Mythril #1

Welcome to MYTHRIL, featuring new mythopoeic fantasy literature, poetry, art and whatever comes to light through the Inklings II Writers\u27 Workshop of The Mythopoeic Society. The term mythopoeic is Greek for myth-making.” J.R.R. Tolkien, for example, made a myth when he created the world of Middle-Earth in The Hobbit and The Lord of the Rings. Our advice to prospective contributors: read this magazine to see what we publish; also read our other Society publications Mythlore and Mythprint for a clearer picture of what we\u27re all about. Also, you must have your work read or shown at an Inklings II meeting. Our heart to you says: Enjoy! Enjoy

Klipsun Magazine, 2006, Volume 36, Issue 05 - April

I read somewhere how the greatest gift in life is having the serenity to accept the things you cannot change, the courage to change the things you can, and, most importantly, the wisdom to know the difference. Granted, it\u27s easier said than done, but in life we do make choices, and each one is part of a bigger picture. Therefore, make each choice with courage and conviction — without looking back. You never know where your choices will lead you. They could direct you to a career in glass blowing, into the depths of the sea in a submarine, or into the great Northwest in search of Bigfoot. Klipsun touches on these topics, and I encourage you to read about them. So, make your choices with courageous conviction because no real security lies in what isn\u27t meaningful.https://cedar.wwu.edu/klipsun_magazine/1236/thumbnail.jp

Panel Presentation: Securities Regulation and Corporate Responsibility

What I want to do is talk about the big picture, as John suggested, and consider the likely spillover effects of Sarbanes-Oxley. I want to do this in a discretely administrative law-oriented way, taking two themes that were very visible and driving forces behind the legislation. The first, as Mary suggested in her opening remarks, is a question about federalism. It has been common for the last twenty years, at least, to trot out - as John just did - a distinction between federal and state spheres of competency. The SEC is on the disclosure side, while the substance of corporate law (e.g., the mechanics of how decisions are made) is left to the states. I don\u27t think you can read either the text or the music of Sarbanes-Oxley and think that this is much of a viable distinction anymore. If Congress really believed in the importance of that distinction as a matter of policy, Sarbanes-Oxley would be a very, very different statute

Letter from J[ohn] Wesley Little to John Muir, 1913 Feb 25 .

Picture Rocks, Pa. Feb 25 1913My dear John MuirThis little letter from an eleven year old school girl written on her own impulse explains itself. If you feel like putting your autograph on the enclosed sheet I am quite sure it would be an incentive for her to continue her interest in John Muir and his Sierras. She does not know I am actually taking the liberty to mail this to you so she will not be disappointed if the autograph does not appear but I know she will be overjoyed if it doesVery sincerely and respectfully J Wesley Little05383 Picture Rocks, Pa.Feb 27, 1913Dear Mr Muir:I have heard and read about you. And would like to know you. So would my father J. Wesley Little. He is an artist. He said he would rather take a walk with you than any other person in the world. I live in a beautiful little town that lies between three beautiful hills One looks like the work of a glacier Father found a rock there that was made up of a different kind of stone than what is around here and fossils. I would like to live in the Sierra Nevada mountains among the birds, animals, flowers and trees although I love my home.Yours trulyEleanor R. Little0538

Letter from John Muir to George Galloway, 1867 Jan

[Jan.] 1867 Ind [illegible]My dear little nephew George Galloway I am glad you sent me your little letter, because it made me think of all the big lots of fun we used to have when you lived at Fountain Lake. Old Santa Claus gave you lots of candy and good things. he did not put anything in my socks, I suppose he likes little boys & girls best. You must read all the pretty book that grandma gave you, and you will soon read lots of big books, and get a great deal of good knowledge and become a useful man. I wish you were here so we could have some fun. Your picture & Annas are in a pretty gilt album in my room, and I often take a bo peep at them. You could sleep with one in my funny bed stead, and when it was time to rise a thing would say click and down we would bumble, and before we could look to see what was wrong another thing would say click too, and light a little lamp to show us where our clothes were. When you become a man maybe I will make you one of these beds. I hope you will grow big this year and learn lots at the schoolYour affectionate uncle John0038

