The Mathematics of Peter L. Hammer (1936-2006): Graphs, Optimization, and Boolean Models

peer reviewedThis volume contains a collection of papers published in memory of Peter L. Hammer (1936-2006). Peter Hammer made substantial contributions to several areas of operations research and discrete mathematics, including, in particular, mathematical programming (linear and quadratic 0--1 programming, pseudo-Boolean optimization, knapsack problems, etc.), combinatorial optimization (transportation problems, network flows, MAXSAT, simple plant location, etc.), graph theory (special classes of graphs, stability problems, and their applications), data mining and classification (Logical Analysis of Data), and, last but not least, Boolean theory (satisfiability, duality, Horn functions, threshold functions, and their applications). The volume contains 23 contributed papers along these lines

Does the Supreme Court Follow the Economic Returns? A Response to A Macrotheory of the Court

Today, there is a widespread idea that parents need to learn how to carry out their roles as parents. Practices of parental learning operate throughout society. This article deals with one particular practice of parental learning, namely nanny TV, and the way in which ideal parents are constructed through such programmes. The point of departure is SOS family, a series broadcast on Swedish television in 2008. Proceeding from the theorising of governmentality developed in the wake of the work of Michel Foucault, we analyse the parental ideals conveyed in the series, as an example of the way parents are constituted as subjects in the ‘advanced liberal society’ of today. The ideal parent is a subject who, guided by the coach, is constantly endeavouring to achieve a makeover. The objective of this endeavour, however, is self-control, whereby the parents will in the end become their own coaches.

Faculty recital series: James Demler and Shiela Kibbe, January 27, 2009

This is the concert program of the faculty recital of James Demler and Shiela Kibbe on Tuesday, January 27, 2009 at 7:30 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were Four Shakespeare Songs, Opus 30 by Roger Quilter, Larkin Songs by Daron Hagen, Five Street Songs and Pieces by Charles Ives, Four Songs by Samuel Barber, and Songs Before Sleep by Richard Rodney Bennett. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund

Social medicine and international expert networks in Latin America, 1930–1945

This paper examines the international networks that influenced ideas and policy in social medicine in the 1930s and 1940s in Latin America, focusing on institutional networks organised by the League of Nations Health Organization, the International Labour Organization, and the Pan-American Sanitary Bureau. After examining the architecture of these networks, this paper traces their influence on social and health policy in two policy domains: social security and nutrition. Closer scrutiny of a series of international conferences and local media accounts of them reveals that international networks were not just ‘conveyor belts’ for policy ideas from the industrialised countries of the US and Europe into Latin America; rather, there was often contentious debate over the relevance and appropriateness of health and social policy models in the Latin American context. Recognition of difference between Latin America and the global economic core regions was a key impetus for seeking ‘national solutions to national problems’ in countries like Argentina and Chile, even as integration into these networks provided progressive doctors, scientists, and other intellectuals important international support for local political reforms

In the border's shadow: Reimagining urban spaces in Strasbourg, 1918-39

Copyright @ The Author(s) 2013. This is the author's final version of the article. The final publication is available from the link below.This article explores controversies over festivities and monument construction in interwar Strasbourg. After the return of Alsace to France in 1918, these battles became emblematic of broader debates about the region’s place in France and relationship with Germany, as different groups and individuals in Paris and Strasbourg used them to promote their views of the reintegration of Alsace into France. In these debates, the dominant understanding of Strasbourg treated the city as the limits of French territory, and a frontier with Germany. But this idea was challenged by ideas of the city as the heart of a transnational, cross border community, or a regional capital. These ideas co-existed, but were contested and were not articulated simultaneously. Through a discussion of the use of these ideas in debates over urban spaces in Strasbourg, this article traces how attitudes towards borders change over time, and vary according to the political context.British Academ

Mollusk species at a Pliocene shelf whale fall (Orciano Pisano, Tuscany)

