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    Ave Maria

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    What is the right place for atypical exemplars? Commentary: The right hemisphere contribution to semantic categorization: a TMS study

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    open3openMontefinese, Maria; Ciavarro, Marco; Ambrosini, EttoreMontefinese, Maria; Ciavarro, Marco; Ambrosini, Ettor

    Jesu Maria 1960

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    The massive bell, resting on the rug in their living-room amid its travelling - wrappings, was much larger than they had expected. The girl and her mother felt their cottage grow smaller like a rock surrounded by rising tide. They were not inclined to discuss the bell in its presence, lest their minds turn on them with salty and even rude criticism from the inanimate thing\u27s point of view; but they noticed for the first time how poor was the view from their windows, which did not look to sea. It was a great iron bell, with rust scoured thin to dust of Orient cinnamon; and on the inside, except where the tongue had struck, it was incrusted with salt. Around it a band of raised iron words said, Jesu Maria 1690, with no comma between

    Simply Maria (1994)

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    Playwright: Josefina Lopez Director: Pamela Salazar Costumes: Ronald D. Frausto Academic Year: 1993-1994https://scholarworks.sjsu.edu/productions_1990s/1029/thumbnail.jp

    Evaluation of pet animals involved in assisted interventions (AAI) as potential carriers of bacteria resistant to antimicrobials: Preliminary data

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    open8noopenDotto, G.; Pasotto, D.; Poser, H.; Menandro, M.L.; Berlanda, M.; Falomo, M.E.; Mondin, A.; Martini, M.Dotto, Giorgia; Pasotto, Daniela; Poser, Helen; Menandro, MARIA LUISA; Berlanda, Michele; Falomo, MARIA ELENA; Mondin, Alessandra; Martini, Marc

    A predicative variant of a realizability tripos for the Minimalist Foundation.

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    open2noHere we present a predicative variant of a realizability tripos validating the intensional level of the Minimalist Foundation extended with Formal Church thesis.the file attached contains the whole number of the journal including the mentioned pubblicationopenMaietti, Maria Emilia; Maschio, SamueleMaietti, MARIA EMILIA; Maschio, Samuel

    Maria Yosephin Widarti Lestari

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    In Indonesia, based on the 2003 Curriculum for Junior school, there are three languages, e.g. English, Bahasa Indonesia and indigenous languages in the group of language. It means that all three languages are taught though in fact the indigenous language is not the subject examined nationally. The government policy to place indigenous languages in education system is meant to be one of the ways to avoid it from extinction. Unfortunately, many problems arose in the teaching and learning process because of the status of the language. The research was carried out in 2 junior schools in Bandung, West Jawa, Indonesia. The schools chosen are based on the location and status in which one is a private school in town (77 students) and the other school is public/state one located in outside the city (74 students). Findings suggested that the students from public school have higher attitudes toward the use of Sundanese language and the Sundanese language learning than students from private school. It is influenced by social and educational factors internally and externally

    Anna Maria Maiolino: continuous

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    Dr Michael Asbury curated an exhibition at Camden Arts Centre of the artist Anna Maria Maiolino. The artist produced an installation with clay that relates to notions of difference and repetition, the idea of the first/primal gesture, ephemerality, cyclical/recycling, etc...Students integrated with the team of volunteers producing these pieces in collaboration with the artist. The seminar was literally a ‘hands on’ experience, where issues were discussed while producing the object. As one of the most significant artists working in Brazil today, Italian-born Anna Maria Maiolino, presented a new, site-specific installation and a selection of film works made over the last 30 years. Anna Maria Maiolino was born in Italy in 1942 and moved to Brazil at the age of eighteen. Studying painting in Rio de Janeiro her artistic career took shape in the 1960s and 1970s, a key period in Brazilian art when artistic experimentation clashed with a repressive political regime. Employing diverse disciplines and mediums including clay, ink, film and performance, Anna Maria Maiolino’s work retains a fundamental concern with creative and destructive processes and with identity; from the subjective to the universal. For the exhibition at Camden Arts Centre, Maiolino created an installation using several hundred kilograms of clay. Created by manually rolling and shaping the clay into hundreds of rolls or balls, the basic shapes used in ceramics, the installation refers to everyday tasks, to the individual, society and language; each piece retaining distinctive marks of its manufacture and collectively creating an imposing structure. The exhibition will also included selected films made by Maiolino over the last 30 years, including Y, (1974) and +&- (1999)

    Familly with two different cases of post- and pre-natal L1 syndrome; When hydrocephaly become "multidisciplinary headache"

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    open11openBukvic, Nenad; Boaretto, Francesca; Loverro, Giuseppe; Susca, Francesco C.; Lovaglio, Rosaura; Patruno, Margherita; Bukvic, Dragoslav; Starcevic, Srdjan; Vazza, Giovanni; Mostaciuollo, Maria Luisa; Resta, NicolettaBukvic, Nenad; Boaretto, Francesca; Loverro, Giuseppe; Susca, Francesco C.; Lovaglio, Rosaura; Patruno, Margherita; Bukvic, Dragoslav; Starcevic, Srdjan; Vazza, Giovanni; Mostaciuollo, Maria Luisa; Resta, Nicolett
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