Mobile sound: media art in hybrid spaces

The thesis explores the relationships between sound and mobility through an examination of sound art. The research engages with the intersection of sound, mobility and art through original empirical work and theoretically through a critical engagement with sound studies. In dialogue with the work of De Certeau, Lefebvre, Huhtamo and Habermas in terms of the poetics of walking, rhythms, media archeology and questions of publicness, I understand sound art as an experimental mobile and public space. The thesis establishes and situates the emerging field of mobile sound art by mapping three key traditions of mobile sound art - locative art, sound art and public art - and creates a taxonomy of mobile sound art by defining four categories: 'placing sounds', 'sound platforms', 'sonifying mobility' and 'musical instruments' (each represented by one case study). In doing so it develops a methodology that is attentive to the specifics of the sonic and mobile of media experience. I demonstrate how sonic interactions and embodied mobility are designed and experienced in specific ways in each of the four case studies - 'Aura' by Symons (UK), 'Pophorns' by Torstensson and Sandelin (Sweden), 'SmSage' by Redfern and Borland (US) and 'Core Sample' by Rueb (US) (all 2007). In tracing the topos of the musical telephone, discussing the making and breaking of relevant micro publics, accounting for the polyphonies of footsteps and unwrapping bundles of rhythms, this thesis contributes to understanding complex media experiences in hybrid spaces. In doing so it critically sheds light on the quality of sonic artistic experiences, the audience engagement with urban, public and networked spaces and the relationship between sound art and everyday media experience. My thesis provides valuable insight into auditory ways of mobilising and making public spaces, non-verbal and embodied media practices, and rhythms and scales of mobile media experiences

Art and Economics in the City: New Cultural Maps

Emerging forms of alternative economic frameworks are changing the structure of society, redefining the relationship between centre and periphery, and the social dynamics in the urban fabric. In this context, the arts can play a crucial role in formulating a concept of complex and plural citizenship: This economic, social and cultural paradigm has the potential to overcome the conventional isolation of the arts and culture in ivory towers, and thereby to gradually make the urban fabric more fertile. This volume faces such sensitive issues by collating contributions from various disciplines: Economists, sociologists, urbanists, architects and creative artists offer a broad and deep assessment of urban dynamics and their visions for the years to come

De-Sign Environment Landscape City Atti

La VI Conferenza Internazionale sul Disegno, De_Sign Environment Landscape City_Genova 2020 tratta di: Rilievo e Rappresentazione dell’Architettura e dell’Ambiente; Il Disegno per il paesaggio; Disegni per il Progetto: tracce - visioni e pre-visioni; I margini i segni della memoria e la città in progress; Cultura visiva e comunicazione dall’idea al progetto; Le emergenze architettoniche; Il colore e l’ambiente; Percezione e identità territoriale; Patrimonio iconografico culturale paesaggistico: arte, letteratura e ricadute progettuali; Segni e Disegni per il Design e Rappresentazione avanzata. Federico Babina, architetto e graphic designer presenta ARCHIVISION, e Eduardo Carazo Lefort, Docente dell’Università di Valladolid e Targa d’Oro dell’Unione Italiana Disegno la Lectio Magistralis. The VI International Conference on Drawing, De_Sign Environment Landscape City_Genoa 2020, deals with: Survey and Representation of Architecture and the Environment; Drawing for the landscape; De-signs for the Project: traces-visions and previews; Margins, signs of memory and the city in progress; Visual culture and communication from idea to project; Architectural emergencies; The color and the environment; Perception and territorial identity; Landscape cultural iconographic heritage: art, literature and design implications; Signs and Drawings for Design and Advanced Representation. Federico Babina, architect and graphic designer presents ARCHIVISION, and Professor Eduardo Carazo Lefort-University of Valladolid and Gold Plate of the Italian Design Union presents his Lectio Magistralis

Arts and Health Promotion

This open access book offers an overview of the beautiful, powerful, and dynamic array of opportunities to promote health through the arts from theoretical, methodological, pedagogical, and critical perspectives. This is the first-known text to connect the disparate inter-disciplinary literatures into a coherent volume for health promotion practitioners, researchers, and teachers. It provides a one-stop depository for using the arts as tools for health promotion in many settings and as bridges across communities, cultures, and sectors. The diverse applications of the arts in health promotion transcend the multiple contexts within which health is created, i.e., individual, community, and societal levels, and has a number of potential health, aesthetic, and social outcomes. Topics covered within the chapters include: Exploring the Potential of the Arts to Promote Health and Social Justice Drawing as a Salutogenic Therapy Aid for Grieving Adolescents in Botswana Community Theater for Health Promotion in Japan From Arts to Action: Project SHINE as a Case Study of Engaging Youth in Efforts to Develop Sustainable Water, Sanitation, and Hygiene Strategies in Rural Tanzania and India Movimiento Ventana: An Alternative Proposal to Mental Health in Nicaragua Using Art to Bridge Research and Policy: An Initiative of the United States National Academy of Medicine Arts and Health Promotion is an innovative and engaging resource for a broad audience including practitioners, researchers, university instructors, and artists. It is an important text for undergraduate- and graduate-level courses, particularly in program planning, research methods (especially qualitative methodology), community health, and applied art classes. The book also is useful for professional development among current health promotion practitioners, community nurses, community psychologists, public health professionals, and social workers