Theresienstadt Postcard

Green postcard with black printed postcard lines. Addressed to Josefa France from Irma Semesky in black ink. Includes message written in black ink. Information Provided by Michael D. Bulmash: To Frau Josefa France, Prague VII, Messetasse 41 (11l) from Semesky, Irma, Theresienstad, Hauptstrausse (Maiuah) 22/71. Red stamp -- really only one postcard in German language over the official for Jewish Prague 5 -- Philipp de Monte Gesse 18.Translation: Most precious mother,Greetings and kisses. I thank you for everything you do for me. Package arrived in good condition and made me very happy. I think of you all the time and also our good friends and are also happy to recieve letters from them. From Father Franz I receive nothing, only from you. I received photos and a letter from Paul. It made me very happy. I would love to have a picture of your dear mother to see what you look like. I am working as before and am quite satisfied with my work. I have the opportunity to read and listen to music and you know what pleasure this gives me. I hope you are really in good health and that you think of me as I do of you. I hope you heard from Paul. Write to me often dear mother as I wait impatiently for any news of you. Many greetings for Paul, Aunt Anna and with kisses to you. Your Irna.https://digital.kenyon.edu/bulmash/2023/thumbnail.jp

Changing Their Idea of “Studying ” into Our Idea of “Learning ” - The Efficacy of Interactive Online Programs

One of the most frustrating aspects of college teaching is facing a lecture hall full of students who sit in class trying to figure out the easiest ways to pass rather than the best way to actually learn. New online platforms provided by publishers are an effective way to beat these passive learners at their own game. Picture the joy of walking into your class knowing that students have read the text before your lecture. Imagine how you can teach if you do not have to assume you start with one big tabula rasa. Building assignments into course requirements will change their modi operandi due to the fact that their grades hinge on the completion of these assignments. The most important reward is seeing how this helps students who enter college without adequate study skills learn what they can do to master course content and succeed

‘Under Western Eyes’: a short analysis of the reception of Aboriginal art in France through the press

Good afternoon, I know you are all very tired and are over swept by the communications, so I am going to try to be brief. I am not going to read my paper because when I read a paper in English usually people don’t understand what I’ve said, so I am going to talk more freely. My starting point will be a sentence which is quite known among the art historians : “ce sont les regardeurs qui font les tableaux”, it’s the people who look at the picture that do the picture. It’s a Marcel Duchamp sente..

Evangelical Friend, December 1987 (Vol. 21, No. 4)

From Atheist to Believer: An Amazing Journey. By Louise Sargent and Gary Bernard, page 2 A pastor\u27s wife and a new believer share their experience in evangelism. His Name Is Wonderful. By Jack L. Willcuts, page 7 What can three visitors from the East teach us through their observations? Expecting a Birth. By Sandy Wild, page 9The indwelling Christ - What did it mean to Mary? What does it mean to us? Can \u27Secular\u27 Literature Help Us Find Christian Truth? By Gayle Beebe, page 10 Can a novel help you see a more realistic picture of yourself and the world? Must the Church and Science Battle for the Truth? By Kent L. Thornburg, page 13 Can Reverend Whitecollar and Dr. Labcoat resolve their conflicts? Regular FeaturesSpeaking the Truth, 4Friends Read, 6Friends Write, 12What About Our Friends? 17A Certain Shaft of Light, 28https://digitalcommons.georgefox.edu/nwym_evangelical_friend/1217/thumbnail.jp

