Will Work\u27: The Role of Intellectual Property in Transitional Economies -- From Coal to Content

The development and exploitation of intellectual property, and participation in the global information economy, are not dependent upon geography. It can take place from anywhere, from the inside of an empty factory in Detroit, to a small country road, nestled between the rhododendron and the river. From the R&D lab at a university, to a barren plain in New Mexico. To move from coal to content, we must foster a dynamic and profitable environment for entrepreneurship, through a supportive and robust university community, through state legislation and institutional support and through effective utilization of intellectual property laws. Intellectual property and technology can be used in transitional economies to create meaningful opportunities for young people to live and to work in their communities, to make efficient use of their own resources. This issue spans art and science, business and industry, culture and environment. Twin-pops and telephones. Intellectual property can help people use traditional resources in the new economy -- the art, the music, the know-how -- and to cultivate human knowledge and creation in a manner that benefits these communities across the country. This is the American story, too - to create wealth from within. To \u27Will Work\u27

Building Community: Making Space for Art

Examines the role of the arts in communities; artists working in community development, education, health, or environmental fields; and contemporary art spaces in community planning and revitalization strategies

Design in the new Do-It-Yourself age: trialing workshops for repairing

Traces of a renovated interest in Do-It-Yourself (DIY) have been observed in relation to technological advances and lowered prices facilitating the access to the practice at different levels of skills. This research envisaged the DIY trend as an opportunity to foster sustainable impact in a society where everyone can and does design. In this paper the role of Design in this ‘new’ DIY age is addressed. In particular professional designer as facilitator in investigated when supporting the DIY practitioners in repairing, reusing and in general practices prolonging product lifespan (RE-DIY). The facilitator role is studied through action research approach by setting four workshops in Italy in which designers supported practitioners in repairing and repurposing in ideal workspaces. The repairing workshops validated the hypothesis of a positive contribution by design in supporting the development of RE-DIY practice by optimizing resources (e.g. saving materials), informing on processing (e.g. 3D printing), increasing quality (e.g. refining the aesthetics). Critical components of the workshops have been identified such as the relevance of facilities, availability of time, emotional attachment to the item. These can be overtaken through the use of professional Design expertise based on abductive approach, finding an ordering principle and reasoning on multiple levels

From Talent to Creative City: Towards a conceptual framework

The creative class approach (Florida, 2002b) has led to many developments. Therefore, measurement of creativity (Chantelot, 2010), economic influence of creative people in urban (Marlet & Van Woerkens, 2007) and rural (McGranahan & Wojan, 2007) environments, or creative people geography (Chantelot & al., 2010) and factors that shape it (Boshma & Fritsch, 2009) have been investigated. Increasingly, these works tend to substitute static considerations (who and where are creative people?) to dynamic approaches (what do the creative people?). Creativity mainly comes from talent (Florida, 2002a) but creative production is generated through collective process where social interactions, learning and diffusion of ideas predominate (Cohendet & Simon, 2008). The transition from individual to collective process particularly appears to be driven by cities, defined as privileged theaters of creativity (Hall, 1998). Hence, cities managing to convert micro or individuals ideas to macro or collective outputs can be defined as “creative citiesâ€. It sheds light on the determinant role of cities in attracting, organizing and producing creative people in order to experience virtuous path of economic competitiveness (Lucas, 1988). This communication aims to give a conceptual framework to characterize creative cities. At the urban level, it formalizes the micro / macro transition: micro level consists in talent, which includes both individuals with a creative profession directly involved in the production of innovations, new knowledge and ideas - both related to the industrial or scientific sphere (the 'creative core') and arts (the Bohemians) - or in its implementation and management on the market (the 'creative professionals' - ibid.). Therefore, the aim is to connect creative or innovative clusters of firms (where creative pro and core mainly work) with creative urban districts characterized by intense cultural and artistic, driven by Bohemians, and places of socialization and urban regeneration. This connection can be ensured by a meso level characterized by the presence of communities that facilitate the micro/macro-ideas transition to the market. The definition of these three different levels, the construction of their measure, and the way to identify their respective roles and interactions that shape the creative city structure the dynamic conceptual model we propose here.

Impact of Global Patent and Regulatory Reform on Patent Strategies for Biotechnology

I come to you this morning not as an intellectual property lawyer but as a former general counsel of biotechnology and pharmaceutical related companies, as an attorney with significant exposure to intellectual property issues and as one who has seen first-hand the importance of intellectual property in shaping commercial strategies in biotechnology. With that as a backdrop, I would like to thank you for allowing me the opportunity to share with you today thoughts that I have regarding patents and the impact of patent reform on biotechnology. It has been said that the best way to predict the future is to invent it. However, I believe that the best way to control the future is to patent it

Bridging knowledge to the market: an innovative approach for an innovative development

We live in a world of constant development, growth, innovation and changing needs and nonetheless cultural habits. How to sustain this constant change and how to adapt to globalisation, technological change and constant creativity and innovativeness of key human resources inside larger corporations as well as knowledge institutions is answering the concept of corporate entrepreneurship, new ventures and academic spin-off creation. Article will show the trend in the field of new venture and academic spin-off creation, involving human and social capital as key success factors. Barriers and innovative solutions will be presented on how to overcome the issue of lacking cooperation between academia and industry. Relevant best practices and experiences will be presented to be discussed as opportunities that can find the place in the already existing strengths of Slovenia and its entrepreneurial development and regional growthAcademic spin-off, Early-Stage Financing, Knowledge-Intensive Regions, Knowledge-Intensive Companies, new venture

A legacy handbook for science, technology, engineering and maths (STEM)

Legacy Handbook reviewing emda's experience of STEM activity. Identifies key achievements and draws out lessons learned that may be relevant to successor bodies active in this area

The English model of creativity : cultural politics of an idea

The paper presents a socio-political analysis of New Labour’s rhetorical uses of the idea and values of creativity to shape cultural policy in England. It will examine how the current idea of creativity in policy discussions has been politically reconceptualised as a means of responding to broader socio-political and economic agendas. The paper will explore the extent to which New Labour’s social-market political paradigm has contributed to shaping and reshaping the government’s creativity rhetoric. It is suggested that the English model of creativity in policy discourse is politically constructed rather than being based in the available literature and research associated with creativity in the fields of psychology and sociology. Drawing on these discussions, the paper will suggest that there are five distinctive characteristics of the English model of creativity and offer a critical analysis about some underlying assumptions embedded in these rhetorical positions

The Next Generation of Entrepreneurs

A.R. (Venky) Venkatachalam, Ph.D. (Associate Dean of Academic Programs & Professor of Information Systems) and I believe that the steps to insure future entrepreneurial success have not been taken; therefore my intention is to provide quality insight regarding the importance of embracing our next generation of entrepreneurs

Beyond ‘the Beamer, the boat and the bach’? A content analysis-based case study of New Zealand innovative firms

In this paper we will use case studies to seek to understand the dynamic innovation processes at the level of the firm and to explain the apparent 'enigma' between New Zealand's recent innovation performance and economic growth. A text-mining tool, Leximancer, (version 4) was used to analyse the case results, based on content analysis. The case studies reveal that innovation in New Zealand firms can be best described as 'internalised', and the four key factors that affect innovation in New Zealand firms are ‘Product’, ‘Market’, ‘People’ and ‘Money’. New Zealand may be an ideal place for promoting local entrepreneurship, however, many market/technology opportunities cannot be realized in such a small and isolated economy, hence the poor economic performance