125,532 research outputs found

    Incite 2011: The power of art, March 10-14, 2011

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    This is the concert program of the Incite 2011: The power of art performance on Thursday - Monday, March 10 - 14, 2011 at 8:00 p.m., at the BMCC Tribeca Performing Arts Center, 199 Chambers Street, New York, New York. The work performed was Fallujah by Evan Sanderson. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund

    Molto+Media: Digital Culture Funding

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    This report profiles nine organizations identified by grantmakers and independent research as adventurous in their use of digital media. They represent a mix of arts disciplines, geographies, organizational sizes and media purposes. Some are using digital tools to extend organizational capacities in new ways while others are creating, documenting and disseminating the art itself.Conversations with these nine organizations revealed common themes:Organizations describe the work as building capabilities, not "doingprojects." Digital tools and platforms are now essential building blocksin an organization's work and need to be created accordingly.Leading digital culture entrepreneurs want grantmakers to makebigger bets on organizations with strong track records. Building newcapabilities is expensive, particularly at the scale of large culturalinstitutions.There is a sense that, globally, U.S. organizations lag. The E.U. hassupported open culture, digital initiatives aggressively, making Europe,in particular, a hotbed of digital cultureOrganizations are looking for much greater risk-taking from thefunding community. "Grantmakers still expect only home runs," saidmore than one organization, and they point out that in for-profitindustry many tech projects failDigital culture projects are helping organizations reach massaudiences as well as niches. Both are important.Several of the organizations in our profiles had received no dedicatedfunding for their work. "Our funders are not ready to do this, so wehave to do it ourselves," said interviewees.The most important theme of this report, though, is the incredible creativity and energy of these digital culture entrepreneurs. Cultural organizations and artists are using digital media to invent new ways to create and distribute art and to reach and engage audiences

    Vol. 20 no. 2 Semester 2 (2009)

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    https://researchonline.nd.edu.au/in_principio2000s/1003/thumbnail.jp

    Spartan Daily, September 4, 2014

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    Volume 143, Issue 4https://scholarworks.sjsu.edu/spartandaily/1503/thumbnail.jp

    Roméo et Juliette, April 21, 2011

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    This is the concert program of the Roméo et Juliette by Charles Gounod performance on Thursday - Sunday, April 21 - 14, 2011 at 8:00 p.m., at the Boston University Theater, 264 Huntington Avenue, Bosotn, Massachusetts. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund

    Incite 2012: Angels and Demons, March 10-12, 2012

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    This is the concert program of the Incite 2012: Angels and Demons performance on Saturday, March 10, 2012 at 8:00 p.m., at the BMCC Tribeca Performing Arts Center, 199 Chambers St, New York. New York. Works performed were Peer Gynt by Henrik Ibsen and Bluebeard's Castle by Béla Bartók. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

    Roméo et Juliette, April 21, 2011

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    This is the concert program of the Roméo et Juliette by Charles Gounod performance on Thursday - Sunday, April 21 - 14, 2011 at 8:00 p.m., at the Boston University Theater, 264 Huntington Avenue, Bosotn, Massachusetts. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund

    Academic Gateway, Winter 2011

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    Getting Past It's Not For People Like Us: Pacific Northwest Ballet Builds a Following with Teens and Young Adults

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    This case study examines how the Pacific Northwest Ballet set about trying to cultivate the next generation of ballet-goers. Focusing on teens and adults under the age of 25, the Seattle-based ballet company sought in part to knock down the view of many young people that ballet is stuffy or boring and replace it with the view that ballet could be exciting and meaningful to them. The ballet company attacked the problem on a number of fronts, including revising promotional materials to appeal to younger audiences, posting online videos to familiarize viewers with the ballet, holding teen-only previews, and offering heavily discounted tickets. One result was a doubling over four years of ticket sales to teens

    The Advocate

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    Headlines Include: Mrs. Ferraro Has The Right Credentials; Dean\u27s Message; Justice O\u27Conner To Speak At Building Dedicationhttps://ir.lawnet.fordham.edu/student_the_advocate/1029/thumbnail.jp
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