des images. La littérature dans le casdes vidéos est plus restreinte, notamment car le temps d’exécution représente un véritable obstacle.Nous proposons un algorithme d’inpainting vidéo qui vise l’optimisation d’une fonctionnelle d’énergiequi intègre la notion de patchs, c’est-à-dire des petits cubes de contenu vidéo. Nous traitons d’abord leprobl’‘eme du temps d’exécution avant d’attaquer celui de l’inpainting satisfaisant des textures dans lesvidéos. Nous traitons également le cas des vidéos dont le fond est en mouvement ou qui ont été prisesavec des caméras en mouvement. Enfin, nous nous intéressons à certaines questions de convergencede l’algorithme dans des cas très simplifiés

Novel Video Completion Approaches and Their Applications

Video completion refers to automatically restoring damaged or removed objects in a video sequence, with applications ranging from sophisticated video removal of undesired static or dynamic objects to correction of missing or corrupted video frames in old movies and synthesis of new video frames to add, modify, or generate a new visual story. The video completion problem can be solved using texture synthesis and/or data interpolation to fill-in the holes of the sequence inward. This thesis makes a distinction between still image completion and video completion. The latter requires visually pleasing consistency by taking into account the temporal information. Based on their applied concepts, video completion techniques are categorized as inpainting and texture synthesis. We present a bandlet transform-based technique for each of these categories of video completion techniques. The proposed inpainting-based technique is a 3D volume regularization scheme that takes advantage of bandlet bases for exploiting the anisotropic regularities to reconstruct a damaged video. The proposed exemplar-based approach, on the other hand, performs video completion using a precise patch fusion in the bandlet domain instead of patch replacement. The video completion task is extended to two important applications in video restoration. First, we develop an automatic video text detection and removal that benefits from the proposed inpainting scheme and a novel video text detector. Second, we propose a novel video super-resolution technique that employs the inpainting algorithm spatially in conjunction with an effective structure tensor, generated using bandlet geometry. The experimental results show a good performance of the proposed video inpainting method and demonstrate the effectiveness of bandlets in video completion tasks. The proposed video text detector and the video super resolution scheme also show a high performance in comparison with existing methods

Data Reduction and Deep-Learning Based Recovery for Geospatial Visualization and Satellite Imagery

The storage, retrieval and distribution of data are some critical aspects of big data management. Data scientists and decision-makers often need to share large datasets and make decisions on archiving or deleting historical data to cope with resource constraints. As a consequence, there is an urgency of reducing the storage and transmission requirement. A potential approach to mitigate such problems is to reduce big datasets into smaller ones, which will not only lower storage requirements but also allow light load transfer over the network. The high dimensional data often exhibit high repetitiveness and paradigm across different dimensions. Carefully prepared data by removing redundancies, along with a machine learning model capable of reconstructing the whole dataset from its reduced version, can improve the storage scalability, data transfer, and speed up the overall data management pipeline. In this thesis, we explore some data reduction strategies for big datasets, while ensuring that the data can be transferred and used ubiquitously by all stakeholders, i.e., the entire dataset can be reconstructed with high quality whenever necessary. One of our data reduction strategies follows a straightforward uniform pattern, which guarantees a minimum of 75% data size reduction. We also propose a novel variance based reduction technique, which focuses on removing only redundant data and offers additional 1% to 2% deletion rate. We have adopted various traditional machine learning and deep learning approaches for high-quality reconstruction. We evaluated our pipelines with big geospatial data and satellite imageries. Among them, our deep learning approaches have performed very well both quantitatively and qualitatively with the capability of reconstructing high quality features. We also show how to leverage temporal data for better reconstruction. For uniform deletion, the reconstruction accuracy observed is as high as 98.75% on an average for spatial meteorological data (e.g., soil moisture and albedo), and 99.09% for satellite imagery. Pushing the deletion rate further by following variance based deletion method, the decrease in accuracy remains within 1% for spatial meteorological data and 7% for satellite imagery

Driver-centric Risk Object Identification

A massive number of traffic fatalities are due to driver errors. To reduce fatalities, developing intelligent driving systems assisting drivers to identify potential risks is in urgent need. Risky situations are generally defined based on collision prediction in existing research. However, collisions are only one type of risk in traffic scenarios. We believe a more generic definition is required. In this work, we propose a novel driver-centric definition of risk, i.e., risky objects influence driver behavior. Based on this definition, a new task called risk object identification is introduced. We formulate the task as a cause-effect problem and present a novel two-stage risk object identification framework, taking inspiration from models of situation awareness and causal inference. A driver-centric Risk Object Identification (ROI) dataset is curated to evaluate the proposed system. We demonstrate state-of-the-art risk object identification performance compared with strong baselines on the ROI dataset. In addition, we conduct extensive ablative studies to justify our design choices.Comment: Submitted to TPAM

DIGITAL INPAINTING ALGORITHMS AND EVALUATION

Digital inpainting is the technique of filling in the missing regions of an image or a video using information from surrounding area. This technique has found widespread use in applications such as restoration, error recovery, multimedia editing, and video privacy protection. This dissertation addresses three significant challenges associated with the existing and emerging inpainting algorithms and applications. The three key areas of impact are 1) Structure completion for image inpainting algorithms, 2) Fast and efficient object based video inpainting framework and 3) Perceptual evaluation of large area image inpainting algorithms. One of the main approach of existing image inpainting algorithms in completing the missing information is to follow a two stage process. A structure completion step, to complete the boundaries of regions in the hole area, followed by texture completion process using advanced texture synthesis methods. While the texture synthesis stage is important, it can be argued that structure completion aspect is a vital component in improving the perceptual image inpainting quality. To this end, we introduce a global structure completion algorithm for completion of missing boundaries using symmetry as the key feature. While existing methods for symmetry completion require a-priori information, our method takes a non-parametric approach by utilizing the invariant nature of curvature to complete missing boundaries. Turning our attention from image to video inpainting, we readily observe that existing video inpainting techniques have evolved as an extension of image inpainting techniques. As a result, they suffer from various shortcoming including, among others, inability to handle large missing spatio-temporal regions, significantly slow execution time making it impractical for interactive use and presence of temporal and spatial artifacts. To address these major challenges, we propose a fundamentally different method based on object based framework for improving the performance of video inpainting algorithms. We introduce a modular inpainting scheme in which we first segment the video into constituent objects by using acquired background models followed by inpainting of static background regions and dynamic foreground regions. For static background region inpainting, we use a simple background replacement and occasional image inpainting. To inpaint dynamic moving foreground regions, we introduce a novel sliding-window based dissimilarity measure in a dynamic programming framework. This technique can effectively inpaint large regions of occlusions, inpaint objects that are completely missing for several frames, change in size and pose and has minimal blurring and motion artifacts. Finally we direct our focus on experimental studies related to perceptual quality evaluation of large area image inpainting algorithms. The perceptual quality of large area inpainting technique is inherently a subjective process and yet no previous research has been carried out by taking the subjective nature of the Human Visual System (HVS). We perform subjective experiments using eye-tracking device involving 24 subjects to analyze the effect of inpainting on human gaze. We experimentally show that the presence of inpainting artifacts directly impacts the gaze of an unbiased observer and this in effect has a direct bearing on the subjective rating of the observer. Specifically, we show that the gaze energy in the hole regions of an inpainted image show marked deviations from normal behavior when the inpainting artifacts are readily apparent