HVC-Net: Unifying Homography, Visibility, and Confidence Learning for Planar Object Tracking

Robust and accurate planar tracking over a whole video sequence is vitally important for many vision applications. The key to planar object tracking is to find object correspondences, modeled by homography, between the reference image and the tracked image. Existing methods tend to obtain wrong correspondences with changing appearance variations, camera-object relative motions and occlusions. To alleviate this problem, we present a unified convolutional neural network (CNN) model that jointly considers homography, visibility, and confidence. First, we introduce correlation blocks that explicitly account for the local appearance changes and camera-object relative motions as the base of our model. Second, we jointly learn the homography and visibility that links camera-object relative motions with occlusions. Third, we propose a confidence module that actively monitors the estimation quality from the pixel correlation distributions obtained in correlation blocks. All these modules are plugged into a Lucas-Kanade (LK) tracking pipeline to obtain both accurate and robust planar object tracking. Our approach outperforms the state-of-the-art methods on public POT and TMT datasets. Its superior performance is also verified on a real-world application, synthesizing high-quality in-video advertisements.Comment: Accepted to ECCV 202

Vehicle Trajectories from Unlabeled Data through Iterative Plane Registration

One of the most complex aspects of autonomous driving concerns understanding the surrounding environment. In particular, the interest falls on detecting which agents are populating it and how they are moving. The capacity to predict how these may act in the near future would allow an autonomous vehicle to safely plan its trajectory, minimizing the risks for itself and others. In this work we propose an automatic trajectory annotation method exploiting an Iterative Plane Registration algorithm based on homographies and semantic segmentations. The output of our technique is a set of holistic trajectories (past-present-future) paired with a single image context, useful to train a predictive model

E3CM: Epipolar-Constrained Cascade Correspondence Matching

Accurate and robust correspondence matching is of utmost importance for various 3D computer vision tasks. However, traditional explicit programming-based methods often struggle to handle challenging scenarios, and deep learning-based methods require large well-labeled datasets for network training. In this article, we introduce Epipolar-Constrained Cascade Correspondence (E3CM), a novel approach that addresses these limitations. Unlike traditional methods, E3CM leverages pre-trained convolutional neural networks to match correspondence, without requiring annotated data for any network training or fine-tuning. Our method utilizes epipolar constraints to guide the matching process and incorporates a cascade structure for progressive refinement of matches. We extensively evaluate the performance of E3CM through comprehensive experiments and demonstrate its superiority over existing methods. To promote further research and facilitate reproducibility, we make our source code publicly available at https://mias.group/E3CM.Comment: accepted to Neurocomputin

Deep Homography Estimation for Dynamic Scenes

Homography estimation is an important step in many computer vision problems. Recently, deep neural network methods have shown to be favorable for this problem when compared to traditional methods. However, these new methods do not consider dynamic content in input images. They train neural networks with only image pairs that can be perfectly aligned using homographies. This paper investigates and discusses how to design and train a deep neural network that handles dynamic scenes. We first collect a large video dataset with dynamic content. We then develop a multi-scale neural network and show that when properly trained using our new dataset, this neural network can already handle dynamic scenes to some extent. To estimate a homography of a dynamic scene in a more principled way, we need to identify the dynamic content. Since dynamic content detection and homography estimation are two tightly coupled tasks, we follow the multi-task learning principles and augment our multi-scale network such that it jointly estimates the dynamics masks and homographies. Our experiments show that our method can robustly estimate homography for challenging scenarios with dynamic scenes, blur artifacts, or lack of textures.Comment: CVPR 2020, https://github.com/lcmhoang/hmg-dynamic

TVCalib: Camera Calibration for Sports Field Registration in Soccer

Sports field registration in broadcast videos is typically interpreted as the task of homography estimation, which provides a mapping between a planar field and the corresponding visible area of the image. In contrast to previous approaches, we consider the task as a camera calibration problem. First, we introduce a differentiable objective function that is able to learn the camera pose and focal length from segment correspondences (e.g., lines, point clouds), based on pixel-level annotations for segments of a known calibration object. The calibration module iteratively minimizes the segment reprojection error induced by the estimated camera parameters. Second, we propose a novel approach for 3D sports field registration from broadcast soccer images. Compared to the typical solution, which subsequently refines an initial estimation, our solution does it in one step. The proposed method is evaluated for sports field registration on two datasets and achieves superior results compared to two state-of-the-art approaches.Comment: Accepted for publication at WACV'2

