Audio Source Separation Using Sparse Representations

This is the author's final version of the article, first published as A. Nesbit, M. G. Jafari, E. Vincent and M. D. Plumbley. Audio Source Separation Using Sparse Representations. In W. Wang (Ed), Machine Audition: Principles, Algorithms and Systems. Chapter 10, pp. 246-264. IGI Global, 2011. ISBN 978-1-61520-919-4. DOI: 10.4018/978-1-61520-919-4.ch010file: NesbitJafariVincentP11-audio.pdf:n\NesbitJafariVincentP11-audio.pdf:PDF owner: markp timestamp: 2011.02.04file: NesbitJafariVincentP11-audio.pdf:n\NesbitJafariVincentP11-audio.pdf:PDF owner: markp timestamp: 2011.02.04The authors address the problem of audio source separation, namely, the recovery of audio signals from recordings of mixtures of those signals. The sparse component analysis framework is a powerful method for achieving this. Sparse orthogonal transforms, in which only few transform coefficients differ significantly from zero, are developed; once the signal has been transformed, energy is apportioned from each transform coefficient to each estimated source, and, finally, the signal is reconstructed using the inverse transform. The overriding aim of this chapter is to demonstrate how this framework, as exemplified here by two different decomposition methods which adapt to the signal to represent it sparsely, can be used to solve different problems in different mixing scenarios. To address the instantaneous (neither delays nor echoes) and underdetermined (more sources than mixtures) mixing model, a lapped orthogonal transform is adapted to the signal by selecting a basis from a library of predetermined bases. This method is highly related to the windowing methods used in the MPEG audio coding framework. In considering the anechoic (delays but no echoes) and determined (equal number of sources and mixtures) mixing case, a greedy adaptive transform is used based on orthogonal basis functions that are learned from the observed data, instead of being selected from a predetermined library of bases. This is found to encode the signal characteristics, by introducing a feedback system between the bases and the observed data. Experiments on mixtures of speech and music signals demonstrate that these methods give good signal approximations and separation performance, and indicate promising directions for future research

Probabilistic Modeling Paradigms for Audio Source Separation

This is the author's final version of the article, first published as E. Vincent, M. G. Jafari, S. A. Abdallah, M. D. Plumbley, M. E. Davies. Probabilistic Modeling Paradigms for Audio Source Separation. In W. Wang (Ed), Machine Audition: Principles, Algorithms and Systems. Chapter 7, pp. 162-185. IGI Global, 2011. ISBN 978-1-61520-919-4. DOI: 10.4018/978-1-61520-919-4.ch007file: VincentJafariAbdallahPD11-probabilistic.pdf:v\VincentJafariAbdallahPD11-probabilistic.pdf:PDF owner: markp timestamp: 2011.02.04file: VincentJafariAbdallahPD11-probabilistic.pdf:v\VincentJafariAbdallahPD11-probabilistic.pdf:PDF owner: markp timestamp: 2011.02.04Most sound scenes result from the superposition of several sources, which can be separately perceived and analyzed by human listeners. Source separation aims to provide machine listeners with similar skills by extracting the sounds of individual sources from a given scene. Existing separation systems operate either by emulating the human auditory system or by inferring the parameters of probabilistic sound models. In this chapter, the authors focus on the latter approach and provide a joint overview of established and recent models, including independent component analysis, local time-frequency models and spectral template-based models. They show that most models are instances of one of the following two general paradigms: linear modeling or variance modeling. They compare the merits of either paradigm and report objective performance figures. They also,conclude by discussing promising combinations of probabilistic priors and inference algorithms that could form the basis of future state-of-the-art systems

Reverberant Audio Source Separation via Sparse and Low-Rank Modeling

The performance of audio source separation from underdetermined convolutive mixture assuming known mixing filters can be significantly improved by using an analysis sparse prior optimized by a reweighting l1 scheme and a wideband datafidelity term, as demonstrated by a recent article. In this letter, we show that the performance can be improved even more significantly by exploiting a low-rank prior on the source spectrograms.We present a new algorithm to estimate the sources based on i) an analysis sparse prior, ii) a reweighting scheme so as to increase the sparsity, iii) a wideband data-fidelity term in a constrained form, and iv) a low-rank constraint on the source spectrograms. Evaluation on reverberant music mixtures shows that the resulting algorithm improves state-of-the-art methods by more than 2 dB of signal-to-distortion ratio