Securing the Everyday City: The Emerging Geographies of Counter-Terrorism

This thesis investigates the presence of counter-terrorist security within the everyday life of cities. It emerges from, and contributes to, ongoing debates concerning the place of security in contemporary urbanism, and discussions regarding the increased saturation of urban spaces with a diverse range of security interventions. Drawing on this work, this thesis argues that in order to better understand the urban geographies of security, instead of exclusively conceiving security as only imposed on urban spaces, we must ask how processes of securing cities are ʻlivedʼ. In doing so this study responds to the lack of attention to the complex relations between processes of security and lived everyday urban life. This thesis explores the neglected everyday life of security through a case study of an emerging form of counter-terrorist security apparatus within cities in the UK, examining the broadening of the National Security Strategy of the United Kingdom and the continuing development of CONTEST, the United Kingdomʼs counter-terrorist strategy. Taking London as a named example, the study concentrates on the security interventions of two research sites, the Southbank and Bankside area of the South Bank, and the Victoria Line of the London Underground, to examine how security addresses the everyday life of the city and how such practices are experienced as part of lived everyday urban life. In sum, this thesis focuses, first, on the processes through which the everyday city is secured and, second, it draws attention to and describes how those processes of securing are encountered and enacted, as they become part of the everyday life of cities

We, the City

Given their unchecked neoliberal restructuring, Berlin and Istanbul have been exposed to various forms of political polarisation and social injustice over the last decade. As a result, the struggle for affordable housing, access to public space, fair working conditions, ecological justice and the right to different ways of life has intensified. Various forms of resistance "from below" have challenged the relationship between local governments and social movements, questioning where and how the city's political problems arise. In a mixture of dialogues, essays and critical reflections, this book explores the ways in which residents of Berlin and Istanbul experience, express and resist the physical, political and normative reorganisation of their cities. It poses the question: Who is the We in We, the City

CON-TEMPORARY LIVING. UNEXPECTED HOUSING SOLUTIONS IN PUBLIC SPACES

In this book we will analyse the meaning of the word temporary in relation to the change between space and time, time and use, use and memory. Specifically, we will look at the value of the temporary nature of design as applied to the world, the city and its inhabitants, the temporary urban solutions (Fassi, 2012), and finally the key place designed to host people’s life: the home. Although it can be said that today the meaning of the term “living” is broader and indicates more than a place to sleep, and therefore to the small domestic space of a house. This is shown by the fact that today we live at work, we live on the go, we live in the movement, but, the house still plays a central role (Galluzzo, 2018). We will then draw up a categorization of the different types of temporary housing. Examples that in the world of design are multiple and, especially in recent years, have increased exponentially. Temporary design has become an excellent instrument to occupy peripheral, degraded and underutilized areas of the city, to give them a new personality and new value, and to then find a more permanent form of use for them. In this sense, the temporary city is one that takes its least used areas and aspects and transforms them to accommodate new uses, new identities and new inhabitants

Space, people, networks:exploring the relationship between built structures and seamless wireless communication infrastructures

In this thesis, I investigate wireless communication from an architectural perspective. I am using design prototypes to explore possibilities for interaction and designing with wirelessness in mind. The public primarily regards wireless networking technology as a technical infrastructure that should provide a seamless flow of information across a network of base stations, access points and mobile devices. From this perspective, wireless infrastructure is evaluated in terms of network availability and speed, and is continuously optimised. Researchers explored some other perspectives on wireless communication technology: they used computational spatial analysis to measure signal propagation in space. Some ethnographic studies explored its effect on the use of public space. Wireless connectivity was also explored through the philosophical framework of radical empiricism. All this points to the fact that wireless network infrastructure is a complex topic, spanning multiple fields of expertise and interest (engineering, architecture, urban studies but also sociology and philosophy). It is rarely explored from a plural perspective, as each study typically focuses on the one aspect within its expertise. I propose a more complex view of wireless connectivity, encompassing these different perspectives through an intellectual framework that is based on the notion of architecturality. Architecturality, a property common to all architecture but exceeding the limits of built artefacts, is a measure of the effect something has on the experience of space. Through the lens of the built environment, I expose the complex transactions that take place between networks, people and space. In order to evaluate architecturality of wireless communication signals, I conducted a series of practical design experiments, involving people and interactive installations, and using data gathered from mobile devices and wireless access points. The design of these experiments relies on the principles described by human-computer interaction (HCI) researchers as seamful design. Seamful design reveals underlying structures and relationships behind what appears as a utilitarian infrastructure. The design experiments contribute to the discussion on the use of design artefacts in practice-based research methodologies, thus challenging the different agents of knowledge production and the superiority of established research traditions. The insights gained from this complex examination of wireless networks are important for architectural design, as a way to account more adequately for signal propagation through buildings. The experience of internalising wireless networks in the process of design engenders a designerâs sensitivity towards the presence of wireless communications in space. This sensitivity, similar to the one we have for the distribution of natural and artificial lighting, will be needed in the ever more challenging design of the built environment. The sensible designer can account for, and envision, more dynamic environments that are able to accommodate change and information in completely new ways