Understanding the Lived Experience of Illusory Social Agents in Psychosis: A Corpus Linguistics Analysis

Several studies have shown that positive symptoms of psychosis are highly social in nature. The presence of illusory social agents in psychosis have been reported in studies spanning a number of years in different cultures and etiologies. However, there is currently a limited understanding of the social phenomenology of psychosis and the presence of illusory social agents in the positive symptoms. Part 1 of this thesis is a conceptual introduction that provides an overview of the literature on the social phenomenology of psychosis. The introduction highlights gaps in the literature, including a need for more research that explores illusory social agent representation in the lived experience of psychosis. Part 2 is an interdisciplinary study exploring the characterisation of illusory social agents in the lived experience of community and ward based participants. Corpus linguistics was used to analyze phenomenological data that was gathered using semi-structured interviews. Frameworks from Clinical Psychology and Corpus Linguistics were used to interpret the findings. Illusory social agents were represented as active and dynamic beings that engaged in a range of verbal, mental, behavioural and material processes. Part 2 discusses the impact of these behaviours on participants lives. It concludes with clinical and research implications and ideas for future research. Part 3 offers the considered thoughts on the process of undertaking the study. It considers the strengths and limitation of the study and offers thoughts on how these could be addressed by future researchers

Consumers and Mixed-Brands: On the Polysemy of Brand Meaning

Brands have become one of the most discussed phenomena of marketing research in recent years. They are ubiquitous in the marketplace and virtually impossible for consumers to avoid. The corporate obsession with brands is likely to continue since the wealth of “how-to-do-branding” strategy handbooks suggest that brands are the magical panacea for creating superior business performance. In short, we live in a branded world, where companies seek to win and dominate markets by imposing brand meanings on consumers. This dissertation focuses on consumers’ use of brands in their everyday lives and examines how consumers develop and negotiate meanings for mixed-brands. The practice of mixing brands, also commonly referred to as co-branding, is a brand strategy gaining favor in the marketplace, where two or more brands are used as co-endorsers for a product. As brands become linked to each other through such co-endorsements, there is a possibility that consumers develop and negotiate a variety of symbolic meanings for the brand couple. This dissertation will illustrate how consumers deal with these symbolic meanings and how they interpret this particular brand strategy

Robo-ethics design approach for cultural heritage: Case study - Robotics for museum purpose

The thesis shows the study behind the design process and the realization of the robotic solution for museum purposes called Virgil. The research started with the literature review on museums management and the critic analysis of signi cant digital experiences in the museum eld. Then, it continues analyzing the museum and its relation with the territory and the cultural heritage. From this preliminary analysis stage, signi cant issue related to museum management analysis comes out: nowadays many museum areas are not accessible to visitors because of issues related to security or architectural barriers. Make explorable these areas is one of the important topics in the cultural debate related to the visiting experience. This rst stage gave the knowledge to develop the outlines which brought to the realization of an ef cient service design then realized following robot ethical design values. One of the pillars of the robot ethical design is the necessity to involve all the stakeholders in the early project phases, for this reason, the second stage of the research was the study of the empathic relations between museum and visitors. In this phase, facilitator factors of this relation are de ned and transformed into guidelines for the product system performances. To perform this stage, it has been necessary create a relation between all the stakeholders of the project, which are: Politecnico di Torino, Tim (Telecom Italia Mobile) JOL CRAB research laboratory and Terre dei Savoia which is the association in charge of the Racconiggi’s Castle, the context scenario of the research. The third stage of the research, provided the realization of a prototype of the robot, in this stage telepresence robot piloted the Museum Guide it is used to show, in real time, the inaccessible areas of the museum enriched with multimedia contents. This stage concludes with the nal test user, from the test session feedback analysis, many of people want to drive themselves the robot. To give an answer to user feedback an interactive game has been developed. The game is based both on the robot ability to be driven by the visitors and also on the capacity of the robot to be used as a platform for the digital telling. To be effective, the whole experience it has been designed and tested with the support of high school students, which are one of the categories less interested in the traditional museum visit. This experience wants to demonstrate that the conscious and ethical use of the robotic device is effectively competitive, in term of performances, with the other solutions of digital visit: because it allows a more interactive digital experience in addition to the satisfaction of the physical visit at the museum

Cinematic Histospheres

In this Open Access book, film scholar Rasmus Greiner develops a theoretical model for the concept of the histosphere to refer to the “sphere” of a cinematically modelled, physically experienceable historical world. His analysis of practices of modelling and perceiving, immersion and empathy, experience and remembering, appropriation and refiguration, combine approaches from film studies, such as Vivian Sobchack’s phenomenology of film experience, with historiographic theories, such as Frank R. Ankersmit’s concept of historical experience. Building on this analysis, Greiner examines the spatial and temporal organization of historical films and presents discussions of mood and atmosphere, body and memory, and genre and historical consciousness. The analysis is based around three historical films, spanning six decades, that depict 1950s Germany: Helmut Käutner’s Sky Without Stars (1955), Jutta Brückner’s Years of Hunger (1980), and Sven Bohse’s three-part TV series Ku’damm 56 (2016)