The recovery of an intact, 10 m long fossil baleen whale from the Pliocene of Tuscany (Italy) offers the first opportunity to study the paleoecology of a fully developed, natural whale-fall community at outer shelf depth. Quantitative data on mollusk species from the whale fall have been compared with data from the sediments below and around the bones, representing the fauna living in the muddy bottom before and during the sinking of the carcass, but at a distance from it. Although the bulk of the fauna associated with the fossil bones is dominated by the same heterotrophs as found in the surrounding community, whale-fall samples are distinguishable primarily by the presence of chemosymbiotic bivalves and a greater species richness of carnivores and parasites. Large lucinid clams (Megaxinus incrassatus) and very rare small mussels (Idas sp.) testify to the occurrence of a sulphophilic stage, but specialized, chemosymbiotic vesicomyid clams common at deep-sea whale falls are absent. The whale-fall community is at the threshold between the nutrient-poor deep sea and the shallow-water shelf, where communities are shaped around photosynthetic trophic pathways and chemosymbiotic specialists are excluded by competition. © SEPM (Society for Sedimentary Geology)

Crossing America’s Borders: Chinese Immigrants in the Southwesterns of the 1920s and 1930s

Today, when we think of the film Western, we think of a genre dominated by Anglo-American heroes conquering the various struggles and obstacles that the nineteenth-century frontier presented to settlers and gunslingers alike—from the daunting terrain and inclement environment of deserts, mountains, and plains to the violent opposition posed by cattle ranchers and Native Americans. What we tend to forget, most likely because the most famous Westerns of the last seventy-five years also forgot, is that Chinese immigrants played an important role in that frontier history. As Edward Buscombe confirms, “[g]iven the importance of their contribution, particularly to the construction of the Central Pacific railroad, the Chinese are under-represented in the Western.” In the 1920s and ’30s, many films focused on the smuggling of illegal Chinese immigrants—whether men for work or women for prostitution. Although a topic for a handful of social dramas such as The Miracle Makers (W. S. Van Dyke, 1923), Speed Wild (Harry Garson, 1925), Let Women Alone (Paul Powell, 1925), Masked Emotions (David Butler/Kenneth Hawks, 1929), and Lazy River (George B. Seitz, 1934), as well as newspaper-crime films such as I Cover the Waterfront (James Cruze, 1933), and Yellow Cargo (Crane Wilbur, 1936), the smuggling of Chinese people was also common in Westerns. According to the AFI Catalog, Chinese characters and actors appear in minor roles in at least seventy-eight silent and classical-era Westerns as cooks, laundrymen, and restaurant owners. These seventy-eight Westerns ranged from A-Westerns set in the nineteenth-century frontier to B-Westerns set in the modern West. Of the latter group, several Westerns—more specifically, “Southwesterns”—offered plots that connected Chinese immigrants to crime through the smuggling of opium, laborers, and prostitutes into the United States from China via Mexico. Southwesterns were lower-budget and were typically shot with cheap sets, grainy film stock, and few retakes (what we would call today B-Westerns), set in the contemporaneous Southwest (i.e., California, Arizona, New Mexico, and Texas) near the border with Mexico: it was this borderland setting that invited stories of smuggling and border penetration.3 According to the AFI Catalog, of the 182 Westerns released between 1910 and 1960 that are set in the Mexican–American border region, 39 offer plots centered on smuggling various kinds of things, from opium and liquor to silver, dynamite, and counterfeit money, as well as guns. Southwesterns exploited the borderland setting to offer exciting smuggling plots that connected crime to Chinese immigrants. Although the opium-smuggling films connect crime to China, they rarely feature Chinese characters. In contrast, the immigrant-smuggling films present Chinese people as a physical and visible alien threat to America’s national borders, and it is these films that are the focus of this article. As this article will demonstrate, there were many Westerns centered on smuggling plots related to Chinese immigration, and the borders that these films were concerned with were as much cultural and racial as territorial. In other words, the presence of illegal Chinese immigrants assisted the genre of the Western to confirm the borders of American national identity