Genres across the disciplines: student writing in higher education

A groundbreaking title in the field of higher education writing, uncovering norms and conventions across the whole spectrum of tertiary education written work. Why do university students write? What are they expected to write? To what extent do academics understand the process of setting a writing assignment, and – significantly – how proficient are they in creating appropriate prompts to elicit the kind of writing they expect? On first reading, none of these questions seem that demanding, nor might you expect them to have interesting answers. Nevertheless, it is precisely with such issues that Genres across the Disciplines concerns itself

IMPACT: The Journal of the Center for Interdisciplinary Teaching and Learning. Volume 5, Issue 2, Summer 2016

Impact: The Journal of the Center for Interdisciplinary Teaching & Learning is a peer-reviewed, biannual online journal that publishes scholarly and creative non-fiction essays about the theory, practice and assessment of interdisciplinary education. Impact is produced by the Center for Interdisciplinary Teaching & Learning at the College of General Studies, Boston University (www.bu.edu/cgs/citl)

The Journal of the Center for Interdisciplinary Teaching and Learning

IMPACT: The Journal of the Center for Interdisciplinary Teaching & Learning is a peer-reviewed, biannual online journal that publishes scholarly and creative non-fiction essays about the theory, practice and assessment of interdisciplinary education. Impact is produced by the Center for Interdisciplinary Teaching & Learning at the College of General Studies, Boston University (www.bu.edu/cgs/citl).How do our students learn what it means to be a human being, with all the attendant responsibilities and joys? How do we learn to teach in a truly interdisciplinary manner? These are some of the questions that preoccupy this issue’s contributors

IMPACT: The Journal of the Center for Interdisciplinary Teaching and Learning. Volume 5, Issue 1, Winter 2016

Impact: The Journal of the Center for Interdisciplinary Teaching & Learning is a peer-reviewed, biannual online journal that publishes scholarly and creative non-fiction essays about the theory, practice and assessment of interdisciplinary education. Impact is produced by the Center for Interdisciplinary Teaching & Learning at the College of General Studies, Boston University (www.bu.edu/cgs/citl)

IMPACT: The Journal of the Center for Interdisciplinary Teaching and Learning. Volume 6, Issue 1, Winter 2017

IMPACT: The Journal of the Center for Interdisciplinary Teaching & Learning is a peer-reviewed, biannual online journal that publishes scholarly and creative non-fiction essays about the theory, practice and assessment of interdisciplinary education. Impact is produced by the Center for Interdisciplinary Teaching & Learning at the College of General Studies, Boston University (www.bu.edu/cgs/citl)

Reading, Writing, and the Common Core State Standards

During the 2014-15 school year, more high school seniors read the young adult-oriented books The Fault in Our Stars andDivergent than Shakespeare's Macbeth or Hamlet, according to a report that tracks what K-12 students at more than 30,000 schools are reading during the school year. These books are generally self-selected, making it not all that surprising that students would prefer to read a contemporaryNew York Times bestseller than a 17th-century play written in early modern English. And while some of the books that students select are thematically targeted to a mature audience, they are not particularly challenging to read for the average high schooler. The Fault in Our Stars and Divergent, for example, have the readability of a fourth- or fifth-grade text in terms of sentence structure and word difficulty.There is substantial evidence that much of what students are currently reading is not particularly challenging. This lack of complexity in students' reading and writing is likely undermining their preparedness for college and the workplace. In addition, despite the predominant role that reading and writing serve in other subjects and disciplines, literacy development has long been relegated to the English or reading classroom.Take the issue of reading complexity. Three of the top five most commonly assigned titles in grades 9 through 12 are To Kill a Mockingbird, The Crucible, and Of Mice and Men. All three books, while classics, are not particularly challenging in terms of sentence structure and complexity. Does that mean that Harper Lee's Pulitzer Prize-winning novel, which broaches issues of racial inequality should instead be introduced to elementary school-aged children? Most people—including English teachers—probably would not agree. Readability is only one factor when considering the intended audience of a work of literature.But the difficulty of the reading material to which students are exposed is not inconsequential. An ACT report finds that "performance on complex texts is the clearest differentiator in reading between students who are likely to be ready for college and those who are not." This holds true across gender, race and ethnicity, and family income levels

Reviews

Researching into Teaching Methods in Colleges and Universities by Clinton Bennett, Lorraine Foreman‐Peck and Chris Higgins, London: Kogan Page, 1996. ISBN: 0–7494–1768–4, 136 (+ vii) pages, paperback. £14.99

Sociology Students as Storytellers: What Narrative Sociology and C. Wright Mills Can Teach Us about Writing in the Discipline

The Writing in the Disciplines approach encourages writing instruction in specific majors so that students learn the writing conventions of their discipline. As writing instructors, however, the role of the sociologist is problematic. Not only has standard sociological writing been jargon laden, it has privileged a clinical style of writing. Thus, we ask whether learning sociology also means learning how to write poorly or at least narrowly. Drawing from narrative sociology, we suggest that mainstream sociological writing should be viewed as a writing genre—one of many genres that students, and sociologists themselves, can choose from. Framing sociologists as both truth tellers and storytellers, we invite sociology instructors to consider at least three alternative genres for assignment in the classroom: life stories, fiction stories, and visual stories. Finally, we offer C. Wright Mills as a model for how to think like a sociologist while still writing well