Entropy in Image Analysis II

Image analysis is a fundamental task for any application where extracting information from images is required. The analysis requires highly sophisticated numerical and analytical methods, particularly for those applications in medicine, security, and other fields where the results of the processing consist of data of vital importance. This fact is evident from all the articles composing the Special Issue "Entropy in Image Analysis II", in which the authors used widely tested methods to verify their results. In the process of reading the present volume, the reader will appreciate the richness of their methods and applications, in particular for medical imaging and image security, and a remarkable cross-fertilization among the proposed research areas

Cone Penetration Testing 2022

This volume contains the proceedings of the 5th International Symposium on Cone Penetration Testing (CPT’22), held in Bologna, Italy, 8-10 June 2022. More than 500 authors - academics, researchers, practitioners and manufacturers – contributed to the peer-reviewed papers included in this book, which includes three keynote lectures, four invited lectures and 169 technical papers. The contributions provide a full picture of the current knowledge and major trends in CPT research and development, with respect to innovations in instrumentation, latest advances in data interpretation, and emerging fields of CPT application. The paper topics encompass three well-established topic categories typically addressed in CPT events: - Equipment and Procedures - Data Interpretation - Applications. Emphasis is placed on the use of statistical approaches and innovative numerical strategies for CPT data interpretation, liquefaction studies, application of CPT to offshore engineering, comparative studies between CPT and other in-situ tests. Cone Penetration Testing 2022 contains a wealth of information that could be useful for researchers, practitioners and all those working in the broad and dynamic field of cone penetration testing

Safety and Reliability - Safe Societies in a Changing World

The contributions cover a wide range of methodologies and application areas for safety and reliability that contribute to safe societies in a changing world. These methodologies and applications include: - foundations of risk and reliability assessment and management - mathematical methods in reliability and safety - risk assessment - risk management - system reliability - uncertainty analysis - digitalization and big data - prognostics and system health management - occupational safety - accident and incident modeling - maintenance modeling and applications - simulation for safety and reliability analysis - dynamic risk and barrier management - organizational factors and safety culture - human factors and human reliability - resilience engineering - structural reliability - natural hazards - security - economic analysis in risk managemen

Task Allocation in Foraging Robot Swarms:The Role of Information Sharing

Autonomous task allocation is a desirable feature of robot swarms that collect and deliver items in scenarios where congestion, caused by accumulated items or robots, can temporarily interfere with swarm behaviour. In such settings, self-regulation of workforce can prevent unnecessary energy consumption. We explore two types of self-regulation: non-social, where robots become idle upon experiencing congestion, and social, where robots broadcast information about congestion to their team mates in order to socially inhibit foraging. We show that while both types of self-regulation can lead to improved energy efficiency and increase the amount of resource collected, the speed with which information about congestion flows through a swarm affects the scalability of these algorithms

Unfamiliar sounds in familiar settings: On the cosmopolitan labour of film composers in Istanbul

Filmmaking in Turkey has long, convoluted history. The Turkish film industry developed, flowered, and declined before being nearly obliterated altogether by a military coup in 1980. Following the nearly total disappearance of a coherent studio system, a new approach to filmmaking, the New Turkish Cinema, developed during a time of economic and cultural resurgence. Now in a mature phase, Turkish films and television programs are rapidly becoming a focus of local and global interest, as Turkey grows as a consumer marketplace and as a player in global affairs. Films and television programs have become key players in Turkey’s economic, cultural, and diplomatic resurgence. Despite film’s reemergence, film music has not been a focus of scholarly inquiry until recently because critics and scholars have not seen it as a contributing factor to the development of the new Turkish cinema. This dissertation examines the creative labor of film composers working in the Turkish film industry from 2010-2016. It focuses on the socio-cultural contexts that facilitate the work of filmmakers as they create films suitable for the Turkish market while working from within a much more globalized, cosmopolitan framework. Through a detailed assessment of film composers’ creative processes, it demonstrates that their work is that of a “first interpreter,” a role that makes them the conduit between the filmmaking team and the audiences. The initial chapters develop a technological and social history of Turkish filmmaking. They identify the conditions under which diasporic Turks have come to dominate the role of film composer. These individuals brought new technologies and practices in the form of digital music composition and the use of DAWs (digital audio workstations) to create almost exclusively synthesized film scores. Their working methods are connected to a larger filmmaking context because of the unifying presence of these new tools. Consequently, they have brought new practices and methods by participating globalized filmmaking praxisscape enabled by computerized technologies and fundamentally changed the way Turkish films are made. Later chapters investigate the details of Turkish filmmakers’ work and demonstrate how their disinterest in identity politics has made them excellent conduits for importation and experimentation of outside influences. Their role as first interpreter grounds their work as they experiment with a combination of Turkish topics, global topics, and many different genres of music. Following a close analysis of how new technologies have influenced the practicalities of film music composition and cinematic interpretation, the final chapter closes with a description of the “return to home” trope. This cine-musical construction is found in a number of films of the New Turkish Cinema. Its construction and use is a significant manifestation of contemporary debates trying to locate Turkish social and cultural identity between old/new, eastern/western, rural/urban, and traditional/modern dyads