38,458 research outputs found
Media Presence and Inner Presence: The Sense of Presence in Virtual Reality Technologies
Abstract. Presence is widely accepted as the key concept to be considered in any research involving human interaction with Virtual Reality (VR). Since its original description, the concept of presence has developed over the past decade to be considered by many researchers as the essence of any experience in a virtual environment. The VR generating systems comprise two main parts: a technological component and a psychological experience. The different relevance given to them produced two different but coexisting visions of presence: the rationalist and the psychological/ecological points of view. The rationalist point of view considers a VR system as a collection of specific machines with the necessity of the inclusion \ud
of the concept of presence. The researchers agreeing with this approach describe the sense of presence as a function of the experience of a given medium (Media Presence). The main result of this approach is the definition of presence as the perceptual illusion of non-mediation produced by means of the disappearance of the medium from the conscious attention of the subject. At the other extreme, there \ud
is the psychological or ecological perspective (Inner Presence). Specifically, this perspective considers presence as a neuropsychological phenomenon, evolved from the interplay of our biological and cultural inheritance, whose goal is the control of the human activity. \ud
Given its key role and the rate at which new approaches to understanding and examining presence are appearing, this chapter draws together current research on presence to provide an up to date overview of the most widely accepted approaches to its understanding and measurement
From presence to consciousness through virtual reality
Immersive virtual environments can break the deep, everyday connection between where our senses tell us we are and where we are actually located and whom we are with. The concept of 'presence' refers to the phenomenon of behaving and feeling as if we are in the virtual world created by computer displays. In this article, we argue that presence is worthy of study by neuroscientists, and that it might aid the study of perception and consciousness
Relating Objective and Subjective Performance Measures for AAM-based Visual Speech Synthesizers
We compare two approaches for synthesizing visual speech using Active Appearance Models (AAMs): one that utilizes acoustic features as input, and one that utilizes a phonetic transcription as input. Both synthesizers are trained using the same data and the performance is measured using both objective and subjective testing. We investigate the impact of likely sources of error in the synthesized visual speech by introducing typical errors into real visual speech sequences and subjectively measuring the perceived degradation. When only a small region (e.g. a single syllable) of ground-truth visual speech is incorrect we find that the subjective score for the entire sequence is subjectively lower than sequences generated by our synthesizers. This observation motivates further consideration of an often ignored issue, which is to what extent are subjective measures correlated with objective measures of performance? Significantly, we find that the most commonly used objective measures of performance are not necessarily the best indicator of viewer perception of quality. We empirically evaluate alternatives and show that the cost of a dynamic time warp of synthesized visual speech parameters to the respective ground-truth parameters is a better indicator of subjective quality
Information recovery from rank-order encoded images
The time to detection of a visual stimulus by the primate eye is recorded at
100 – 150ms. This near instantaneous recognition is in spite of the considerable
processing required by the several stages of the visual pathway to recognise and
react to a visual scene. How this is achieved is still a matter of speculation.
Rank-order codes have been proposed as a means of encoding by the primate
eye in the rapid transmission of the initial burst of information from the sensory
neurons to the brain. We study the efficiency of rank-order codes in encoding
perceptually-important information in an image. VanRullen and Thorpe built a
model of the ganglion cell layers of the retina to simulate and study the viability
of rank-order as a means of encoding by retinal neurons. We validate their model
and quantify the information retrieved from rank-order encoded images in terms
of the visually-important information recovered. Towards this goal, we apply
the ‘perceptual information preservation algorithm’, proposed by Petrovic and
Xydeas after slight modification. We observe a low information recovery due
to losses suffered during the rank-order encoding and decoding processes. We
propose to minimise these losses to recover maximum information in minimum
time from rank-order encoded images. We first maximise information recovery by
using the pseudo-inverse of the filter-bank matrix to minimise losses during rankorder
decoding. We then apply the biological principle of lateral inhibition to
minimise losses during rank-order encoding. In doing so, we propose the Filteroverlap
Correction algorithm. To test the perfomance of rank-order codes in
a biologically realistic model, we design and simulate a model of the foveal-pit
ganglion cells of the retina keeping close to biological parameters. We use this
as a rank-order encoder and analyse its performance relative to VanRullen and
Thorpe’s retinal model
Telepresence and the Role of the Senses
The telepresence experience can be evoked in a number of ways. A well-known example is a player of videogames who reports about a telepresence experience, a subjective experience of being in one place or environment, even when physically situated in another place. In this paper we set the phenomenon of telepresence into a theoretical framework. As people react subjectively to stimuli from telepresence, empirical studies can give more evidence about the phenomenon. Thus, our contribution is to bridge the theoretical with the empirical. We discuss theories of perception with an emphasis on Heidegger, Merleau-Ponty and Gibson, the role of the senses and the Spinozian belief procedure. The aim is to contribute to our understanding of this phenomenon. A telepresence-study that included the affordance concept is used to empirically study how players report sense-reactions to virtual sightseeing in two cities. We investigate and explore the interplay of the philosophical and the empirical. The findings indicate that it is not only the visual sense that plays a role in this experience, but all senses
Reflexive Monism
Reflexive monism is, in essence, an ancient view of how consciousness relates to the material world that has, in recent decades, been resurrected in modern form. In this paper I discuss how some of its basic features differ from both dualism and variants of physicalist and functionalist reductionism, focusing on those aspects of the theory that challenge deeply rooted presuppositions in current Western thought. I pay particular attention to the ontological status and seeming “out-thereness” of the phenomenal world and to how the “phenomenal world” relates to the “physical world”, the “world itself”, and processing in the brain. In order to place the theory within the context of current thought and debate, I address questions that have been raised about reflexive monism in recent commentaries and also evaluate competing accounts of the same issues offered by “transparency theory” and by “biological naturalism”. I argue that, of the competing views on offer, reflexive monism most closely follows the contours of ordinary experience, the findings of science, and common sense
Where and Who? Automatic Semantic-Aware Person Composition
Image compositing is a method used to generate realistic yet fake imagery by
inserting contents from one image to another. Previous work in compositing has
focused on improving appearance compatibility of a user selected foreground
segment and a background image (i.e. color and illumination consistency). In
this work, we instead develop a fully automated compositing model that
additionally learns to select and transform compatible foreground segments from
a large collection given only an input image background. To simplify the task,
we restrict our problem by focusing on human instance composition, because
human segments exhibit strong correlations with their background and because of
the availability of large annotated data. We develop a novel branching
Convolutional Neural Network (CNN) that jointly predicts candidate person
locations given a background image. We then use pre-trained deep feature
representations to retrieve person instances from a large segment database.
Experimental results show that our model can generate composite images that
look visually convincing. We also develop a user interface to demonstrate the
potential application of our method.Comment: 10 pages, 9 figure
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