Automatic signature verification system

Philosophiae Doctor - PhDIn this thesis, we explore dynamic signature verification systems. Unlike other signature models, we use genuine signatures in this project as they are more appropriate in real world applications. Signature verification systems are typical examples of biometric devices that use physical and behavioral characteristics to verify that a person really is who he or she claims to be. Other popular biometric examples include fingerprint scanners and hand geometry devices. Hand written signatures have been used for some time to endorse financial transactions and legal contracts although little or no verification of signatures is done. This sets it apart from the other biometrics as it is well accepted method of authentication. Until more recently, only hidden Markov models were used for model construction. Ongoing research on signature verification has revealed that more accurate results can be achieved by combining results of multiple models. We also proposed to use combinations of multiple single variate models instead of single multi variate models which are currently being adapted by many systems. Apart from these, the proposed system is an attractive way for making financial transactions more secure and authenticate electronic documents as it can be easily integrated into existing transaction procedures and electronic communication

Human and Artificial Intelligence

Although tremendous advances have been made in recent years, many real-world problems still cannot be solved by machines alone. Hence, the integration between Human Intelligence and Artificial Intelligence is needed. However, several challenges make this integration complex. The aim of this Special Issue was to provide a large and varied collection of high-level contributions presenting novel approaches and solutions to address the above issues. This Special Issue contains 14 papers (13 research papers and 1 review paper) that deal with various topics related to human–machine interactions and cooperation. Most of these works concern different aspects of recommender systems, which are among the most widespread decision support systems. The domains covered range from healthcare to movies and from biometrics to cultural heritage. However, there are also contributions on vocal assistants and smart interactive technologies. In summary, each paper included in this Special Issue represents a step towards a future with human–machine interactions and cooperation. We hope the readers enjoy reading these articles and may find inspiration for their research activities

Sign Here!

Sign Here! Handwriting in the Age of New Media features a number of articles from different fields, reaching from cultural and media studies to literature, film and art, and from philosophy and information studies to law and archival studies. Questions addressed in this book are: Will handwriting disappear in the age of new (digital) media? What happens to important cultural and legal concepts, such as original, copy, authenticity, reproducibility, uniqueness, and iterability? Where is the writing hand to be located if handwriting is performed not immediately 'by hand' but when it is (re)mediated by electronic or artistic media? Sign Here! Handwriting in the Age of New Media is the first part in the series Transformations in Art and Culture

Humanoid Robots

For many years, the human being has been trying, in all ways, to recreate the complex mechanisms that form the human body. Such task is extremely complicated and the results are not totally satisfactory. However, with increasing technological advances based on theoretical and experimental researches, man gets, in a way, to copy or to imitate some systems of the human body. These researches not only intended to create humanoid robots, great part of them constituting autonomous systems, but also, in some way, to offer a higher knowledge of the systems that form the human body, objectifying possible applications in the technology of rehabilitation of human beings, gathering in a whole studies related not only to Robotics, but also to Biomechanics, Biomimmetics, Cybernetics, among other areas. This book presents a series of researches inspired by this ideal, carried through by various researchers worldwide, looking for to analyze and to discuss diverse subjects related to humanoid robots. The presented contributions explore aspects about robotic hands, learning, language, vision and locomotion

The Crisis of Language in Contemporary Japan: Reading, Writing, and New Technology

My dissertation is an ethnographically inspired theoretical exploration of the crises of reading and writing in contemporary Japan. Each of the five chapters examines concrete instances of reading and writing practices that have been problematized in recent decades. By calling attention to underlying moral assumptions, established sociocultural protocols, and socio-technological conditions of the everyday, I theorize the concept of embodied reading and writing thresholds. The scope of analysis is partly informed by popular discourse decrying a perceived decline in reading and writing proficiency among Japanese youth. This alleged failing literacy figures as a national crisis under the assumption that the futurity of children's national language proficiency metonymically correlates with the future well being of its national cultural body. In light of heightened interests in the past, present, and future of books, and a series of recent state interventions on the prospect of "national" text culture, it is my argument that ongoing tensions surrounding the changing media landscape and symbolic relations to the world do not merely reflect changes in styles of language, structures of spatiotemporal awareness, or forms of knowledge production. Rather, they indicate profound transformations and apprehensions among the lives mediated and embodied by the very system of signification that has come under scrutiny in the post-Lost Decade Japan (03/1991-01/2002). My dissertation offers an unique point of critical intervention into 1) various forms of tension arising from the overlapping media technologies and polarized population, 2) formations of reading and writing body (embodiment) at an intersection of heterogeneous elements and everyday disciplining, 3) culturally specific conditions and articulations of the effects of "universal" technologies, 4) prospects of "proper" national reading and writing culture, and 5) questions of cultural transformation and transmission. I hope that the diverse set of events explored in respective chapters provide, as a whole, a broader perspective of the institutional and technological background as well as an intimate understanding of culturally specific circumstances in Japan. Insofar as this is an attempt to conduct a nuanced inquiry into the culturally specific configurations and articulations of a global phenomenon, each ethnographic moment is carefully contextualized to reflect Japan specific conditions while avoiding the pitfall of culturalist assumptions. Understanding how an existing system of representation, technological imperatives and sociohistorical predicaments have coalesced to form a unique constellation is the first step in identifying how the practice of reading and writing becomes a site of heated national debate in Japan. Against theories that problematize the de-corporealizing effects of digital technology within reading and writing, I emphasize the material specificity of contemporary reading and writing practices

