Contextual Permission: A Solution to the Free Choice Paradox

In this paper, we give a solution to the Free Choice Paradox. This is done in two stages. First, we have a close look at the logical interpretation of the natural language statements that lead to the paradox. This leads to making the important distinction of permitting an action in isolation or permitting it in combination with some or any other action, i.e. in a certain context. This distinction is made formal by the introduction of a new operator on actions, which forces them to be performed in isolation. With this distinction made clear it is possible to give a "new", stronger definition for the permission operator, which solves the Free Choice Paradox and which does not lead to any new inconsistencies or paradoxes

Free choice and contextually permitted actions

We present a solution to the paradox of free choice permission by introducing strong and weak permission in a deontic logic of action. It is shown how counterintuitive consequences of strong permission can be avoided by limiting the contexts in which an action can be performed. This is done by introducing the only operator, which allows us to say that only is performed (and nothing else), and by introducing contextual interpretation of action term

Improving Organizations by Replacing the "Mechanical" Model with the "Organic" one

Organizations are currently viewed as artificial structures. However, in our opinion, organizations seem to match a biological structure much better. This paper explores this new approach with some interesting conclusions and results: organizations aim at perpetual exis-tence and continuous adaptation. We advance the ideas of organizational "instincts", organizational pathology and organizational optimization using genetic algorithms. In competitive markets, organizations are in a natural selection process, which actually is part of a natural genetic algorithm. This process may be simulated in an artificial multidisciplinary optimization environment, based on minimizing a Total Costs and Risks objective function. Unlike the gradient optimization methods, the genetic algorithms may be applied to such problems with thousands of degrees of freedom. This opens the way to the organizational structure optimization through genetic algorithms.organization, genetic algorithms, multidisciplinary optimization, organizational analysis, organizational structure

How Support Personnel Shape Artworks: the case of stage managers

This is the final version of the article. Available from the publisher via the link in this record.It is commonly accepted in the sociology of art that artworks are created in collaboration. In an attempt to take artworks seriously from a sociological perspective, this paper explores how the collaboration of all the members of an art world affect the artwork that is created. By employing in-depth interviewing, participant observation, and qualitative content analysis, I focus on one kind of support personnel in the theater art world - stage managers. I find two distinct ways in which stage managers affect the artistic outcomes of plays: making artistic choices and affecting the work that others do through non-artistic inputs

“a void rubbing out its own inscription”: Electronic Technology, Hypertext and the Paradox of Self-Erasure

The advent of electronic technologies like the computer and the internet necessitated new ways of writing and thinking about writing. Where the age of mechanical and industrial technologies led to Blake’s visionary engravings and Swift imagining a random text generator in Gulliver's Travels, “for improving speculative Knowledge by practical and mechanical Operations” (171), the electronic age might be said to have given rise to the work of composers like John Cage and Brian Eno, hypertextual writers such as Michael Joyce and Mark Amerika and the work of the Oulipo. Perhaps the predominant linguistic theory associated with, though not limited to, electronic technologies is that of “hypertext”. Hypertext is defined by Ted Nelson, who coined the term, as “non-sequential writing with reader-controlled links” (qtd. in Bolter 105), and George Landow as a technology that matches Barthes's ideal textuality of a “text composed of blocks of words (or images) linked electronically by multiple paths, chains, or trails in an open-ended, perpetually unfinished textuality described by the terms link, node, network, web, and path” (Landow 2). Nelson and Landow’s succinct definitions are both accurate, but fail to encompass the extent to which the hypertextual model destabilizes conventional notions of the text. This essay will examine the ways in which hypertexts erase themselves, and the implications this paradox of self-erasure has for the whole field of signification, the material status of the text and hypertextual conceptions of identity

Science, observation and entertainment: Competing visions of postwar British natural history television, 1946-1967

Popular culture is not the endpoint for the communication of fully developed scientific discourses; rather it constitutes a set of narratives, values and practices with which scientists have to engage in the heterogeneous professes of scientific work. In this paper I explore how one group of actors, involved in the development of both postwar natural history television and the professionalization of animal behaviour studies, manage this process. I draw inspiration from sociologists and historians of science, examining the boundary work involved in the definition and legitimation of scientific fields. Specifically, I chart the institution of animal ethology and natural history film-making in Britain through developing a relational account of the co-construction of this new science and its public form within the media. Substantively, the paper discusses the relationship between three genres of early natural history television, tracing their different associations with forms of public science, the spaces of the scientific field and the role of the camera as a tool of scientific observation. Through this analysis I account for the patterns of cooperation and divergence in the broadcasting and scientific visions of nature embedded in the first formations of the Natural History Unit of the British Broadcasting Corporation

Between Sunset and River : Nabokov\u27s Bridge to the Otherworld

Senior Project submitted to The Division of Languages and Literature of Bard College