Multimedia Forensic Analysis via Intrinsic and Extrinsic Fingerprints

Digital imaging has experienced tremendous growth in recent decades, and digital images have been used in a growing number of applications. With such increasing popularity of imaging devices and the availability of low-cost image editing software, the integrity of image content can no longer be taken for granted. A number of forensic and provenance questions often arise, including how an image was generated; from where an image was from; what has been done on the image since its creation, by whom, when and how. This thesis presents two different sets of techniques to address the problem via intrinsic and extrinsic fingerprints. The first part of this thesis introduces a new methodology based on intrinsic fingerprints for forensic analysis of digital images. The proposed method is motivated by the observation that many processing operations, both inside and outside acquisition devices, leave distinct intrinsic traces on the final output data. We present methods to identify these intrinsic fingerprints via component forensic analysis, and demonstrate that these traces can serve as useful features for such forensic applications as to build a robust device identifier and to identify potential technology infringement or licensing. Building upon component forensics, we develop a general authentication and provenance framework to reconstruct the processing history of digital images. We model post-device processing as a manipulation filter and estimate its coefficients using a linear time invariant approximation. Absence of in-device fingerprints, presence of new post-device fingerprints, or any inconsistencies in the estimated fingerprints across different regions of the test image all suggest that the image is not a direct device output and has possibly undergone some kind of processing, such as content tampering or steganographic embedding, after device capture. While component forensics is widely applicable in a number of scenarios, it has performance limitations. To understand the fundamental limits of component forensics, we develop a new theoretical framework based on estimation and pattern classification theories, and define formal notions of forensic identifiability and classifiability of components. We show that the proposed framework provides a solid foundation to study information forensics and helps design optimal input patterns to improve parameter estimation accuracy via semi non-intrusive forensics. The final part of the thesis investigates a complementing extrinsic approach via image hashing that can be used for content-based image authentication and other media security applications. We show that the proposed hashing algorithm is robust to common signal processing operations and present a systematic evaluation of the security of image hash against estimation and forgery attacks

Anti- Forensics: The Tampering of Media

In the context of forensic investigations, the traditional understanding of evidence is changing where nowadays most prosecutors, lawyers and judges heavily rely on multimedia signs. This modern shift has allowed the law enforcement to better reconstruct the crime scenes or reveal the truth of any critical event.In this paper we shed the light on the role of video, audio and photos as forensic evidences presenting the possibility of their tampering by various easy-to-use, available anti-forensics softwares. We proved that along with the forensic analysis, digital processing, enhancement and authentication via forgery detection algorithms to testify the integrity of the content and the respective source of each, differentiating between an original and altered evidence is now feasible. These operations assist the court to attain higher degree of intelligibility of the multimedia data handled and assert the information retrieved from each that support the success of the investigation process

Digital Multimedia Forensics and Anti-Forensics

As the use of digital multimedia content such as images and video has increased, so has the means and the incentive to create digital forgeries. Presently, powerful editing software allows forgers to create perceptually convincing digital forgeries. Accordingly, there is a great need for techniques capable of authenticating digital multimedia content. In response to this, researchers have begun developing digital forensic techniques capable of identifying digital forgeries. These forensic techniques operate by detecting imperceptible traces left by editing operations in digital multimedia content. In this dissertation, we propose several new digital forensic techniques to detect evidence of editing in digital multimedia content. We begin by identifying the fingerprints left by pixel value mappings and show how these can be used to detect the use of contrast enhancement in images. We use these fingerprints to perform a number of additional forensic tasks such as identifying cut-and-paste forgeries, detecting the addition of noise to previously JPEG compressed images, and estimating the contrast enhancement mapping used to alter an image. Additionally, we consider the problem of multimedia security from the forger's point of view. We demonstrate that an intelligent forger can design anti-forensic operations to hide editing fingerprints and fool forensic techniques. We propose an anti-forensic technique to remove compression fingerprints from digital images and show that this technique can be used to fool several state-of-the-art forensic algorithms. We examine the problem of detecting frame deletion in digital video and develop both a technique to detect frame deletion and an anti-forensic technique to hide frame deletion fingerprints. We show that this anti-forensic operation leaves behind fingerprints of its own and propose a technique to detect the use of frame deletion anti-forensics. The ability of a forensic investigator to detect both editing and the use of anti-forensics results in a dynamic interplay between the forger and forensic investigator. We use develop a game theoretic framework to analyze this interplay and identify the set of actions that each party will rationally choose. Additionally, we show that anti-forensics can be used protect against reverse engineering. To demonstrate this, we propose an anti-forensic module that can be integrated into digital cameras to protect color interpolation methods

Information Forensics and Security: A quarter-century-long journey

Information forensics and security (IFS) is an active R&D area whose goal is to ensure that people use devices, data, and intellectual properties for authorized purposes and to facilitate the gathering of solid evidence to hold perpetrators accountable. For over a quarter century, since the 1990s, the IFS research area has grown tremendously to address the societal needs of the digital information era. The IEEE Signal Processing Society (SPS) has emerged as an important hub and leader in this area, and this article celebrates some landmark technical contributions. In particular, we highlight the major technological advances by the research community in some selected focus areas in the field during the past 25 years and present future trends

Forensic image analysis – CCTV distortion and artefacts

© 2018 Elsevier B.V. As a result of the worldwide deployment of surveillance cameras, authorities have gained a powerful tool that captures footage of activities of people in public areas. Surveillance cameras allow continuous monitoring of the area and allow footage to be obtained for later use, if a criminal or other act of interest occurs. Following this, a forensic practitioner, or expert witness can be required to analyse the footage of the Person of Interest. The examination ultimately aims at evaluating the strength of evidence at source and activity levels. In this paper, both source and activity levels are inferred from the trace, obtained in the form of CCTV footage. The source level alludes to features observed within the anatomy and gait of an individual, whilst the activity level relates to activity undertaken by the individual within the footage. The strength of evidence depends on the value of the information recorded, where the activity level is robust, yet source level requires further development. It is therefore suggested that the camera and the associated distortions should be assessed first and foremost and, where possible, quantified, to determine the level of each type of distortion present within the footage. A review of the ‘forensic image analysis’ review is presented here. It will outline the image distortion types and detail the limitations of differing surveillance camera systems. The aim is to highlight various types of distortion present particularly from surveillance footage, as well as address gaps in current literature in relation to assessment of CCTV distortions in tandem with gait analysis. Future work will consider the anatomical assessment from surveillance footage

Multimedia Forensics

This book is open access. Media forensics has never been more relevant to societal life. Not only media content represents an ever-increasing share of the data traveling on the net and the preferred communications means for most users, it has also become integral part of most innovative applications in the digital information ecosystem that serves various sectors of society, from the entertainment, to journalism, to politics. Undoubtedly, the advances in deep learning and computational imaging contributed significantly to this outcome. The underlying technologies that drive this trend, however, also pose a profound challenge in establishing trust in what we see, hear, and read, and make media content the preferred target of malicious attacks. In this new threat landscape powered by innovative imaging technologies and sophisticated tools, based on autoencoders and generative adversarial networks, this book fills an important gap. It presents a comprehensive review of state-of-the-art forensics capabilities that relate to media attribution, integrity and authenticity verification, and counter forensics. Its content is developed to provide practitioners, researchers, photo and video enthusiasts, and students a holistic view of the field