Automatic Segmentation of Broadcast News Audio using Self Similarity Matrix

Generally audio news broadcast on radio is com- posed of music, commercials, news from correspondents and recorded statements in addition to the actual news read by the newsreader. When news transcripts are available, automatic segmentation of audio news broadcast to time align the audio with the text transcription to build frugal speech corpora is essential. We address the problem of identifying segmentation in the audio news broadcast corresponding to the news read by the newsreader so that they can be mapped to the text transcripts. The existing techniques produce sub-optimal solutions when used to extract newsreader read segments. In this paper, we propose a new technique which is able to identify the acoustic change points reliably using an acoustic Self Similarity Matrix (SSM). We describe the two pass technique in detail and verify its performance on real audio news broadcast of All India Radio for different languages.Comment: 4 pages, 5 image

Using Generic Summarization to Improve Music Information Retrieval Tasks

In order to satisfy processing time constraints, many MIR tasks process only a segment of the whole music signal. This practice may lead to decreasing performance, since the most important information for the tasks may not be in those processed segments. In this paper, we leverage generic summarization algorithms, previously applied to text and speech summarization, to summarize items in music datasets. These algorithms build summaries, that are both concise and diverse, by selecting appropriate segments from the input signal which makes them good candidates to summarize music as well. We evaluate the summarization process on binary and multiclass music genre classification tasks, by comparing the performance obtained using summarized datasets against the performances obtained using continuous segments (which is the traditional method used for addressing the previously mentioned time constraints) and full songs of the same original dataset. We show that GRASSHOPPER, LexRank, LSA, MMR, and a Support Sets-based Centrality model improve classification performance when compared to selected 30-second baselines. We also show that summarized datasets lead to a classification performance whose difference is not statistically significant from using full songs. Furthermore, we make an argument stating the advantages of sharing summarized datasets for future MIR research.Comment: 24 pages, 10 tables; Submitted to IEEE/ACM Transactions on Audio, Speech and Language Processin

Towards Segmentation and Labelling of Motion Data in Manufacturing Scenarios

Publisher Copyright: © 2022, The Author(s), under exclusive license to Springer Nature Switzerland AG.There is a significant interest to evaluate the occupational exposure that manufacturing operators are subjected throughout the working day. The objective evaluation of occupational exposure with direct measurements and the need for automatic annotation of relevant events arose. The current work proposes the use of a self similarity matrix (SSM) as a tool to flag events that may be of importance to be analyzed by ergonomic teams. This way, data directly retrieved from the work environment will be summarized and segmented into sub-sequences of interest over a multi-timescale approach. The process occurs under 3 timescale levels: Active working periods, working cycles, and in-cycle activities. The novelty function was used to segment non-active and active working periods with an F1-score of 95%. while the similarity function was used to correctly segment 98% of working cycle with a duration error of 6.12%. In addition, this method was extended into examples of multi time scale segmentation with the intent of providing a summary of a time series as well as support in data labeling tasks, by means of a query-by-example process to detect all subsequences.authorsversionpublishe

Automated generation of movie tributes

O objetivo desta tese é gerar um tributo a um filme sob a forma de videoclip, considerando como entrada um filme e um segmento musical coerente. Um tributo é considerado um vídeo que contém os clips mais significativos de um filme, reproduzidos sequencialmente, enquanto uma música toca. Nesta proposta, os clips a constar do tributo final são o resultado da sumarização das legendas do filme com um algoritmo de sumarização genérico. É importante que o artefacto seja coerente e fluido, pelo que há a necessidade de haver um equilíbrio entre a seleção de conteúdo importante e a seleção de conteúdo que esteja em harmonia com a música. Para tal, os clips são filtrados de forma a garantir que apenas aqueles que contêm a mesma emoção da música aparecem no vídeo final. Tal é feito através da extração de vetores de características áudio relacionadas com emoções das cenas às quais os clips pertencem e da música, e, de seguida, da sua comparação por meio do cálculo de uma medida de distância. Por fim, os clips filtrados preenchem a música cronologicamente. Os resultados foram positivos: em média, os tributos produzidos obtiveram 7 pontos, numa escala de 0 a 10, em critérios como seleção de conteúdo e coerência emocional, fruto de avaliação humana.This thesis’ purpose is to generate a movie tribute in the form of a videoclip for a given movie and music. A tribute is considered to be a video containing meaningful clips from the movie playing along with a cohesive music piece. In this work, we collect the clips by summarizing the movie subtitles with a generic summarization algorithm. It is important that the artifact is coherent and fluid, hence there is the need to balance between the selection of important content and the selection of content that is in harmony with the music. To achieve so, clips are filtered so as to ensure that only those that contain the same emotion as the music are chosen to appear in the final video. This is made by extracting vectors of emotion-related audio features from the scenes they belong to and from the music, and then comparing them with a distance measure. Finally, filtered clips fill the music length in a chronological order. Results were positive: on average, the produced tributes obtained scores of 7, on a scale from 0 to 10, on content selection, and emotional coherence criteria, from human evaluation