Study and simulation of low rate video coding schemes

The semiannual report is included. Topics covered include communication, information science, data compression, remote sensing, color mapped images, robust coding scheme for packet video, recursively indexed differential pulse code modulation, image compression technique for use on token ring networks, and joint source/channel coder design

Steered mixture-of-experts for light field images and video : representation and coding

Research in light field (LF) processing has heavily increased over the last decade. This is largely driven by the desire to achieve the same level of immersion and navigational freedom for camera-captured scenes as it is currently available for CGI content. Standardization organizations such as MPEG and JPEG continue to follow conventional coding paradigms in which viewpoints are discretely represented on 2-D regular grids. These grids are then further decorrelated through hybrid DPCM/transform techniques. However, these 2-D regular grids are less suited for high-dimensional data, such as LFs. We propose a novel coding framework for higher-dimensional image modalities, called Steered Mixture-of-Experts (SMoE). Coherent areas in the higher-dimensional space are represented by single higher-dimensional entities, called kernels. These kernels hold spatially localized information about light rays at any angle arriving at a certain region. The global model consists thus of a set of kernels which define a continuous approximation of the underlying plenoptic function. We introduce the theory of SMoE and illustrate its application for 2-D images, 4-D LF images, and 5-D LF video. We also propose an efficient coding strategy to convert the model parameters into a bitstream. Even without provisions for high-frequency information, the proposed method performs comparable to the state of the art for low-to-mid range bitrates with respect to subjective visual quality of 4-D LF images. In case of 5-D LF video, we observe superior decorrelation and coding performance with coding gains of a factor of 4x in bitrate for the same quality. At least equally important is the fact that our method inherently has desired functionality for LF rendering which is lacking in other state-of-the-art techniques: (1) full zero-delay random access, (2) light-weight pixel-parallel view reconstruction, and (3) intrinsic view interpolation and super-resolution

A joint motion & disparity motion estimation technique for 3D integral video compression using evolutionary strategy

3D imaging techniques have the potential to establish a future mass-market in the fields of entertainment and communications. Integral imaging, which can capture true 3D color images with only one camera, has been seen as the right technology to offer stress-free viewing to audiences of more than one person. Just like any digital video, 3D video sequences must also be compressed in order to make it suitable for consumer domain applications. However, ordinary compression techniques found in state-of-the-art video coding standards such as H.264, MPEG-4 and MPEG-2 are not capable of producing enough compression while preserving the 3D clues. Fortunately, a huge amount of redundancies can be found in an integral video sequence in terms of motion and disparity. This paper discusses a novel approach to use both motion and disparity information to compress 3D integral video sequences. We propose to decompose the integral video sequence down to viewpoint video sequences and jointly exploit motion and disparity redundancies to maximize the compression. We further propose an optimization technique based on evolutionary strategies to minimize the computational complexity of the joint motion disparity estimation. Experimental results demonstrate that Joint Motion and Disparity Estimation can achieve over 1 dB objective quality gain over normal motion estimation. Once combined with Evolutionary strategy, this can achieve up to 94% computational cost saving

Graph Spectral Image Processing

Recent advent of graph signal processing (GSP) has spurred intensive studies of signals that live naturally on irregular data kernels described by graphs (e.g., social networks, wireless sensor networks). Though a digital image contains pixels that reside on a regularly sampled 2D grid, if one can design an appropriate underlying graph connecting pixels with weights that reflect the image structure, then one can interpret the image (or image patch) as a signal on a graph, and apply GSP tools for processing and analysis of the signal in graph spectral domain. In this article, we overview recent graph spectral techniques in GSP specifically for image / video processing. The topics covered include image compression, image restoration, image filtering and image segmentation

A study of data coding technology developments in the 1980-1985 time frame, volume 2

The source parameters of digitized analog data are discussed. Different data compression schemes are outlined and analysis of their implementation are presented. Finally, bandwidth compression techniques are given for video signals

On the Effectiveness of Video Recolouring as an Uplink-model Video Coding Technique

For decades, conventional video compression formats have advanced via incremental improvements with each subsequent standard achieving better rate-distortion (RD) efficiency at the cost of increased encoder complexity compared to its predecessors. Design efforts have been driven by common multi-media use cases such as video-on-demand, teleconferencing, and video streaming, where the most important requirements are low bandwidth and low video playback latency. Meeting these requirements involves the use of computa- tionally expensive block-matching algorithms which produce excellent compression rates and quick decoding times. However, emerging use cases such as Wireless Video Sensor Networks, remote surveillance, and mobile video present new technical challenges in video compression. In these scenarios, the video capture and encoding devices are often power-constrained and have limited computational resources available, while the decoder devices have abundant resources and access to a dedicated power source. To address these use cases, codecs must be power-aware and offer a reasonable trade-off between video quality, bitrate, and encoder complexity. Balancing these constraints requires a complete rethinking of video compression technology. The uplink video-coding model represents a new paradigm to address these low-power use cases, providing the ability to redistribute computational complexity by offloading the motion estimation and compensation steps from encoder to decoder. Distributed Video Coding (DVC) follows this uplink model of video codec design, and maintains high quality video reconstruction through innovative channel coding techniques. The field of DVC is still early in its development, with many open problems waiting to be solved, and no defined video compression or distribution standards. Due to the experimental nature of the field, most DVC codec to date have focused on encoding and decoding the Luma plane only, which produce grayscale reconstructed videos. In this thesis, a technique called “video recolouring” is examined as an alternative to DVC. Video recolour- ing exploits the temporal redundancies between colour planes, reducing video bitrate by removing Chroma information from specific frames and then recolouring them at the decoder. A novel video recolouring algorithm called Motion-Compensated Recolouring (MCR) is proposed, which uses block motion estimation and bi-directional weighted motion-compensation to reconstruct Chroma planes at the decoder. MCR is used to enhance a conventional base-layer codec, and shown to reduce bitrate by up to 16% with only a slight decrease in objective quality. MCR also outperforms other video recolouring algorithms in terms of objective video quality, demonstrating up to 2 dB PSNR improvement in some cases