Pose estimation system based on monocular cameras

Our world is full of wonders. It is filled with mysteries and challenges, which through the ages inspired and called for the human civilization to grow itself, either philosophically or sociologically. In time, humans reached their own physical limitations; nevertheless, we created technology to help us overcome it. Like the ancient uncovered land, we are pulled into the discovery and innovation of our time. All of this is possible due to a very human characteristic - our imagination. The world that surrounds us is mostly already discovered, but with the power of computer vision (CV) and augmented reality (AR), we are able to live in multiple hidden universes alongside our own. With the increasing performance and capabilities of the current mobile devices, AR is what we dream it can be. There are still many obstacles, but this future is already our reality, and with the evolving technologies closing the gap between the real and the virtual world, soon it will be possible for us to surround ourselves into other dimensions, or fuse them with our own. This thesis focuses on the development of a system to predict the camera’s pose estimation in the real-world regarding to the virtual world axis. The work was developed as a sub-module integrated on the M5SAR project: Mobile Five Senses Augmented Reality System for Museums, aiming to a more immerse experience with the total or partial replacement of the environments’ surroundings. It is based mainly on man-made buildings indoors and their typical rectangular cuboid shape. With the possibility of knowing the user’s camera direction, we can then superimpose dynamic AR content, inviting the user to explore the hidden worlds. The M5SAR project introduced a new way to explore the existent historical museums by exploring the human’s five senses: hearing, smell, taste, touch, vision. With this innovative technology, the user is able to enhance their visitation and immerse themselves into a virtual world blended with our reality. A mobile device application was built containing an innovating framework: MIRAR - Mobile Image Recognition based Augmented Reality - containing object recognition, navigation, and additional AR information projection in order to enrich the users’ visit, providing an intuitive and compelling information regarding the available artworks, exploring the hearing and vision senses. A device specially designed was built to explore the additional three senses: smell, taste and touch which, when attached to a mobile device, either smartphone or tablet, would pair with it and automatically react in with the offered narrative related to the artwork, immersing the user with a sensorial experience. As mentioned above, the work presented on this thesis is relative to a sub-module of the MIRAR regarding environment detection and the superimposition of AR content. With the main goal being the full replacement of the walls’ contents, and with the possibility of keeping the artwork visible or not, it presented an additional challenge with the limitation of using only monocular cameras. Without the depth information, any 2D image of an environment, to a computer doesn’t represent the tridimensional layout of the real-world dimensions. Nevertheless, man-based building tends to follow a rectangular approach to divisions’ constructions, which allows for a prediction to where the vanishing point on any environment image may point, allowing the reconstruction of an environment’s layout from a 2D image. Furthermore, combining this information with an initial localization through an improved image recognition to retrieve the camera’s spatial position regarding to the real-world coordinates and the virtual-world, alas, pose estimation, allowed for the possibility of superimposing specific localized AR content over the user’s mobile device frame, in order to immerse, i.e., a museum’s visitor into another era correlated to the present artworks’ historical period. Through the work developed for this thesis, it was also presented a better planar surface in space rectification and retrieval, a hybrid and scalable multiple images matching system, a more stabilized outlier filtration applied to the camera’s axis, and a continuous tracking system that works with uncalibrated cameras and is able to achieve particularly obtuse angles and still maintain the surface superimposition. Furthermore, a novelty method using deep learning models for semantic segmentation was introduced for indoor layout estimation based on monocular images. Contrary to the previous developed methods, there is no need to perform geometric calculations to achieve a near state of the art performance with a fraction of the parameters required by similar methods. Contrary to the previous work presented on this thesis, this method performs well even in unseen and cluttered rooms if they follow the Manhattan assumption. An additional lightweight application to retrieve the camera pose estimation is presented using the proposed method.O nosso mundo está repleto de maravilhas. Está cheio de mistérios e desafios, os quais, ao longo das eras, inspiraram e impulsionaram a civilização humana a evoluir, seja