Pandemic Exposures

For people and governments around the world, the onset of the COVID-19 pandemic seemed to place the preservation of human life at odds with the pursuit of economic and social life. Yet this simple alternative belies the complexity of the entanglements the crisis has created and revealed not just between health and wealth but also around morality, knowledge, governance, culture, and everyday subsistence. Didier Fassin and Marion Fourcade have assembled an eminent team of scholars from across the social sciences conducting research on six continents to reflect on the multiple ways the coronavirus has entered, reshaped, or exacerbated existing trends and structures in every part of the globe. The contributors show how the disruptions caused by the pandemic have both hastened the rise of new social divisions and hardened old inequalities and dilemmas. An indispensable volume, Pandemic Exposures provides an illuminating analysis of this watershed moment and its possible aftermath

Technology 2002: the Third National Technology Transfer Conference and Exposition, Volume 1

The proceedings from the conference are presented. The topics covered include the following: computer technology, advanced manufacturing, materials science, biotechnology, and electronics

Pandemic Exposures

For people and governments around the world, the onset of the COVID-19 pandemic seemed to place the preservation of human life at odds with the pursuit of economic and social life. Yet this simple alternative belies the complexity of the entanglements the crisis has created and revealed not just between health and wealth but also around morality, knowledge, governance, culture, and everyday subsistence. Didier Fassin and Marion Fourcade have assembled an eminent team of scholars from across the social sciences conducting research on six continents to reflect on the multiple ways the coronavirus has entered, reshaped, or exacerbated existing trends and structures in every part of the globe. The contributors show how the disruptions caused by the pandemic have both hastened the rise of new social divisions and hardened old inequalities and dilemmas. An indispensable volume, Pandemic Exposures provides an illuminating analysis of this watershed moment and its possible aftermath

Rethinking Collective Anxieties as a Genre in Post-9/11 Hollywood Movies

Dieses Buch ruft das Genre Kino der (kollektiven) Ängste ins Leben und beschreibt und analysiert dieses Genre anhand beispielhafter Fallstudien nach dem 9/11. Es liefert vielschichtige Filmanalysen zu vier Hollywood-Filmen; Crash (2004), The Brave One (2007), The Company Men (2010) und The Purge: Election Year (2016). Diese Forschung stellt einen Versuch dar, eine abgrenzende Definition dieses Kinos als filmisches (Sub-)Genre zu konzipieren und einen Überblick über die Eigenschaften dieses Kinos zu geben, wobei besonderes Augenmerk auf post-9/11 Filme mit der Angst-Narrativ der inneren Bedrohung gelegt wird. Dieses Genre steht an der Schnittstelle ästhetischer Erkenntnisse, historischer Entwicklungen, kultureller Phänomene und politisch-ideologischer Schattierungen, was die Hybridisierung zu einem der Hauptmerkmale dieser Filmgattung macht. Diese Studie betrachtet das kollektive Angstkino nach dem 9/11 als eine Ansammlung historischer Ängste, von denen einige aus genau dieser Zeit stammen (wie der Patriot Act und die ständigen Alarmstufen Rot), während andere auf frühere Epochen der US-Geschichte zurückgehen (wie die Ankunft der ersten europäischen Siedler in einer unbekannten feindlichen Umgebung, die Hexenjagd in Salem, der Rote Schrecken, die Bürgerrechtsbewegung und die satanische Panik). Anders gesagt, das Buch untersucht die inneren Assoziationen der Filme mit einer Reihe historischer Ängste von der Gründung Amerikas bis zur Gegenwart. Darüber hinaus geht diese Studie den Echos dieser Ängste nach und beleuchtet ihre Ausdrucksformen und ihre Echos in anderen Filmen, literarischen Werken, Genres und Mythen. Obwohl die untersuchten Ängste oft mit relativ spezifischen Problemen verbunden sind (wie Race-Ängste und Kulturkriege, Kriminalitätsängste und Waffenkultur, Wirtschaftsängste und der Finanzcrash sowie politische Ängste und Wahlparanoia), sind sie immer noch überwiegend, nach Ansicht der Autorin, das Produkt eines halben Jahrhunderts neoliberaler Politik.This book brings 'the cinema of (collective) anxieties' to life as a genre, and it describes and analyzes this genre based on exemplary post-9/11 case studies. Thus, it provides multilayered film analyses of four Hollywood movies; Crash (2004), The Brave One (2007), The Company Men (2010), and The Purge: Election Year (2016). This research constitutes an attempt to conceptualize a demarcating definition of this cinema as a cinematic (sub)genre and to provide an outline of the traits and characteristics of this cinema while paying special attention to the cycle of post-9/11 movies depicting the fear narrative of internal threat. This genre stands at a junction of aesthetic realizations, historical developments, cultural phenomena, and political-ideological shades, which makes hybridization one of the leading features of this cinematic genre. This study approaches the post-9/11 collective anxiety cinema as an accumulation of historical anxieties, some of which stem from this very period (such as the Patriot Act and the constant Red Alerts), while others date back to earlier eras in US history (such as the arrival of the first European settlers in an unknown hostile environment, the Salem Witch Hunt, the Red Scare, the civil rights movement, and the Satanic panic). In other words, the book explores the films' inner associations with bundles of historical anxieties from the inception of America until the current era. Furthermore, this study traces the echoes of these anxieties and highlights their forms of expression and their echoes in other movies, literary works, genres, and myths. Although the examined anxieties are often tied to relatively specific problems (like racial anxieties and culture wars; crime anxieties and gun culture; economic anxieties and the financial crash; political anxiety and election paranoia), they are still largely, in the author's view, the product of half a century of neoliberal policies

