Digital tools in media studies: analysis and research. An overview

Digital tools are increasingly used in media studies, opening up new perspectives for research and analysis, while creating new problems at the same time. In this volume, international media scholars and computer scientists present their projects, varying from powerful film-historical databases to automatic video analysis software, discussing their application of digital tools and reporting on their results. This book is the first publication of its kind and a helpful guide to both media scholars and computer scientists who intend to use digital tools in their research, providing information on applications, standards, and problems

Digital Tools in Media Studies

Digital tools are increasingly used in media studies, opening up new perspectives for research and analysis, while creating new problems at the same time. In this volume, international media scholars and computer scientists present their projects, varying from powerful film-historical databases to automatic video analysis software, discussing their application of digital tools and reporting on their results. This book is the first publication of its kind and a helpful guide to both media scholars and computer scientists who intend to use digital tools in their research, providing information on applications, standards, and problems

AXMEDIS 2008

The AXMEDIS International Conference series aims to explore all subjects and topics related to cross-media and digital-media content production, processing, management, standards, representation, sharing, protection and rights management, to address the latest developments and future trends of the technologies and their applications, impacts and exploitation. The AXMEDIS events offer venues for exchanging concepts, requirements, prototypes, research ideas, and findings which could contribute to academic research and also benefit business and industrial communities. In the Internet as well as in the digital era, cross-media production and distribution represent key developments and innovations that are fostered by emergent technologies to ensure better value for money while optimising productivity and market coverage

Video retrieval using objects and ostensive relevance feedback

The thesis discusses and evaluates a model of video information retrieval that incorporates a variation of Relevance Feedback and facilitates object-based interaction and ranking. Video and image retrieval systems suffer from poor retrieval performance compared to text-based information retrieval systems and this is mainly due to the poor discrimination power of visual features that provide the search index. Relevance Feedback is an iterative approach where the user provides the system with relevant and non-relevant judgements of the results and the system re-ranks the results based on the user judgements. Relevance feedback for video retrieval can help overcome the poor discrimination power of the features with the user essentially pointing the system in the right direction based on their judgements. The ostensive relevance feedback approach discussed in this work weights user judgements based on the o r d e r in which they are made with newer judgements weighted higher than older judgements. The main aim of the thesis is to explore the benefit of ostensive relevance feedback for video retrieval with a secondary aim of exploring the effectiveness of object retrieval. A user experiment has been developed in which three video retrieval system variants are evaluated on a corpus of video content. The first system applies standard relevance feedback weighting while the second and third apply ostensive relevance feedback with variations in the decay weight. In order to evaluate effective object retrieval, animated video content provides the corpus content for the evaluation experiment as animated content offers the highest performance for object detection and extraction

Recycling texts: human evaluation of example-based machine translation subtitles for DVD

This project focuses on translation reusability in audiovisual contexts. Specifically, the project seeks to establish (1) whether target language subtitles produced by an EBMT system are considered intelligible and acceptable by viewers of movies on DVD, and (2)whether a relationship exists between the ‘profiles’ of corpora used to train an EBMT system, on the one hand, and viewers’ judgements of the intelligibility and acceptability of the subtitles produced by the system, on the other. The impact of other factors, namely: whether movie-viewing subjects have knowledge of the soundtrack language; subjects’ linguistic background; and subjects’ prior knowledge of the (Harry Potter) movie clips viewed; is also investigated. Corpus profiling is based on measurements (partly using corpus-analysis tools) of three characteristics of the corpora used to train the EBMT system: the number of source language repetitions they contain; the size of the corpus; and the homogeneity of the corpus (independent variables). As a quality control measure in this prospective profiling phase, we also elicit human judgements (through a combined questionnaire and interview) on the quality of the corpus data and on the reusability in new contexts of the TL subtitles. The intelligibility and acceptability of EBMT-produced subtitles (dependent variables) are, in turn, established through end-user evaluation sessions. In these sessions 44 native German-speaking subjects view short movie clips containing EBMT-generated German subtitles, and following each clip answer questions (again, through a combined questionnaire and interview) relating to the quality characteristics mentioned above. The findings of the study suggest that an increase in corpus size along with a concomitant increase in the number of source language repetitions and a decrease in corpus homogeneity, improves the readability of the EBMT-generated subtitles. It does not, however, have a significant effect on the comprehensibility, style or wellformedness of the EBMT-generated subtitles. Increasing corpus size and SL repetitions also results in a higher number of alternative TL translations in the corpus that are deemed acceptable by evaluators in the corpus profiling phase. The research also finds that subjects are more critical of subtitles when they do not understand the soundtrack language, while subjects’ linguistic background does not have a significant effect on their judgements of the quality of EBMT-generated subtitles. Prior knowledge of the Harry Potter genre, on the other hand, appears to have an effect on how viewing subjects rate the severity of observed errors in the subtitles, and on how they rate the style of subtitles, although this effect is training corpus-dependent. The introduction of repeated subtitles did not reduce the intelligibility or acceptability of the subtitles. Overall, the findings indicate that the subtitles deemed the most acceptable when evaluated in a non-AVT environment (albeit one in which rich contextual information was available) were the same as the subtitles deemed the most acceptable in an AVT environment, although richer data were gathered from the AVT environment

Proceedings of the Seventh Italian Conference on Computational Linguistics CLiC-it 2020

On behalf of the Program Committee, a very warm welcome to the Seventh Italian Conference on Computational Linguistics (CLiC-it 2020). This edition of the conference is held in Bologna and organised by the University of Bologna. The CLiC-it conference series is an initiative of the Italian Association for Computational Linguistics (AILC) which, after six years of activity, has clearly established itself as the premier national forum for research and development in the fields of Computational Linguistics and Natural Language Processing, where leading researchers and practitioners from academia and industry meet to share their research results, experiences, and challenges

Cultural Heritage Storytelling, Engagement and Management in the Era of Big Data and the Semantic Web

The current Special Issue launched with the aim of further enlightening important CH areas, inviting researchers to submit original/featured multidisciplinary research works related to heritage crowdsourcing, documentation, management, authoring, storytelling, and dissemination. Audience engagement is considered very important at both sites of the CH production–consumption chain (i.e., push and pull ends). At the same time, sustainability factors are placed at the center of the envisioned analysis. A total of eleven (11) contributions were finally published within this Special Issue, enlightening various aspects of contemporary heritage strategies placed in today’s ubiquitous society. The finally published papers are related but not limited to the following multidisciplinary topics:Digital storytelling for cultural heritage;Audience engagement in cultural heritage;Sustainability impact indicators of cultural heritage;Cultural heritage digitization, organization, and management;Collaborative cultural heritage archiving, dissemination, and management;Cultural heritage communication and education for sustainable development;Semantic services of cultural heritage;Big data of cultural heritage;Smart systems for Historical cities – smart cities;Smart systems for cultural heritage sustainability