ECOSYSTEM RESTORATION IN THE OUACHITA NATIONAL FOREST: EVALUATING THE PRAGMATISM OF PRE-EUROPEAN SETTLEMENT BENCHMARKS

This paper looks at the intersections of nature and culture through a study of forest ecosystem restoration efforts in the Ouachita National Forest (Arkansas and Oklahoma). Ecosystem restoration goals are often informed by a pre-European settlement (PES) condition, with an implicit (and occasionally explicit) assertion that such conditions are both more natural than and preferable to the contemporary state. In many cases resuming pre-suppression fire regimes remains a key mechanism for achieving this restored condition. This study’s three main objectives include: (1) determining how PES benchmarks arose in restoration thought, (2) examining how the choice to use a PES benchmark is influenced by culture, and (3) evaluating the pragmatism of including a PES benchmark in restoration projects. The issues of the naturalness of PES conditions, along with the cultural implications of adopting a PES benchmark, are critically examined against the backdrop of historic legacies of fire suppression and paleoecological change. Normative balance-of-nature ideas are discussed in light of their influence on natural resource management paradigms. Linkages are drawn between PES conditions and forest health. Evidence supporting the ecological resilience associated with PES vegetation communities is considered alongside the anticipation of future forcing factors. The idea that restored forests represent an ecological archetype is addressed. Finally, an alternative explanation concerning the tendency of ecosystem restoration efforts to converge on a single historic reference condition – a point of equifinality – is weighed against notions of: (1) anthropic degradation, (2) a regional optimum, and (3) a socially-constructed yearning for a frontier ideal. Because of the unique convergence between historical human activities and natural processes, contemporary culture has conceived of the PES time period as a sort of frontier ideal. The creation of PES benchmarks appears to be an unintentional consequence of attempts to restore forest health rigorously defined by biometric standards. This study offers, to restoration thinking, a framework for critically evaluating the inclusion of historic reference conditions and a means of responding to criticism surrounding their use. This study\u27s findings rest on evidence gathered from paleoecological and historical biogeography data, interviews, archival materials, cultural landscape interpretation, landscape and nature-based art, and complexity theory

Phenology:Climate change is shifting the rhythm of nature

The chapter titled Phenology: Climate change is shifting the rhythm of nature looks at how climate change is disrupting the life cycle patterns of plant and animal species, its consequences, and the need to address this issue by restoring ecological connectivity and biological diversity and most importantly, reducing greenhouse gas emissions

Genuine Tuvan : producing authenticity in the Republic of Tuva

textThis thesis provides analysis of the networks of power and authority, which interconnect commonly referenced sources of knowledge about Tuvan throat singing. These sources–books, websites, performances, a documentary film, CD liner notes, and the individuals involved in their production–comprise a substantial portion of contemporary public discourse that represents Tuva and its musical practices to the English speaking world and serve to produce “experts” and “expert knowledge” of throat singing. This work also shows how public discourse of Tuva forms an “authentic”, homogenous, romanticized and spiritualized pan-Asian identity centered on the practices of throat singing, shamanism, and nomadism. The conclusion offers an explanation as to why the public discourse focused on Tuvan throat singing locates the “authentic” in rural Tuva, why throat singing is so often aligned with the spiritual, the healing, and the eternal, and why such conceptions serve to benefit the careers of those involved with the production of such an image. This chapter also explores whether or not representing Tuva with an idealized and romanticized image places Tuvans and related ethnic groups at a disadvantage socially, politically, and economically.Russian, East European, and Eurasian Studie

