326,418 research outputs found

    Pengaruh Konfigurasi Politik Hukum Terhadap Karakter Produk Hukum

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    Law structure can expand in a condition any political configuraton marked by efficacy of making of unification and codification punish as seeing in Program Legislation National. This Matter happened ketidak synchronize between structure punish with function punish as referred above because of because trouble or intervention of political actions. Law sometime do not upheld caused by intervention power of politics. Law product show his it with the happening of pattern refuse to draw between law product which responsive with character and law product which with character Conservative. In this time indicate that certain political situation will be able to bear product punish with certain character also. This matter theoretically, political system dikotomis of democracy will yield responsive law product. While autoritary political system configuraton will yield conservative law product / orthodox. Conclusion of the public can  directly hooked;correlated under study arrangement of law about governance of area in Indonesia

    ‘Anthropomorphic drones’ and colonized bodies: William Gibson’s the peripheral

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    William Gibson tends to write in trilogies, as his first nine novels show. These series – the Sprawl, the Bridge, and the Blue Ant trilogies – are set in three different time periods and are populated by characters who reappear from one book to the next. Given this pattern in Gibson’s writing habits, 2014’s The Peripheral can be considered a new work, set in a separate universe from any of Gibson’s previous novels. However, in terms of its philosophical position, The Peripheral is the continuation of a career-long trajectory. Gibson’s work is consistently concerned with the relationship of the individual to their society and the interface between the two, as mediated through the senses. The Sprawl trilogy and the Bridge trilogy privileged vision as the most important of the senses, particularly in cyberspace where the body is left behind and engagement with virtual reality happens mainly through the eyes gazing on a computer screen. 2003’s Pattern Recognition, the first novel in the Blue Ant trilogy which went on to include Spook Country (2007) and Count Zero (2010), began to resituate the body and specifically the haptic as key to engaging with the world while The Peripheral takes this philosophical journey further, privileging the haptic as a key site of phenomenological engagement

    Wittgenstein On Aspect-Seeing, The Nature Of Discursive Consciousness, And The Experience Of Agency

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    Mathematics And Mathematics Education Values In Forming Someone’s Character

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    The success of someone’ life is not only determined by intellectual aspect, but also other aspects, such as character, emotional, and social aspects. Those three aspects can’t be separated from moral values. Moral values are concepts of basic behavior and attitude which determine who we are, how we live, and how we behave to others. Mathematics and mathematics education characteristic can become a means to make them become true. From this view, it is very interesting to know further between mathematics and mathematics education values with the problems of life, that is character. Keywords: Mathematics value, mathematics education value, character

    Cognitive Architecture and the Epistemic Gap : Defending Physicalism without Phenomenal Concepts

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    The novel approach presented in this paper accounts for the occurrence of the epistemic gap and defends physicalism against anti-physicalist arguments without relying on so-called phenomenal concepts. Instead of concentrating on conceptual features, the focus is shifted to the special characteristics of experiences themselves. To this extent, the account provided is an alternative to the Phenomenal Concept Strategy. It is argued that certain sensory representations, as accessed by higher cognition, lack constituent structure. Unstructured representations could freely exchange their causal roles within a given system which entails their functional unanalysability. These features together with the encapsulated nature of low level complex processes giving rise to unstructured sensory representations readily explain those peculiarities of phenomenal consciousness which are usually taken to pose a serious problem for contemporary physicalism. I conclude that if those concepts which are related to the phenomenal character of conscious experience are special in any way, their characteristics are derivative of and can be accounted for in terms of the cognitive and representational features introduced in the present paper

    Why is Bilbo Baggins Invisible?: The Hidden War in The Hobbit

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    Why is Bilbo Baggins invisible? This study suggests that Tolkien’s knowledge of philology, theology, philosophy, literature, history, and his own life experience all contribute to the development of the symbolic, moral, and psychological significance of invisibility in The Hobbit. On one level, Tolkien’s theology is informed by his philology, so that being invisible (or “not able to be seen”) becomes a way of symbolically representing the Augustinian concept of evil as the absence of good in the world. On another level, Tolkien’s use of invisibility in The Hobbit demonstrates his knowledge of the philosophic and literary tradition associated with the story of the ring of Gyges in Plato’s Republic, a story that suggests that when people’s actions are not visible and open to the moral scrutiny of others, people may become self-serving and cease to be virtuous. Finally, in his historic role as a signals officer in World War I, Tolkien was often, in effect, invisible to those he was serving and seeking to save on the battlefield. Like Bilbo when he was invisible, he could be heard, but not seen. So invisibility in The Hobbit may correspond to the psychologically traumatizing experience of being in combat. At each of these three levels, invisibility in The Hobbit relates to a hidden war: the conflict between good and evil in the macrocosm of the universe, the resistance to temptation in the microcosm of the heart, and, in a sense, to World War I itself. Readers who understand the deeper symbolic, moral, and psychological significance of invisibility in The Hobbit will no longer see it as a mere magic trick to move the plot forward, but will instead appreciate the deeper meaning of the motif

    Taking the Archetypes to School

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    The Hiddenness of Psychological Symptom Amplification: Some Historical Observations

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    This book chapter is a short response to a paper by the psychiatrist Nicholas Kontos, on the phenomenon of psychological symptom amplification (PSA). PSA takes place when patients present symptoms to clinicians that they do not actually have, or, perhaps more commonly, they exaggerate symptoms they do have. Kontos argues that, because of modern medical training, it is very difficult for clinicians to recognize that the patient's presented symptoms are exaggerated or nonexistent. I argue that the hiddenness of PSA is a result of far-reaching instutitional changes that took place in American psychiatry in the 1970s. In short, many psychiatrists went from seeing mental disorders as (unconscious) strategies to seeing them as dysfunctions, nothing more. Recognizing PSA involves adopting a perspective that has been effectively abolished in contemporary American psychiatry
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