866 research outputs found
A study of poultry processing plant noise control techniques
A number of techniques can be used to reduce noise in poultry processing plants. In general, covering the ceiling with a noise-absorbing medium is a practical first step. Once the reflected noise levels are abated, treatment of specific identifiable noise courses can take place. The development, flammability, and mechanical properties of acoustic panels to be vertically suspended from the ceiling are discussed as well as the covers need to comply with USDA cleanability requirements. The isolation of drive motors and pumps from large expansive areas, the muffling of pneumatic devices, and the insulation of ice chutes are methods of source quieting. Proper maintenance of machinery and vibration monitoring are also needed to reduce hearing damage risk and to improve worker productivity and employee/supervisor relations
Amache High School Senior Banquet Program
https://scholarlycommons.pacific.edu/jacoby-nisei/1002/thumbnail.jp
Breaking the barriers of the genre: James Joyce’s Ulysses
Also published in Symposium Melitensia Vol. 15 (2019) p. 57-64When James Joyce’s novel Ulysses was published in 1922, it breached irrevocably the traditional barriers of narration that had previously contained the novel. It shattered the parameters of traditional mimesis of both the late Nineteenth Century Victorian novel, as well as the Naturalistic one. Joyce’s writing disarticulated and collided directly with the pretention that a novel could provide an objective representation of personal or collective narratives of reality. Joyce thus revisited the unified collocation of narrative space and time in traditional mimesis, and he simultaneously demonstrated their intrinsic instabilities. To exemplify these tendencies in Joyce’s writing, I shall be looking at two eloquent episodes of Ulysses that highlight this paradigm shift in narration: the transitioning from the objective spaces of narration to the mental ones of Joyce’s characters. I am particularly interested in the four possibilities of narration in the mental activity of Leopold Bloom in Calypso (Ch.4 of Ulysses), and in the mental space of Molly Bloom’s stream of consciousness in Penelope (Ch.18 of Ulysses).peer-reviewe
The Iowa Homemaker vol.12, no.5
Sixty-five Men Go Domestic… By Gertrude Hendriks
She Comes From Stockholm… By Kathryn Soth
When the Cows Come Home… By Ella Gertrude McMullen
Hobble, Hobble, Little Skirt… By Hazel Leupol
Spartan Daily, January 3, 1973
Volume 60, Issue 55https://scholarworks.sjsu.edu/spartandaily/5690/thumbnail.jp
December 2014, Volume 10, Number 3
https://digitalcommons.winthrop.edu/retrospect/1028/thumbnail.jp
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