Optimising digital nature for wellbeing

The global burdens of negative psychological states such as stress, anxiety, and burnout represent a growing public health concern. As the incidence of these conditions has risen so too has awareness that natural environments might provide cognitive and affective benefits. Yet unrelenting urbanisation, unprecedented species extinction, and rampant ecological degradation are fostering a creeping extinction of experience, straining the links between people and planet. In an increasingly technologically mediated world, growing emphasis is being placed on how digital forms of nature could impact health. Understanding how simulated contact with the natural world might be optimised for positive wellbeing outcomes is vital if ‘virtual nature’ is to be used as a therapeutic tool. This thesis consists of three original studies – conducted with large samples and as part of national broadcast initiatives – that aimed to address this burgeoning need. We first investigated nuances in the way natural soundscapes are experienced. Through an award-winning collaboration with the BBC Natural History Unit, a novel podcast series and experiment generated responses from 7,596 participants. Results indicated how the composition of nature-based soundscapes can affect their restorative potential, demonstrated the crucial role that memories play in these relationships, and suggested that appraisals of restoration can exert an important mediating effect on pro-environmental behaviour. Next, a similar level of granularity was applied to landscape aesthetics. An online experiment probed how ephemeral features such as sunrise, sunsets, and storms can impact appraisals of virtual environments. Data from 2,509 people supported the familiar urban-nature dichotomy yet revealed substantial momentary and diurnal heterogeneity in measures of beauty and awe. Changes in these metrics also partially mediated participants’ willingness to pay to visit these locations in the ‘real world’. Partnering again with the BBC on a multi-platform broadcast initiative called Soundscapes for Wellbeing, our third experiment assessed how the visual and acoustic elements of a digital nature experience, including music, might influence viewer emotions. Analyses from 7,636 respondents suggested that whilst music could enhance high arousal feelings such as excitement, natural sounds were integral to eliciting restoration, calmness, awe, and nostalgia. Again, these data revealed a substantial moderating effect of memories, underlining the importance of lived experiences in determining outcomes. Taken together, these findings reveal important distinctions in the way natural soundscapes are perceived, demonstrate the potential for both ephemeral features and natural sounds to elicit the complex emotions of awe and nostalgia, and highlight the profound moderating effects of personal memories. Future work might focus on expanding understanding of how awe, nostalgia, and memories could represent a hitherto under-recognised depth to the therapeutic potential of encounters with nature in both virtual and real settings.Wellcome Trus

The Tongue Schizochronick: Linguistic Archaism in Thomas Pynchon\u27s Mason & Dixon

In Thomas Pynchon\u27s novel Mason & Dixon, Reverend Wicks Cherrycoke regales his family with tales of the titular pair. The novel is written in a pastiche of late-Enlightenment-era English, which expresses an attack on modernity. Modernity, according to Pynchon, explores entropy and excludes Christ. Subjunctivity and storytelling provide a way to make contact once again with a more hopeful paradigm. The novel joins premodernity and postmodernity through its language\u27s aurality, variability, and polysemy. The pastiche serves to undermine modernity\u27s ambitions by satirically embracing archaic language; adopting Enlightenment parlance gestures ironically at the outmodedness the era\u27s -theorized progress. Aurality appears in both the pastiche\u27s orthography and narratology. In line with oral storytelling, Mason & Dixon is constructed as a series of orally delivered tales within a frame story, and frequently includes both song and poetry. Rules governing the novel\u27s language vary, gesturing at a pre-systematized world. They undermine hegemonic rationality, and evoke a time prior to widespread linguistic standardization. The novel\u27s language is also polysemic. It uses puns, which unite disparate meanings without rational justification. The text builds out key images into condensed and overdetermined meaning, operating similarly to puns on a larger scale. Mason & Dixon\u27s aural texture and framing respect and innovate pre-literate conventions; its variable rules defy the logocentric efficiency of Enlightenment categorization; and its polysemic play with language transgresses institutional standardization as well as causality. Altogether, Mason & Dixon\u27s language forms an important portion of the novel\u27s sophisticated joining-together of premodernity and postmodernity against Enlightenment modernism

Multispecies Storytelling in Intermedial Practices

Multispecies Storytelling in Intermedial Practices is a speculative endeavor asking how we may represent, relay, and read worlds differently by seeing other species as protagonists in their own rights. What other stories are to be invented and told from within those many-tongued chatters of multispecies collectives? Could such stories teach us how to become human otherwise? Often, the human is defined as the sole creature who holds language, and consequently is capable of articulating, representing, and reflecting upon the world. And yet, the world is made and remade by ongoing and many-tongued conversations between various organisms reverberating with sound, movement, gestures, hormones, and electrical signals. Everywhere, life is making itself known, heard, and understood in a wide variety of media and modalities. Some of these registers are available to our human senses, while some are not. Facing a not-so-distant future catastrophe, which in many ways and for many of us is already here, it is becoming painstakingly clear that our imaginaries are in dire need of corrections and replacements. How do we cultivate and share other kinds of stories and visions of the world that may hold promises of modest, yet radical hope? If we keep reproducing the same kind of languages, the same kinds of scientific gatekeeping, the same kinds of stories about “our” place in nature, we remain numb in the face of collapse. Multispecies Storytelling in Intermedial Practices offers steps toward a (self)critical multispecies philosophy which interrogates and qualifies the broad and seemingly neutral concept of humanity utilized in and around conversations grounded within Western science and academia. Artists, activists, writers, and scientists give a myriad of different interpretations of how to tell our worlds using different media – and possibly gives hints as to how to change it, too