filosófica ou sociologicamente. Eventualmente, os humanos foram confrontados com os seus limites físicos; desta forma, criaram tecnologias que permitiram superá-los. Assim como as terras antigas por descobrir, somos impulsionados à descoberta e inovação da nossa era, e tudo isso é possível graças a uma característica marcadamente humana: a nossa imaginação. O mundo que nos rodeia está praticamente todo descoberto, mas com o poder da visão computacional (VC) e da realidade aumentada (RA), podemos viver em múltiplos universos ocultos dentro do nosso. Com o aumento da performance e das capacidades dos dispositivos móveis da atualidade, a RA pode ser exatamente aquilo que sonhamos. Continuam a existir muitos obstáculos, mas este futuro já é o nosso presente, e com a evolução das tecnologias a fechar o fosso entre o mundo real e o mundo virtual, em breve será possível cercarmo-nos de outras dimensões, ou fundi-las dentro da nossa. Esta tese foca-se no desenvolvimento de um sistema de predição para a estimação da pose da câmara no mundo real em relação ao eixo virtual do mundo. Este trabalho foi desenvolvido como um sub-módulo integrado no projeto M5SAR: Mobile Five Senses Augmented Reality System for Museums, com o objetivo de alcançar uma experiência mais imersiva com a substituição total ou parcial dos limites do ambiente. Dedica-se ao interior de edifícios de arquitetura humana e a sua típica forma de retângulo cuboide. Com a possibilidade de saber a direção da câmara do dispositivo, podemos então sobrepor conteúdo dinâmico de RA, num convite ao utilizador para explorar os mundos ocultos. O projeto M5SAR introduziu uma nova forma de explorar os museus históricos existentes através da exploração dos cinco sentidos humanos: a audição, o cheiro, o paladar, o toque e a visão. Com essa tecnologia inovadora, o utilizador pode engrandecer a sua visita e mergulhar num mundo virtual mesclado com a nossa realidade. Uma aplicação para dispositivo móvel foi criada, contendo uma estrutura inovadora: MIRAR - Mobile Image Recognition based Augmented Reality - a possuir o reconhecimento de objetos, navegação e projeção de informação de RA adicional, de forma a enriquecer a visita do utilizador, a fornecer informação intuitiva e interessante em relação às obras de arte disponíveis, a explorar os sentidos da audição e da visão. Foi também desenhado um dispositivo para exploração em particular dos três outros sentidos adicionais: o cheiro, o toque e o sabor. Este dispositivo, quando afixado a um dispositivo móvel, como um smartphone ou tablet, emparelha e reage com este automaticamente com a narrativa relacionada à obra de arte, a imergir o utilizador numa experiência sensorial. Como já referido, o trabalho apresentado nesta tese é relativo a um sub-módulo do MIRAR, relativamente à deteção do ambiente e a sobreposição de conteúdo de RA. Sendo o objetivo principal a substituição completa dos conteúdos das paredes, e com a possibilidade de manter as obras de arte visíveis ou não, foi apresentado um desafio adicional com a limitação do uso de apenas câmaras monoculares. Sem a informação relativa à profundidade, qualquer imagem bidimensional de um ambiente, para um computador isso não se traduz na dimensão tridimensional das dimensões do mundo real. No entanto, as construções de origem humana tendem a seguir uma abordagem retangular às divisões dos edifícios, o que permite uma predição de onde poderá apontar o ponto de fuga de qualquer ambiente, a permitir a reconstrução da disposição de uma divisão através de uma imagem bidimensional. Adicionalmente, ao combinar esta informação com uma localização inicial através de um reconhecimento por imagem refinado, para obter a posição espacial da câmara em relação às coordenadas do mundo real e do mundo virtual, ou seja, uma estimativa da pose, foi possível alcançar a possibilidade de sobrepor conteúdo de RA especificamente localizado sobre a moldura do dispositivo móvel, de maneira a imergir, ou seja, colocar o visitante do museu dentro de outra era, relativa ao período histórico da obra de arte em questão. Ao longo do trabalho desenvolvido para esta tese, também foi apresentada uma melhor superfície planar na recolha e retificação espacial, um sistema de comparação de múltiplas imagens híbrido e escalável, um filtro de outliers mais estabilizado, aplicado ao eixo da câmara, e um sistema de tracking contínuo que funciona com câmaras não calibradas e que consegue obter ângulos particularmente obtusos, continuando a manter a sobreposição da superfície. Adicionalmente, um algoritmo inovador baseado num modelo de deep learning para a segmentação semântica foi introduzido na estimativa do traçado com base em imagens monoculares. Ao contrário de métodos previamente desenvolvidos, não é necessário realizar cálculos geométricos para obter um desempenho próximo ao state of the art e ao mesmo tempo usar uma fração dos parâmetros requeridos para métodos semelhantes. Inversamente ao trabalho previamente apresentado nesta tese, este método apresenta um bom desempenho mesmo em divisões sem vista ou obstruídas, caso sigam a mesma premissa Manhattan. Uma leve aplicação adicional para obter a posição da câmara é apresentada usando o método proposto

