Print Media vs. Digital Manifest Destiny

Every communications medium reflects and reinforces intellectual habits and content patterns unique to the medium. A digital/internet hegemony is a paradoxical foreclosure on breadth of mind since digital formats do not reflect or reinforce the intellectual habits and content patterns unique to other media, especially books. A credible educational process w ill take appropriate advantage of digital media without allowing its influence to repress breadth of mind

On the writing, reading and publishing of digital stories

Purpose – The purpose of this paper is to describe a study set up to investigate and map the landscape of digital writing today. A holistic perspective has been adopted involving writers, readers and publishers alike. Design/methodology/approach – The research uses a qualitative approach and combines interviews and direct observations. In in-depth interviews 13 participants (four writers, four publishers, three readers and two on-line readers) were questioned for their opinions on issues related to writing, publishing and reading digital fiction. The three readers were also observed while interacting, for the first time, with three digital stories. Findings – Results show that the area is still unsettled though much excitement surrounds experimentations and freedom of publishing online. Readers seem uneasy with the role of co-creators that writers want to assign them and prefer linear stories to more deconstructed ones. Writers like to experiment and combine multiple media and readers like to interact with multimedia stories; this seems to open interesting perspectives over interactive narrative. Publishers are not yet involved in digital writing and this is seen simultaneously as a blessing (unfiltering of innovative ideas) and a curse (lack of economical support, lack of quality selection). Despite disagreement and ambiguity all interviewees agree that digital fiction will come, likely prompted by new reading technology. Originality/value – This paper is the first attempt to understand the phenomena of digital writing taking into consideration the perspectives of writers, readers and publishers simultaneously and comparing their different views

From hypertext to hype and back again: exploring the roots of social media in the early web

Preprint of chapter from the SAGE Handbook of Social Media (Burgess, Marwick and Poell, eds., 2018). "How should we think of the relationship between social media and the early web, and what can we learn from this history?

Who is Patrick? – Answers from the Saint Patrick's Confessio HyperStack. Supporting Digital Humanities, Copenhagen 17 - 18 November 2011, Conference Proceedings

Not everyone realizes that there are two Latin works, still surviving, that can definitely be attributed to Saint Patrick’s own authorship. On 14th September 2011 the Royal Irish Academy published his writings in a freely accessible form on line, both in the original Latin and in a variety of modern languages (including Irish). Designed to be of interest to the general public as well as to academic researchers, the Saint Patrick’s Confessio Hypertext Stack includes such features as digital images of the medieval manuscripts involved, a specially commissioned historical reconstruction that evocatively describes life in pre-Viking Ireland, articles, audio presentations, and some ten thousand internal and external digital links that make it truly a resource to be explored

Never the Same Stream: netomat, XLink, and Metaphors of Web Documents

Document engineering employs practices of modeling and representation. Enactment of these practices relies on shared metaphors. However, choices driven by metaphor often receive less attention than those driven by factors critical to developing working systems, such as performance and usability. One way to remedy this issue is to take a historical approach, studying cases without a guiding concern for their ongoing development and maintenance. In this paper, we compare two historical case studies of "failed" designs for hypertext on the Web. The first case is netomat (1999), a Web browser created by the artist Maciej Wisniewski, which responded to search queries with dynamic multimedia streams culled from across the Web and structured by a custom markup language. The second is the XML Linking Language (XLink), a W3C standard to express hypertext links within and between XML documents. Our analysis focuses on the relationship between the metaphors used to make sense of Web documents and the hypermedia structures they compose. The metaphors offered by netomat and XLink stand as alternatives to metaphors of the "page" or the "app." Our intent here is not to argue that any of these metaphors are superior, but to consider how designers' and engineers' metaphorical choices are situated within a complex of already existing factors shaping Web technology and practice. The results provide insight into underexplored interconnections between art and document engineering at a critical moment in the history of the Web, and demonstrate the value for designers and engineers of studying "paths not taken" during the history of the technologies we work on today