Machine Medical Ethics

In medical settings, machines are in close proximity with human beings: with patients who are in vulnerable states of health, who have disabilities of various kinds, with the very young or very old, and with medical professionals. Machines in these contexts are undertaking important medical tasks that require emotional sensitivity, knowledge of medical codes, human dignity, and privacy. As machine technology advances, ethical concerns become more urgent: should medical machines be programmed to follow a code of medical ethics? What theory or theories should constrain medical machine conduct? What design features are required? Should machines share responsibility with humans for the ethical consequences of medical actions? How ought clinical relationships involving machines to be modeled? Is a capacity for empathy and emotion detection necessary? What about consciousness? The essays in this collection by researchers from both humanities and science describe various theoretical and experimental approaches to adding medical ethics to a machine, what design features are necessary in order to achieve this, philosophical and practical questions concerning justice, rights, decision-making and responsibility, and accurately modeling essential physician-machine-patient relationships. This collection is the first book to address these 21st-century concerns

A speaker classification framework for non-intrusive user modeling : speech-based personalization of in-car services

Speaker Classification, i.e. the automatic detection of certain characteristics of a person based on his or her voice, has a variety of applications in modern computer technology and artificial intelligence: As a non-intrusive source for user modeling, it can be employed for personalization of human-machine interfaces in numerous domains. This dissertation presents a principled approach to the design of a novel Speaker Classification system for automatic age and gender recognition which meets these demands. Based on literature studies, methods and concepts dealing with the underlying pattern recognition task are developed. The final system consists of an incremental GMM-SVM supervector architecture with several optimizations. An extensive data-driven experiment series explores the parameter space and serves as evaluation of the component. Further experiments investigate the language-independence of the approach. As an essential part of this thesis, a framework is developed that implements all tasks associated with the design and evaluation of Speaker Classification in an integrated development environment that is able to generate efficient runtime modules for multiple platforms. Applications from the automotive field and other domains demonstrate the practical benefit of the technology for personalization, e.g. by increasing local danger warning lead time for elderly drivers.Die Sprecherklassifikation, also die automatische Erkennung bestimmter Merkmale einer Person anhand ihrer Stimme, besitzt eine Vielzahl von Anwendungsmöglichkeiten in der modernen Computertechnik und Künstlichen Intelligenz: Als nicht-intrusive Wissensquelle für die Benutzermodellierung kann sie zur Personalisierung in vielen Bereichen eingesetzt werden. In dieser Dissertation wird ein fundierter Ansatz zum Entwurf eines neuartigen Sprecherklassifikationssystems zur automatischen Bestimmung von Alter und Geschlecht vorgestellt, welches diese Anforderungen erfüllt. Ausgehend von Literaturstudien werden Konzepte und Methoden zur Behandlung des zugrunde liegenden Mustererkennungsproblems entwickelt, welche zu einer inkrementell arbeitenden GMM-SVM-Supervector-Architektur mit diversen Optimierungen führen. Eine umfassende datengetriebene Experimentalreihe dient der Erforschung des Parameterraumes und zur Evaluierung der Komponente. Weitere Studien untersuchen die Sprachunabhängigkeit des Ansatzes. Als wesentlicher Bestandteil der Arbeit wird ein Framework entwickelt, das alle im Zusammenhang mit Entwurf und Evaluierung von Sprecherklassifikation anfallenden Aufgaben in einer integrierten Entwicklungsumgebung implementiert, welche effiziente Laufzeitmodule für verschiedene Plattformen erzeugen kann. Anwendungen aus dem Automobilbereich und weiteren Domänen demonstrieren den praktischen Nutzen der Technologie zur Personalisierung, z.B. indem die Vorlaufzeit von lokalen Gefahrenwarnungen für ältere Fahrer erhöht wird

A World You Do Not Know: Settler Societies, Indigenous Peoples and the Attack on Cultural Diversity

'A World You Do Not Know' explores the wilful ignorance demonstrated by North America’s settlers in establishing their societies on lands already occupied by indigenous nations. Using the Innu of Labrador-Quebec as one powerful contemporary example, Colin Samson shows how the processes of displacement and assimilation today resemble those of the 19th century as the state and corporations scramble for Innu lands. While nation building, capitalism and industrialisation are shown to have undermined indigenous peoples’ wellbeing, the values that guide societies like the Innu are very much alive. The book ends by showcasing how ideas and land-based activities of indigenous groups in Canada and the US are being maintained and recast as ways to address the attack on cultural diversity and move forward to more positive futures