Flamingo Vol. III N 1

E.B. Cover. Picture. 0. Anonymous. Untitled. Prose. 5. Anonymous. Untitled. Prose. 5. Anonymous. Untitled. Picture. 5. Anonymous. Untitled. Prose. 5. Chaparral. Show This to the Livy. Prose. 5. Lemon Punch. Show This to the Livy. Prose. 5. Burr, Leigh. Fair and Warmer. Prose. 5. Judge. Fair and Warmer. Prose. 5. Record. Fair and Warmer. Prose. 5. Anonymous. Cutting, Isn\u27t It?. Picture. 6. Vogel, W.A. Twentieth Century Romance. Prose. 7. Q. Meditation. Poem. 8. M.I.D. Morning, The Seventeenth. Poem. 8. Anonymous. The Engagement. Poem. 8. Rine, Russell. On Rolling Pins. Poem. 9. G.M.C. Evening Star. Poem. 9. G.M.C. An Orison. Poem. 9. Schmitz. Denison Ding Dongs. Poem/Picture. 10. Anonymous. Untitled. Prose. 11. Anonymous. Untitled. Prose. 11. Anonymous. Untitled. Prose. 11. Anonymous. Untitled. Prose. 11. Anonymous. Untitled. Prose. 11. Anonymous. Untitled. Poem. 11. Anonymous. Untitled. Picture. 11. Anonymous. Untitled. Poem. 11. Anonymous. Untitled. Picture. 11. Anonymous. Untitled. Prose. 11. Anonymous. Untitled. Prose. 11. Anonymous. Untitled. Poem. 11. Anonymous. Untitled. Prose. 11. Anonymous. Untitled. Prose. 11. Anonymous. Untitled. Prose. 11. Deluber. Untitled. Picture. 12. Anonymous. Untitled. Prose. 12. Anonymous. Untitled. Prose. 12. Anonymous. The Circus. Poem. 12. Anonymous. Untitled. Prose. 12. Anonymous. The Deuce You Say. Prose. 12. Anonymous. Untitled. Prose. 12. Anonymous. Untitled. Prose. 12. Anonymous. WHERE ARE YOU GOING MY PRETTY MAID? I\u27M GOING OUT FOR CHOW, SHE SAID. Picture. 12. Anonymous. E.E. Mongomery, M.D. Prose. 13. Anonymous. One Gone. Prose. 14. Anonymous. You\u27re Out. Prose. 15. W.G.M. Spring, B\u27gosh. Prose. 15. Bridge. Denison Folies. Picture. 16. W.M.P. New Fiction. Prose. 18. Schmitz. WHAT\u27S THE FARE TO KALAMAZOO? STANDARD RATES, $20.50. HOW MUCH FOR A SEAT? . Picture. 18. E.T. HE— WHAT\u27S THAT PRETTY THING YOU\u27RE WEARING UNDER YOUR \u27DOFUNNY?\u27 SHE— OH, THAT\u27S A SLIP. HE— I BEG YOUR PARDON. . Picture. 18. Anonymous. Untitled. Prose. 18. Anonymous. Untitled. Prose. 18. Anonymous. Untitled. Prose. 18. Anonymous. Untitled. Prose. 18. Anonymous. Untitled. Prose. 18. Anonymous. Untitled. Prose. 20. Anonymous. Untitled. Prose. 20. Anonymous. Untitled. Prose. 20. Anonymous. The Flapper\u27s Standard. Prose. 20. George. Y\u27OTTA SEE MY NEW GIRL. I CALL HER MY LITTLE SHYLOCK. JEWESS? NO, BOBBED HAIR. . Picture. 20. Anonymous. Untitled. Prose. 21. Anonymous. Read Aloud. Prose. 21. Anonymous. Untitled. Prose. 21. Anonymous. Untitled. Poem. 21. Anonymous. Untitled. Prose. 21. Anonymous. Untitled. Prose. 21. Anonymous. Untitled. Prose. 21. Anonymous. Untitled. Prose. 21. Anonymous. Untitled. Prose. 21. Whiz Bang. Untitled. Prose. 21. Awgwan. And Close It As You Go Out. Prose. 22. Wasp. Untitled. Prose. 22. Octopus. Untitled. Prose. 22. Anonymous. S. STORY THE ORIGINAL DAYLIGHT SAVER. Picture. 23. Wag Jag. Two Cokes, Garcon. Prose. 23. Boston Transcript. Untitled. Prose. 24. Siren. Untitled. Prose. 24. Widow. You Noah. Prose. 24. Anonymous. Deep Stuff. Prose. 27. Anonymous. Untitled. Prose. 27. Anonymous. Untitled. Prose. 27. Garber, Jock. Our Questionable Department. 29. Chaparral. Dayton?. Prose. 29. Banter. Untitled. Prose. 29. Burr. Untitled. Prose. 29. Anonymous. Untitled. Poem. 29. Octopus. Untitled. Poem. 29. B.N.E. Untitled. Poem. 30. Reel, Virginia. Untitled. Prose. 30. Octopus. Untitled. Prose. 31. Octopus. Untitled. Prose. 31. Ghost. Untitled. Prose. 31. Phoenix. Untitled. Prose. 31. Chaparral. Untitled. Prose. 31. Goblin. Untitled. Prose. 31. Banter. Untitled. Prose. 31. Jester. Untitled. Prose. 31. Scalper. Untitled. Prose. 32. Punch Bowl. A Pressing Matter. Prose. 32. Lyre. Untitled. Prose. 32. Punch Bowl. Y.W.C.A. Wanted. Prose. 32. Awgwan. Untitled. Prose. 32. Octopus. Politics. Prose. 32