E-readers and the death of the book: or, new media and the myth of the disappearing medium

The recent emergence of e-readers and e-books has b rought the death of the book to the centre of current debates on new media. In this article, we a nalyse alternative narratives that surround the possibility of the disappearance of print books, do minated by fetishism, fears about the end of humanism, and ideas of techno-fundamentalist progre ss. We argue that, in order to comprehend such narratives, we need to inscribe them in the br oader history of media. The emergence of new media, in fact, has often been accompanied by narra tives about the possible disappearance of older media: the introduction of television, for in stance, inspired claims about the forthcoming death of film and radio. As a recurrent narrative s haping the reception of media innovation, the myth of the disappearing medium helps us to make se nse of the transformations that media change provokes in our everyday life

What is anarchism? A reflection on the canon and the constructive potential of its destruction

Contemporary debates in anarchism, particularly the conceptual debates sparked by the development of post-anarchism and those surrounding the emergence of the anti-globalization movement, have brought an old question back to the table: what is anarchism? This study analyzes the canonical representations of anarchism as a political movement and political philosophy in order to reflect on the ways in which that critical question, 'what is anarchism?' has been answered in mainstream literature. It examines the way that the story of anarchism has been told and through a critical review, it discusses an alternative approach. For this purpose, two seminal canon-building texts, Paul Eltzbacher's The Great Anarchists, and George Woodcock's Anarchism have been identified and their influence is discussed, together with the representations of anarchism in textbooks describing political ideologies. The analysis shows how assumptions, biases, and hidden ideological perspectives have been normalized and how they have created an official history of a political movement. In challenging the official account, this study highlights the exclusions and omissions (third world anarchists, women anarchists, queer anarchism and artistic anarchism) that have resulted in the making of the core. The question of how to tell the story of anarchist past carries us to the shores of postmodern history where theoreticians have been discussing the relationship between past and history and the politics of representation. The anarchism offered in this study demands an engagement with a network-like structure of information rather than a linear, axial structure. Consequently, this study aims to show several layers of problems in the existing dominant historical representation of one of the richest political ideologies, anarchism; and then to discuss ways of representing the past and especially the anarchist past, to seek an answer to a principal question: what is anarchism

E-readers and the death of the book: or, new media and the myth of the disappearing medium

The recent emergence of e-readers and electronic books (e-books) has brought the death of the book to the centre of current debates on new media. In this article, we analyse alternative narratives that surround the possibility of the disappearance of print books, dominated by fetishism, fears about the end of humanism and ideas of techno-fundamentalist progress. We argue that in order to comprehend such narratives, we need to inscribe them in the broader history of media. The emergence of new media, in fact, has often been accompanied by narratives about the possible disappearance of older media: the introduction of television, for instance, inspired claims about the forthcoming death of film and radio. As a recurrent narrative shaping the reception of media innovation, the myth of the disappearing medium helps us to make sense of the transformations that media change provokes in our everyday life

Again Black Again

ABSTRACT AGAIN BLACK AGAIN by muthi reed, M.F.A A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at Virginia Commonwealth University. Program Director: Stephen Vitiello Committee: Semi Ryu, Orla McHardy, MK Abadoo, Cara Benedetto AGAIN BLACK AGAIN. ABA-BBABB is documentation of a reparations practice and articulations for a reparations manifesto devised by the artist. Reparations begins with the self. Singing truth to the self. Talking with the self. The thesis organizes around the problems of surveillance and myth making about Black people and the subsequent source of self-regard, conjure and social dreaming that remain under threat of violence and in constant need of devotion. ABA-BBABB generates it\u27s own coded algorithms that travel virtual and ancestral pathways using QR code, archival images and viral media material as eco locative subtext to an avatar Black Queer migrant experience. My artist approach articulates an immersive practice of spatial presence, speech and hwadu writing, posture and ritual performance acts, symbols, light and color imaging and long play offerings for a Black Sound that would support such a manifesto. Æffectively Black is…. as James Brown teaches us not a skin color. Black is an attitude