Representation, Exploration, and Recommendation of Music Playlists

abstract: Playlists have become a significant part of the music listening experience today because of the digital cloud-based services such as Spotify, Pandora, Apple Music. Owing to the meteoric rise in usage of playlists, recommending playlists is crucial to music services today. Although there has been a lot of work done in playlist prediction, the area of playlist representation hasn't received that level of attention. Over the last few years, sequence-to-sequence models, especially in the field of natural language processing have shown the effectiveness of learned embeddings in capturing the semantic characteristics of sequences. Similar concepts can be applied to music to learn fixed length representations for playlists and the learned representations can then be used for downstream tasks such as playlist comparison and recommendation. In this thesis, the problem of learning a fixed-length representation is formulated in an unsupervised manner, using Neural Machine Translation (NMT), where playlists are interpreted as sentences and songs as words. This approach is compared with other encoding architectures and evaluated using the suite of tasks commonly used for evaluating sentence embeddings, along with a few additional tasks pertaining to music. The aim of the evaluation is to study the traits captured by the playlist embeddings such that these can be leveraged for music recommendation purposes. This work lays down the foundation for analyzing music playlists and learning the patterns that exist in the playlists in an end-to-end manner. This thesis finally concludes with a discussion on the future direction for this research and its potential impact in the domain of Music Information Retrieval.Dissertation/ThesisMasters Thesis Computer Science 201

DJ-MC: A Reinforcement-Learning Agent for Music Playlist Recommendation

In recent years, there has been growing focus on the study of automated recommender systems. Music recommendation systems serve as a prominent domain for such works, both from an academic and a commercial perspective. A fundamental aspect of music perception is that music is experienced in temporal context and in sequence. In this work we present DJ-MC, a novel reinforcement-learning framework for music recommendation that does not recommend songs individually but rather song sequences, or playlists, based on a model of preferences for both songs and song transitions. The model is learned online and is uniquely adapted for each listener. To reduce exploration time, DJ-MC exploits user feedback to initialize a model, which it subsequently updates by reinforcement. We evaluate our framework with human participants using both real song and playlist data. Our results indicate that DJ-MC's ability to recommend sequences of songs provides a significant improvement over more straightforward approaches, which do not take transitions into account.Comment: -Updated to the most recent and completed version (to be presented at AAMAS 2015) -Updated author list. in Autonomous Agents and Multiagent Systems (AAMAS) 2015, Istanbul, Turkey, May 201

Current Challenges and Visions in Music Recommender Systems Research

Music recommender systems (MRS) have experienced a boom in recent years, thanks to the emergence and success of online streaming services, which nowadays make available almost all music in the world at the user's fingertip. While today's MRS considerably help users to find interesting music in these huge catalogs, MRS research is still facing substantial challenges. In particular when it comes to build, incorporate, and evaluate recommendation strategies that integrate information beyond simple user--item interactions or content-based descriptors, but dig deep into the very essence of listener needs, preferences, and intentions, MRS research becomes a big endeavor and related publications quite sparse. The purpose of this trends and survey article is twofold. We first identify and shed light on what we believe are the most pressing challenges MRS research is facing, from both academic and industry perspectives. We review the state of the art towards solving these challenges and discuss its limitations. Second, we detail possible future directions and visions we contemplate for the further evolution of the field. The article should therefore serve two purposes: giving the interested reader an overview of current challenges in MRS research and providing guidance for young researchers by identifying interesting, yet under-researched, directions in the field

Investigating bias in Music Recommender Systems

Music Recommender Systems (MRS) are software applications that provide personalized music recommendations based on user preferences and listening history. They analyze data to suggest music that aligns with individual tastes, enhancing the music discovery experience. This thesis aims to investigate the influence of record labels across different music recommendation datasets and evaluate their impact on recommender systems. Additionally, it seeks to expand the scope and experimentation of prior research on bias within feedback loops of MRS. To study their effect, the datasets are preprocessed and fed into a multi-stage web crawler that retrieves record label information for individual albums as well as an assignment to a major record company (Universal, Sony, Warner) or independent. This crawler is used to enrich our dataset collection. Based on the additional information, we can show different characteristics and identify particular biases in their user-generated music collections of playlists and listening profiles. Moreover, recommender system experiments are conducted, presenting results of feedback loop simulations, where the stability of record label distribution in longitudinal recommendations are studied. All findings and gathered record label information are made publicly available to the research community.Els Sistemes de Recomanació Musical (MRS) són aplicacions de software que proporcionen recomanacions de música personalitzades basades en les preferències i el històric d'escolta de l'usuari. Analitzen dades per suggerir música que s'ajusti als gustos individuals, millorant així l'experiència de descobriment musical. Aquesta tesi té com a objectiu investigar la influència de les discogràfiques en diferents conjunts de dades de recomanació musical i avaluar el seu impacte en els sistemes de recomanació. A més, busca ampliar l'abast i l'experimentació de recerques prèvies sobre biaixos en els bucles de retroalimentació dels MRS. Per estudiar el seu efecte, els conjunts de dades es pre-processen i s'insereixen a un rastrejador web de diverses etapes que recopila informació sobre les discogràfiques dels àlbums individuals, així com la seva classificació en una discogràfica principal (Universal, Sony, Warner) o independent. Aquest rastrejador s'utilitza per enriquir la nostra col·lecció de dades. Basant-nos en la informació addicional, podem mostrar diferents característiques i identificar biaixos particulars en les col·leccions de música generades pels usuaris, com ara llistes de reproducció i perfils d'escolta. A més, es fan experiments en un entorn simulat de recomanacions, presentant els primers resultats de la simulació de bucles de retroalimentació on s'estudia l'estabilitat de la distribució de segells discogràfics en recomanacions longitudinals. Totes les troballes i la informació recopilada de segells discogràfics es posa a la disposició del públic per a la comunitat investigadora

The Impact of Spotify’s AI-Driven Music Recommender on User Listener Habits

This study explores how Spotify uses AI-technology to collect data about the user’s music listening behavior and serve personalized music recommendations based on their music taste and listening habits. It also involves a quantitative survey to discover the impact these AI- driven algorithms have on the Spotify users, especially focusing on four carefully chosen aspects: the user’s satisfaction with the music recommendations, the correlation between their satisfaction and their user activity, their selectivity in song choices and their ways of discovering new music. The results from the survey indicates that there is an overall satisfaction with the music personalization, especially for the most active users. Also, their reports indicate that they prefer the mix between familiarity and music discovery, and that they don’t believe the recommendations have a significant impact on their selectivity

People-Powered Music: Using User-Generated Tags and Structure in Recommendations

Music recommenders often rely on experts to classify song facets like genre and mood, but user-generated folksonomies hold some advantages over expert classifications—folksonomies can reflect the same real-world vocabularies and categorizations that end users employ. We present an approach for using crowd-sourced common sense knowledge to structure user-generated music tags into a folksonomy, and describe how to use this approach to make music recommendations. We then empirically evaluate our “people-powered” structured content recommender against a more traditional recommender. Our results show that participants slightly preferred the unstructured recommender, rating more of its recommendations as “perfect” than they did for our approach. An exploration of the reasons behind participants’ ratings revealed that users behaved differently when tagging songs than when evaluating recommendations, and we discuss the implications of our results for future tagging and recommendation approaches