Placental vessel segmentation and registration in fetoscopy : Literature review and MICCAI FetReg2021 challenge findings

Peer reviewe

Learning Rotation-Equivariant Features for Visual Correspondence

Extracting discriminative local features that are invariant to imaging variations is an integral part of establishing correspondences between images. In this work, we introduce a self-supervised learning framework to extract discriminative rotation-invariant descriptors using group-equivariant CNNs. Thanks to employing group-equivariant CNNs, our method effectively learns to obtain rotation-equivariant features and their orientations explicitly, without having to perform sophisticated data augmentations. The resultant features and their orientations are further processed by group aligning, a novel invariant mapping technique that shifts the group-equivariant features by their orientations along the group dimension. Our group aligning technique achieves rotation-invariance without any collapse of the group dimension and thus eschews loss of discriminability. The proposed method is trained end-to-end in a self-supervised manner, where we use an orientation alignment loss for the orientation estimation and a contrastive descriptor loss for robust local descriptors to geometric/photometric variations. Our method demonstrates state-of-the-art matching accuracy among existing rotation-invariant descriptors under varying rotation and also shows competitive results when transferred to the task of keypoint matching and camera pose estimation.Comment: Accepted to CVPR 2023, Project webpage at http://cvlab.postech.ac.kr/research/REL

Semantics and Planar Geometry for self-supervised Road Scene Understanding

In this thesis we leverage domain knowledge, specifically of road scenes, to provide a self-supervision signal, reduce the labelling requirements, improve the convergence of training and introduce interpretable parameters based on vastly simplified models. Specifically, we chose to research the value of applying domain knowledge to the popular tasks of semantic segmentation and relative pose estimation towards better understanding road scenes. In particular we leverage semantic and geometric scene understanding separately in the first two contributions and then seek to combine them in the third contribution. Firstly, we show that hierarchical structure in class labels for training networks for tasks such as semantic segmentation can be useful for boosting performance and accelerating training. Moreover, we present a hierarchical loss implementation which differentiates between minor and serious errors, and evaluate our method on the Vistas road scene dataset. Secondly, for the task of self-supervised monocular relative pose estimation, we propose a ground-relative formulation for network output which roots our problem in a locally planar geometry. Current self-supervised methods generally require over-parameterised training of both a pose and depth network, and our method entirely replaces the need for depth estimation, while obtaining competitive results on the KITTI visual odometry dataset, dramatically simplifying the problem. Thirdly, we combine semantics with our geometric formulation by extracting the road plane with semantic segmentation and robustly fitting homographies to fine-scale correspondences between coarsely aligned image pairs. We show that with aid from our geometric knowledge and a known analytical method, we can decompose these homographies into camera-relative pose, providing a self-supervision signal that significantly improves our visual odometry performance at both training and test time. In particular, we form a non-differentiable module which computes real-time pseudo-labels, avoiding training complexity, and additionally allowing for test-time performance boosting, helping tackle bias present with deep learning methods