A Data-driven, Piecewise Linear Approach to Modeling Human Motions

Motion capture, or mocap, is a prevalent technique for capturing and analyzing human articulations. Nowadays, mocap data are becoming one of the primary sources of realistic human motions for computer animation as well as education, training, sports medicine, video games, and special effects in movies. As more and more applications rely on high-quality mocap data and huge amounts of mocap data become available, there are imperative needs for more effective and robust motion capture techniques, better ways of organizing motion databases, as well as more efficient methods to compress motion sequences. I propose a data-driven, segment-based, piecewise linear modeling approach to exploit the redundancy and local linearity exhibited by human motions and describe human motions with a small number of parameters. This approach models human motions with a collection of low-dimensional local linear models. I first segment motion sequences into subsequences, i.e. motion segments, of simple behaviors. Motion segments of similar behaviors are then grouped together and modeled with a unique local linear model. I demonstrate this approach's utility in four challenging driving problems: estimating human motions from a reduced marker set; missing marker estimation; motion retrieval; and motion compression

An Automated Algorithm for Approximation of Temporal Video Data Using Linear B'EZIER Fitting

This paper presents an efficient method for approximation of temporal video data using linear Bezier fitting. For a given sequence of frames, the proposed method estimates the intensity variations of each pixel in temporal dimension using linear Bezier fitting in Euclidean space. Fitting of each segment ensures upper bound of specified mean squared error. Break and fit criteria is employed to minimize the number of segments required to fit the data. The proposed method is well suitable for lossy compression of temporal video data and automates the fitting process of each pixel. Experimental results show that the proposed method yields good results both in terms of objective and subjective quality measurement parameters without causing any blocking artifacts.Comment: 14 Pages, IJMA 201

Visual Importance-Biased Image Synthesis Animation

Present ray tracing algorithms are computationally intensive, requiring hours of computing time for complex scenes. Our previous work has dealt with the development of an overall approach to the application of visual attention to progressive and adaptive ray-tracing techniques. The approach facilitates large computational savings by modulating the supersampling rates in an image by the visual importance of the region being rendered. This paper extends the approach by incorporating temporal changes into the models and techniques developed, as it is expected that further efficiency savings can be reaped for animated scenes. Applications for this approach include entertainment, visualisation and simulation

Human Motion Capture Data Tailored Transform Coding

Human motion capture (mocap) is a widely used technique for digitalizing human movements. With growing usage, compressing mocap data has received increasing attention, since compact data size enables efficient storage and transmission. Our analysis shows that mocap data have some unique characteristics that distinguish themselves from images and videos. Therefore, directly borrowing image or video compression techniques, such as discrete cosine transform, does not work well. In this paper, we propose a novel mocap-tailored transform coding algorithm that takes advantage of these features. Our algorithm segments the input mocap sequences into clips, which are represented in 2D matrices. Then it computes a set of data-dependent orthogonal bases to transform the matrices to frequency domain, in which the transform coefficients have significantly less dependency. Finally, the compression is obtained by entropy coding of the quantized coefficients and the bases. Our method has low computational cost and can be easily extended to compress mocap databases. It also requires neither training nor complicated parameter setting. Experimental results demonstrate that the proposed scheme significantly outperforms state-of-the-art algorithms in terms of compression performance and speed

Synthesis of variable dancing styles based on a compact spatiotemporal representation of dance

Dance as a complex expressive form of motion is able to convey emotion, meaning and social idiosyncrasies that opens channels for non-verbal communication, and promotes rich cross-modal interactions with music and the environment. As such, realistic dancing characters may incorporate crossmodal information and variability of the dance forms through compact representations that may describe the movement structure in terms of its spatial and temporal organization. In this paper, we propose a novel method for synthesizing beatsynchronous dancing motions based on a compact topological model of dance styles, previously captured with a motion capture system. The model was based on the Topological Gesture Analysis (TGA) which conveys a discrete three-dimensional point-cloud representation of the dance, by describing the spatiotemporal variability of its gestural trajectories into uniform spherical distributions, according to classes of the musical meter. The methodology for synthesizing the modeled dance traces back the topological representations, constrained with definable metrical and spatial parameters, into complete dance instances whose variability is controlled by stochastic processes that considers both TGA distributions and the kinematic constraints of the body morphology. In order to assess the relevance and flexibility of each parameter into feasibly reproducing the style of the captured dance, we correlated both captured and synthesized trajectories of samba dancing sequences in relation to the level of compression of the used model, and report on a subjective evaluation over a set of six tests. The achieved results validated our approach, suggesting that a periodic dancing style, and its musical synchrony, can be feasibly reproduced from a suitably parametrized discrete spatiotemporal representation of the gestural motion trajectories, with a notable degree of compression