Parametric coding of stereo audio

Parametric-stereo coding is a technique to efficiently code a stereo audio signal as a monaural signal plus a small amount of parametric overhead to describe the stereo image. The stereo properties are analyzed, encoded, and reinstated in a decoder according to spatial psychoacoustical principles. The monaural signal can be encoded using any (conventional) audio coder. Experiments show that the parameterized description of spatial properties enables a highly efficient, high-quality stereo audio representation

Improved Time Delay Analysis/Synthesis for Parametric Stereo Audio Coding

For parametric stereo and multi-channel audio coding, it has been proposed to use level difference, time difference, and coherence cues between audio channels to represent the perceptual spatial features of stereo and multi-channel audio signals. In practice, it has turned out that by merely considering level difference and coherence cues a high audio quality can already be achieved. Time difference cue analysis/synthesis did not contribute much to a higher audio quality, or, even decreases audio quality when not done properly. However, for binaural audio signals, e.g. binaural recordings or signals mixed with HRTFs, time differences play an important role. We investigate problems of time difference analysis/synthesis with such critical signals and propose algorithms for improving it. A subjective evalution indicates significant improvements over previous time difference analysis/synthesis

Reviews on Technology and Standard of Spatial Audio Coding

Market  demands  on a more impressive entertainment media have motivated for delivery of three dimensional  (3D) audio content to  home consumers  through Ultra  High  Definition  TV  (UHDTV), the next generation of TV broadcasting, where spatial  audio  coding plays  fundamental role. This paper reviews fundamental concept on spatial audio coding which includes technology, standard, and application. Basic principle of object-based audio reproduction system  will also be elaborated, compared  to  the  traditional channel-based system, to provide good understanding on this popular interactive audio reproduction system which gives end users flexibility to render  their  own preferred  audio composition.Keywords : spatial audio, audio coding, multi-channel audio signals, MPEG standard, object-based audi

Score-Informed Source Separation for Musical Audio Recordings [An overview]

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Parametric dictionary design for sparse coding

Abstract—This paper introduces a new dictionary design method for sparse coding of a class of signals. It has been shown that one can sparsely approximate some natural signals using an overcomplete set of parametric functions, e.g. [1], [2]. A problem in using these parametric dictionaries is how to choose the parameters. In practice these parameters have been chosen by an expert or through a set of experiments. In the sparse approximation context, it has been shown that an incoherent dictionary is appropriate for the sparse approximation methods. In this paper we first characterize the dictionary design problem, subject to a constraint on the dictionary. Then we briefly explain that equiangular tight frames have minimum coherence. The complexity of the problem does not allow it to be solved exactly. We introduce a practical method to approximately solve it. Some experiments show the advantages one gets by using these dictionaries

Simultaneous Codeword Optimization (SimCO) for Dictionary Update and Learning

We consider the data-driven dictionary learning problem. The goal is to seek an over-complete dictionary from which every training signal can be best approximated by a linear combination of only a few codewords. This task is often achieved by iteratively executing two operations: sparse coding and dictionary update. In the literature, there are two benchmark mechanisms to update a dictionary. The first approach, such as the MOD algorithm, is characterized by searching for the optimal codewords while fixing the sparse coefficients. In the second approach, represented by the K-SVD method, one codeword and the related sparse coefficients are simultaneously updated while all other codewords and coefficients remain unchanged. We propose a novel framework that generalizes the aforementioned two methods. The unique feature of our approach is that one can update an arbitrary set of codewords and the corresponding sparse coefficients simultaneously: when sparse coefficients are fixed, the underlying optimization problem is similar to that in the MOD algorithm; when only one codeword is selected for update, it can be proved that the proposed algorithm is equivalent to the K-SVD method; and more importantly, our method allows us to update all codewords and all sparse coefficients simultaneously, hence the term simultaneous codeword optimization (SimCO). Under the proposed framework, we design two algorithms, namely, primitive and regularized SimCO. We implement these two algorithms based on a simple gradient descent mechanism. Simulations are provided to demonstrate the performance of the proposed algorithms, as compared with two baseline algorithms MOD and K-SVD. Results show that regularized SimCO is particularly appealing in terms of both learning performance and running speed.Comment: 13 page

A new model-based algorithm for optimizing the MPEG-AAC in MS-stereo

International audienceIn this paper, a new model-based algorithm for optimizing the MPEG-Advanced Audio Coder (AAC) in MS-stereo mode is presented. This algorithm is an extension to stereo signals of prior work on a statistical model of quantization noise. Traditionally, MS-stereo coding approaches replace the Left (L) and Right (R) channels by the Middle (M) and Sides (S) channels, each channel being independently processed, almost like a monophonic signal. In contrast, our method proposes a global approach for coding both channels in the same process. A model for the quantization error allows us to tune the quantizers on channels M and S with respect to a distortion constraint on the reconstructed channels L and R as they will appear in the decoder. This approach leads to a more efficient perceptual noise-shaping and avoids using complex psychoacoustic models built on the M and S channels. Furthermore, it provides a straightforward scheme to choose between LR and MS modes in each subband for each frame. Subjective listening tests prove that the coding efficiency at a medium bitrate (96 kbits/s for both channels) is significantly better with our algorithm than with the standard algorithm, without increase of complexity

Frequency-warped autoregressive modeling and filtering

This thesis consists of an introduction and nine articles. The articles are related to the application of frequency-warping techniques to audio signal processing, and in particular, predictive coding of wideband audio signals. The introduction reviews the literature and summarizes the results of the articles. Frequency-warping, or simply warping techniques are based on a modification of a conventional signal processing system so that the inherent frequency representation in the system is changed. It is demonstrated that this may be done for basically all traditional signal processing algorithms. In audio applications it is beneficial to modify the system so that the new frequency representation is close to that of human hearing. One of the articles is a tutorial paper on the use of warping techniques in audio applications. Majority of the articles studies warped linear prediction, WLP, and its use in wideband audio coding. It is proposed that warped linear prediction would be particularly attractive method for low-delay wideband audio coding. Warping techniques are also applied to various modifications of classical linear predictive coding techniques. This was made possible partly by the introduction of a class of new implementation techniques for recursive filters in one of the articles. The proposed implementation algorithm for recursive filters having delay-free loops is a generic technique. This inspired to write an article which introduces a generalized warped linear predictive coding scheme. One example of the generalized approach is a linear predictive algorithm using almost logarithmic frequency representation.reviewe