Automated Analysis of X-ray Images for Cargo Security

Customs and border officers are overwhelmed by the hundreds of millions of cargo containers that constitute the backbone of the global supply chain, any one of which could contain a security- or customs-related threat. Searching for these threats is akin to searching for needles in an ever-growing field of haystacks. This thesis considers novel automated image analysis methods to automate or assist elements of cargo inspection. The four main contributions of this thesis are as follows. Methods are proposed for the measurement and correction of detector wobble in large-scale transmission radiography using Beam Position Detectors (BPDs). Wobble is estimated from BPD measurements using a Random Regression Forest (RRF) model, Bayesian fused with a prior estimate from an Auto-Regression (AR). Next, a series of image corrections are derived, and it is shown that 87% of image error due to wobble can be corrected. This is the first proposed method for correction of wobble in large-scale transmission radiography. A Threat Image Projection (TIP) framework is proposed, for training, probing and evaluating Automated Threat Detection (ATD) algorithms. The TIP method is validated experimentally, and a method is proposed to test whether algorithms can learn to exploit TIP artefacts. A system for Empty Container Verification (ECV) is proposed. The system, trained using TIP, is based on Random Forest (RF) classification of image patches according to fixed geometric features and container location. The method outperforms previous reported results, and is able to detect very small amounts of synthetically concealed smuggled contraband. Finally, a method for ATD is proposed, based on a deep Convolutional Neural Network (CNN), trained from scratch using TIP, and exploits the material information encoded within dual-energy X-ray images to suppress false alarms. The system offers a 100-fold improvement in the false positive rate over prior work

"Los toros guapos" : "good-looking bulls", animal life, ethics and professional know-how on an Andalusian bull-breeding estate

This thesis take the form of an ethnographic exploration of a bull-breeding estate called Partido de Resina (formerly Pablo Romero) in the countryside near Seville in Andalusia. The estate, founded in 1885, produces fighting bulls for taurine events in Southern France, Spain and Portugal. At the heart of the thesis is the life cycle of the fighting animals, every chapter being anchored to a particular point in the bull-breeding calendar and the lives of the stock. Each chapter draws out specific qualities of the world of the bulls from the perspective of Partido de Resina, rooting the bulls and their people in a wider Spanish and Andalusian landscape and history, with a focus on technical know-how and everyday ethics after the 2008 financial crisis. The professionals who care for the Partido de Resina bulls, cows, and calves are the human protagonists of this project; their working routines, hopes, concerns, and stories described through their interactions with the animals which they look after. The core anthropological argument in the thesis is to show how different ethnographically salient forms of life emerge on and around the estate, sometimes weighted towards individual animals, sometimes towards bits of taurine bodies, or breeds, types, lineages, cohorts, and other groupings of stock. The varied, dynamic presence of animal life is contextualised in the literature of the 'animal turn' in anthropology, which has drawn non- human life into the ethnographic foreground. A case is made for a nuanced and contextual ethnographic attention to animal life and interiority as it emerges in the field, without an a priori emphasis on animal personhood or subjectivity. In foregrounding the qualities and concerns encountered and worked through during both routine livestock maintenance and extraordinary, definitive events like bullfights, the emergent, multiple character of taurine forms of existence become apparent

Comics and/as Documentary: the implications of graphic truth-telling

Examining examples from a cluster of early twenty-first century comics this thesis argues that these are comics adopting a documentary mode of address. The recognition that they share a documentary ambition to visually narrate and represent aspects and events of the real world, in turn calls for a closer examination of the contribution such comics present in terms of documentary’s repertoire. This thesis challenges the persistent assumption that ties documentary to recording technologies, and instead engages an understanding of the category in terms of narrative, performativity and witnessing. In so doing, it aligns with debates and questions raised by recent academic work around animated documentary. Shared concerns include conventions, truth-claims and trust, and the limitations of representation as verisimilitude. Mindful not to overstate correspondence with animated and inherently moving image forms, however, this contribution explicitly concerns documentary in comics form: as constituted by static and silent pages. The enquiry is structured according to concerns and themes that have been identified as central to documentary theory: the relation between documentary image and its referent; the production of archives and popular history; the social function of documentary as visibility and ‘voice’, and the travelogue as cultural narrative and production of knowledge. In other words, examples of comics that address actual, as opposed to imagined, persons and events of the historical world, are read through the lens of documentary. Close reading and visual analysis, engaging comics-specific frameworks, asks how comics by means of their formal qualities might offer alternative strategies and even the possibility to overcome certain problems associated with audiovisual modes of documentary representation. The thesis simultaneously extends an alternative perspective to literary frameworks, in particular the categories of memoir and autobiography, which have come to dominate in a steadily growing field of comics studies

Obiter Dicta

"Stitched together over five years of journaling, Obiter Dicta is a commonplace book of freewheeling explorations representing the transcription of a dozen notebooks, since painstakingly reimagined for publication. Organized after Theodor Adorno’s Minima Moralia, this unschooled exercise in aesthetic thought—gleefully dilettantish, oftentimes dangerously close to the epigrammatic—interrogates an array of subject matter (although inescapably circling back to the curiously resemblant histories of Western visual art and instrumental music) through the lens of drive-by speculation. Erick Verran’s approach to philosophical inquiry follows the brute-force literary technique of Jacques Derrida to exhaustively favor the material grammar of a signifier over hand-me-down meaning, juxtaposing outer semblances with their buried systems and our etched-in-stone intuitions about color and illusion, shape and value, with lessons stolen from seemingly unrelatable disciplines. Interlarded with extracts of Ludwig Wittgenstein but also Wallace Stevens, Cormac McCarthy as well as Roland Barthes, this cache of incidental remarks eschews what’s granular for the biggest picture available, leaving below the hyper-specialized fields of academia for a bird’s-eye view of their crop circles. Obiter Dicta is an unapologetic experiment in intellectual dot-connecting that challenges much long-standing wisdom about everything from illuminated manuscripts to Minecraft and the evolution of European music with lyrical brevity; that is, before jumping to the next topic.