Movie Popularity Classification based on Inherent Movie Attributes using C4.5,PART and Correlation Coefficient

Abundance of movie data across the internet makes it an obvious candidate for machine learning and knowledge discovery. But most researches are directed towards bi-polar classification of movie or generation of a movie recommendation system based on reviews given by viewers on various internet sites. Classification of movie popularity based solely on attributes of a movie i.e. actor, actress, director rating, language, country and budget etc. has been less highlighted due to large number of attributes that are associated with each movie and their differences in dimensions. In this paper, we propose classification scheme of pre-release movie popularity based on inherent attributes using C4.5 and PART classifier algorithm and define the relation between attributes of post release movies using correlation coefficient.Comment: 6 page

Could you guess an interesting movie from the posters?: An evaluation of vision-based features on movie poster database

In this paper, we aim to estimate the Winner of world-wide film festival from the exhibited movie poster. The task is an extremely challenging because the estimation must be done with only an exhibited movie poster, without any film ratings and box-office takings. In order to tackle this problem, we have created a new database which is consist of all movie posters included in the four biggest film festivals. The movie poster database (MPDB) contains historic movies over 80 years which are nominated a movie award at each year. We apply a couple of feature types, namely hand-craft, mid-level and deep feature to extract various information from a movie poster. Our experiments showed suggestive knowledge, for example, the Academy award estimation can be better rate with a color feature and a facial emotion feature generally performs good rate on the MPDB. The paper may suggest a possibility of modeling human taste for a movie recommendation.Comment: 4 pages, 4 figure

AN ANALYSIS OF MORAL VALUES IN CHILDREN'S ANIMATED MOVIE "THE LITTLE PRINCE" BY MARK OSBORNE FOR EDUCATION

Movie is one of the branches of literary works that many enthusiasts still exist. Movies in the current era are experiencing significant development, starting from the genre, the technology used, the storyline, the values contained therein, etc. Not only that, but movies also have various benefits besides entertaining the audience, namely educating and providing inspirational values. Because of some of the reasons above, the writer is interested in research on movies and their moral values. This research is entitled "An Analysis of Moral Values In Children's Animated Movie "The Little Prince" By Mark Osborne For Education." Researchers used the movie The Little Prince as an object in this study. In this study, the writer wants to answer and discuss related to two research problems related to moral values in The Little Prince movie, namely "What are the kinds of moral values found in the children's animated movie The Little Prince?" and "What are the implications of the children's animated movie The Little Prince for education?". Then related to the purpose of this research is to find the types of moral values found in the movie and know the implications of moral values for education. This research uses qualitative methods to explain objects in depth and emphasize an analysis or description. The writer uses primary and secondary data as the source of this research. The primary source is obtained through watching the downloaded movie, and the secondary source comes from valid sources from the internet related to The Little Prince movie. After analyzing this movie, the writer found eight moral values: kind-hearted, honesty, courage, politeness, discipline, responsibility, friendship, and love. The writer hopes this research can contribute to and influence readers, who can then share or apply the information in their daily lives

Product placement in movies: questioning the effectiveness according to the spectator's viewing conditions

While adding to the academic knowledge about product placement, this exploratory research comforts the advertisers in their communication choice for the technique. It focuses on the efficiency as a result of a relationship between a spectator and a movie (before, during and after viewing the movie). Choosing a DVD movie because of the movie director improves the number of brand placement recalled as well as liking the kind of the movie. Such an improvement also occurs when the viewer appreciates the movie. Unfortunately, speaking with someone else while watching the movie does not decrease the number of brand placement recalledBrand placement, consumer, movie, product placement, spontaneous day after recall

Confessions of a Movie-Fan: Introspection into a Consumer’s Experiential Consumption of ‘Pride & Prejudice.'

As people enjoy movies for various reasons, this paper is taking an existential-phenomenological perspective to discuss the consumption of movies as a holistic personal lived experience. By using subjective personal introspection, the author provides hereby insights into his personal lived consumption experiences with the recently released movie Pride & Prejudice. Although the introspective data suggest that a complex tapestry of interconnected factors contributes to a consumer’s movie enjoyment, this study found a consumer’s personal engagement with the movie narrative and its characters to be of particular importance. This personal engagement not only allows for a momentary escape from reality into the imaginative movie world, but is even further enhanced through intertextuality, by which the consumer connects the movie to one’s personal life experiences

Getting Lost ‘Into the Wild’: Exploring the Role of Narrative Transportation in the Experiential Consumption of Movies

Although it is obvious that consumers enjoy watching movies for many reasons that range from mere short-term entertainment to the complete personal immersion into the movie narrative, a full understanding of the experiential consumption of movies and its contribution to a consumer’s subjective quality of life is still lacking. Thus, this paper takes an existential-phenomenological perspective to provide some alternative insights into consumers’ holistic movie consumption experiences. By using a form of interactive introspection, the two researchers examine and discuss hereby their own individual private consumption experiences with the recently released movie Into the Wild (US 2007) as a complex tapestry of interrelated factors. The introspective data indicates that a consumer’s personal engagement with the movie narrative, its characters, atmosphere and underlying philosophy is of particular importance for one’s enjoyment of the movie, as this allows for and even enhances the consumer’s temporary feeling of complete immersion into its imaginary world. The intensity and nature of an individual’s experienced transportation into the movie narrative is hereby determined less by socio-demographic variables such as age or gender, but by one’s own very private motives and intimate involvement with the holistic movie consumption experience