Audiovisual preservation strategies, data models and value-chains

This is a report on preservation strategies, models and value-chains for digital file-based audiovisual content. The report includes: (a)current and emerging value-chains and business-models for audiovisual preservation;(b) a comparison of preservation strategies for audiovisual content including their strengths and weaknesses, and(c) a review of current preservation metadata models, and requirements for extension to support audiovisual files

DAVID D2.2: Analysis of loss modes in preservation systems

This is a report on the way in which loss and damage to digital AV content occurs for different content types, AV data carriers and preservation systems.Three different loss modes have been identified, and each has been analysed in terms of existing solutions and longterm effects. This report also includes an in-depth treatment of format compatibility (interoperability issues), format resilience to carrier degradation and format resilience to corruption

Specializing Small Language Models towards Complex Style Transfer via Latent Attribute Pre-Training

In this work, we introduce the concept of complex text style transfer tasks, and constructed complex text datasets based on two widely applicable scenarios. Our dataset is the first large-scale data set of its kind, with 700 rephrased sentences and 1,000 sentences from the game Genshin Impact. While large language models (LLM) have shown promise in complex text style transfer, they have drawbacks such as data privacy concerns, network instability, and high deployment costs. To address these issues, we explore the effectiveness of small models (less than T5-3B) with implicit style pre-training through contrastive learning. We also propose a method for automated evaluation of text generation quality based on alignment with human evaluations using ChatGPT. Finally, we compare our approach with existing methods and show that our model achieves state-of-art performances of few-shot text style transfer models

Implementation issues in source coding

An edge preserving image coding scheme which can be operated in both a lossy and a lossless manner was developed. The technique is an extension of the lossless encoding algorithm developed for the Mars observer spectral data. It can also be viewed as a modification of the DPCM algorithm. A packet video simulator was also developed from an existing modified packet network simulator. The coding scheme for this system is a modification of the mixture block coding (MBC) scheme described in the last report. Coding algorithms for packet video were also investigated

QoS Scalability for Streamed Media Delivery

Applications with real-rate progress requirements, such as mediastreaming systems, are difficult to deploy in shared heterogenous environments such as the Internet. On the Internet, mediastreaming systems must be capable of trading off resource requirements against the quality of the media streams they deliver, in order to match wide-ranging dynamic variations in bandwidth between servers and clients. Since quality requirements tend to be user- and task-specific, mechanisms for capturing quality of service requirements and mapping them to appropriate resource-level adaptation policies are required. In this paper, we describe a general approach for automatically mapping user-level quality of service specifications onto resource consumption scaling policies. Quality of service specifications are given through utility functions, and priority packet dropping for layered media streams is the resource scaling technique. The approach emphasizes simple mechanisms, yet facilitates fine-grained policy-driven adaptation over a wide-range of bandwidth levels. We demonstrate the approach in a streamingvideo player that supports user-tailorable quality adaptation policies both for matching its resource consumption requirements to the capabilities of heterogeneous clients, and for responding to dynamic variations in system and network load

Digital Preservation Services : State of the Art Analysis

Research report funded by the DC-NET project.An overview of the state of the art in service provision for digital preservation and curation. Its focus is on the areas where bridging the gaps is needed between e-Infrastructures and efficient and forward-looking digital preservation services. Based on a desktop study and a rapid analysis of some 190 currently available tools and services for digital preservation, the deliverable provides a high-level view on the range of instruments currently on offer to support various functions within a preservation system.European Commission, FP7peer-reviewe

AXMEDIS 2008

The AXMEDIS International Conference series aims to explore all subjects and topics related to cross-media and digital-media content production, processing, management, standards, representation, sharing, protection and rights management, to address the latest developments and future trends of the technologies and their applications, impacts and exploitation. The AXMEDIS events offer venues for exchanging concepts, requirements, prototypes, research ideas, and findings which could contribute to academic research and also benefit business and industrial communities. In the Internet as well as in the digital era, cross-media production and distribution represent key developments and innovations that are fostered by emergent technologies to ensure better value for money while optimising productivity and market coverage

Image Compression using Discrete Cosine Transform & Discrete Wavelet Transform

Image Compression addresses the problem of reducing the amount of data required to represent the digital image. Compression is achieved by the removal of one or more of three basic data redundancies: (1) Coding redundancy, which is present when less than optimal (i.e. the smallest length) code words are used; (2) Interpixel redundancy, which results from correlations between the pixels of an image & (3) psycho visual redundancy which is due to data that is ignored by the human visual system (i.e. visually nonessential information). Huffman codes contain the smallest possible number of code symbols (e.g., bits) per source symbol (e.g., grey level value) subject to the constraint that the source symbols are coded one at a time. So, Huffman coding when combined with technique of reducing the image redundancies using Discrete Cosine Transform (DCT) helps in compressing the image data to a very good extent. The Discrete Cosine Transform (DCT) is an example of transform coding. The current JPEG standard uses the DCT as its basis. The DC relocates the highest energies to the upper left corner of the image. The lesser energy or information is relocated into other areas. The DCT is fast. It can be quickly calculated and is best for images with smooth edges like photos with human subjects. The DCT coefficients are all real numbers unlike the Fourier Transform. The Inverse Discrete Cosine Transform (IDCT) can be used to retrieve the image from its transform representation. The Discrete wavelet transform (DWT) has gained widespread acceptance in signal processing and image compression. Because of their inherent multi-resolution nature, wavelet-coding schemes are especially suitable for applications where scalability and tolerable degradation are important. Recently the JPEG committee has released its new image coding standard, JPEG-2000, which has been based upon DWT