Viral Loads

Drawing upon the empirical scholarship and research expertise of contributors from all settled continents and from diverse life settings and economies, Viral Loads illustrates how the COVID-19 pandemic, and responses to it, lay bare and load onto people’s lived realities in countries around the world. A crosscutting theme pertains to how social unevenness and gross economic disparities are shaping global and local responses to the pandemic, and illustrate the effects of both the virus and efforts to contain it in ways that amplify these inequalities. At the same time, the contributions highlight the nature of contemporary social life, including virtual communication, the nature of communities, neoliberalism and contemporary political economies, and the shifting nature of nation states and the role of government. Over half of the world’s population has been affected by restrictions of movement, with physical distancing requirements and self-isolation recommendations impacting profoundly on everyday life but also on the economy, resulting also, in turn, with dramatic shifts in the economy and in mass unemployment. By reflecting on how the pandemic has interrupted daily lives, state infrastructures and healthcare systems, the contributing authors in this volume mobilise anthropological theories and concepts to locate the pandemic in a highly connected and exceedingly unequal world. The book is ambitious in its scope – spanning the entire globe – and daring in its insistence that medical anthropology must be a part of the growing calls to build a new world

Viral Loads

Drawing upon the empirical scholarship and research expertise of contributors from all settled continents and from diverse life settings and economies, Viral Loads illustrates how the COVID-19 pandemic, and responses to it, lay bare and load onto people’s lived realities in countries around the world. A crosscutting theme pertains to how social unevenness and gross economic disparities are shaping global and local responses to the pandemic, and illustrate the effects of both the virus and efforts to contain it in ways that amplify these inequalities. At the same time, the contributions highlight the nature of contemporary social life, including virtual communication, the nature of communities, neoliberalism and contemporary political economies, and the shifting nature of nation states and the role of government. Over half of the world’s population has been affected by restrictions of movement, with physical distancing requirements and self-isolation recommendations impacting profoundly on everyday life but also on the economy, resulting also, in turn, with dramatic shifts in the economy and in mass unemployment. By reflecting on how the pandemic has interrupted daily lives, state infrastructures and healthcare systems, the contributing authors in this volume mobilise anthropological theories and concepts to locate the pandemic in a highly connected and exceedingly unequal world. The book is ambitious in its scope – spanning the entire globe – and daring in its insistence that medical anthropology must be a part of the growing calls to build a new world