Structured Sparsity Models for Multiparty Speech Recovery from Reverberant Recordings

We tackle the multi-party speech recovery problem through modeling the acoustic of the reverberant chambers. Our approach exploits structured sparsity models to perform room modeling and speech recovery. We propose a scheme for characterizing the room acoustic from the unknown competing speech sources relying on localization of the early images of the speakers by sparse approximation of the spatial spectra of the virtual sources in a free-space model. The images are then clustered exploiting the low-rank structure of the spectro-temporal components belonging to each source. This enables us to identify the early support of the room impulse response function and its unique map to the room geometry. To further tackle the ambiguity of the reflection ratios, we propose a novel formulation of the reverberation model and estimate the absorption coefficients through a convex optimization exploiting joint sparsity model formulated upon spatio-spectral sparsity of concurrent speech representation. The acoustic parameters are then incorporated for separating individual speech signals through either structured sparse recovery or inverse filtering the acoustic channels. The experiments conducted on real data recordings demonstrate the effectiveness of the proposed approach for multi-party speech recovery and recognition.Comment: 31 page

Speech Separation Using Partially Asynchronous Microphone Arrays Without Resampling

We consider the problem of separating speech sources captured by multiple spatially separated devices, each of which has multiple microphones and samples its signals at a slightly different rate. Most asynchronous array processing methods rely on sample rate offset estimation and resampling, but these offsets can be difficult to estimate if the sources or microphones are moving. We propose a source separation method that does not require offset estimation or signal resampling. Instead, we divide the distributed array into several synchronous subarrays. All arrays are used jointly to estimate the time-varying signal statistics, and those statistics are used to design separate time-varying spatial filters in each array. We demonstrate the method for speech mixtures recorded on both stationary and moving microphone arrays.Comment: To appear at the International Workshop on Acoustic Signal Enhancement (IWAENC 2018

Real-time Sound Source Separation For Music Applications

Sound source separation refers to the task of extracting individual sound sources from some number of mixtures of those sound sources. In this thesis, a novel sound source separation algorithm for musical applications is presented. It leverages the fact that the vast majority of commercially recorded music since the 1950s has been mixed down for two channel reproduction, more commonly known as stereo. The algorithm presented in Chapter 3 in this thesis requires no prior knowledge or learning and performs the task of separation based purely on azimuth discrimination within the stereo field. The algorithm exploits the use of the pan pot as a means to achieve image localisation within stereophonic recordings. As such, only an interaural intensity difference exists between left and right channels for a single source. We use gain scaling and phase cancellation techniques to expose frequency dependent nulls across the azimuth domain, from which source separation and resynthesis is carried out. The algorithm is demonstrated to be state of the art in the field of sound source separation but also to be a useful pre-process to other tasks such as music segmentation and surround sound upmixing

Multichannel Speech Separation and Enhancement Using the Convolutive Transfer Function

This paper addresses the problem of speech separation and enhancement from multichannel convolutive and noisy mixtures, \emph{assuming known mixing filters}. We propose to perform the speech separation and enhancement task in the short-time Fourier transform domain, using the convolutive transfer function (CTF) approximation. Compared to time-domain filters, CTF has much less taps, consequently it has less near-common zeros among channels and less computational complexity. The work proposes three speech-source recovery methods, namely: i) the multichannel inverse filtering method, i.e. the multiple input/output inverse theorem (MINT), is exploited in the CTF domain, and for the multi-source case, ii) a beamforming-like multichannel inverse filtering method applying single source MINT and using power minimization, which is suitable whenever the source CTFs are not all known, and iii) a constrained Lasso method, where the sources are recovered by minimizing the $\ell_1$-norm to impose their spectral sparsity, with the constraint that the $\ell_2$-norm fitting cost, between the microphone signals and the mixing model involving the unknown source signals, is less than a tolerance. The noise can be reduced by setting a tolerance onto the noise power. Experiments under various acoustic conditions are carried out to evaluate the three proposed methods. The comparison between them as well as with the baseline methods is presented.Comment: Submitted to IEEE/ACM Transactions on Audio, Speech and Language Processin