Contemporary music

Recital and lecture-recital by Maurice Ravel, of Paris, under the auspices of the RIce Institute Lectureship in Music, Houston, April 6 and 7, 1928.I. Programme of the recital -- II. Programme of the lecture recital -- III. Lecture on contemporary musi

Modern music

Lecture-recital by Arthur Honegger, of Paris, under the auspices of the Rice Institute Lectureship in Music, Houston, March 6, 1929.I. Programme of the lecture-recital -- II. Lecture on modern musi

The Ursinus Weekly, May 19, 1905

Baseball • Scientific lecture • Song recital • College sermon • Orchestra concert • Honors awarded • Society notes • College world • Pupils\u27 recital • Tennis tournament • College notes • Lecture by Professor Chandler • Noticehttps://digitalcommons.ursinus.edu/weekly/3016/thumbnail.jp

Senior Capstone Lecture Recital: Joi Crump

A Senior Capstone Lecture Recital featuring Joi Crump. In this Lecture Recital, Joi will discuss the healing power of Black music for racial-based trauma.https://digitalcommons.kennesaw.edu/musicprograms/2405/thumbnail.jp

William Trantham in a Faculty Lecture-Recital

This is the program for the faculty lecture-recital featuring pianist William Bill Trantham. This recital took place on October 2, 1990, in the Mabee Fine Arts Center Recital Hall

Sound Doctrine: Made in the U.S.A., Sim Flora in a Faculty Lecture Recital

This is the program for Sound Doctrine: Made in the U.S.A., the faculty lecture recital featuring trombonist Dr. Sim Flora. The recital took place on September 11, 2003, in the W. Francis McBeth Recital Hall

The Oratorio: Paradox in Music : Carolyn Yeldell in a Honors Student Lecture and Recital

This is the program for the honors student lecture and recital of Carolyn Yeldell. Pianist Ronald Lewis accompanied the performance. The recital took place on January 10, 1967, in Mitchell Hall

Song sets by Beethoven, Berg, and Lutoslawski: transcriptions for trombone and piano within a lecture recital

I. Solo Recital: Sunday, April 28, 2013, 7:30 p.m., UNCG Recital Hall. Sonata Concertante, (Walter Hartley); Romanza Appassionata, (Carl Maria von Weber); Ballade for Bass Clarinet, (Eugène Bozza); Sonatine, pour Trombone et Piano (Jacques Castérède); Cinq melodies de Venise, op. 58 (Gabriel Fauré). II. Solo Recital: Sunday, March 2, 2014, 3:30 p.m., UNCG Recital Hall. Red Dragonfly, (Amy Riebs Mills); Sieben frühe Lieder, (Alban Berg); Capriccio da camera, Op. 35 (Bernhard Krol). III. Solo Recital: Sunday, November 16, 2014, 1:30 p.m., UNCG Recital Hall. Fanfare, (John Kenny); Sonata, for trombone and piano (Eric Ewazen); Fünf Lieder, (Witold Lutoslawski); Fandango, for trumpet, trombone and piano, (Joseph Turrin). IV. Lecture Recital: Friday, February 27, 2015, 3:30 p.m., UNCG Organ Hall. Drei Gesänge von Goethe, "Mit einem gemalten Band," (Ludwig von Beethoven); Sieben frühe Lieder, "Die Nachtigall," (Alban Berg); Fünf Lieder, "Dzwony cerkiewne," (Witold Lutoslawski). V. D.M.A. Recital Document. SONG SETS BY BEETHOVEN, BERG, AND LUTOSLAWSKI: TRANSCRIPTIONS FOR TROMBONE AND PIANO WITHIN A LECTURE RECITAL. The purpose of this project was to transcribe and adapt idiomatic songs for the trombone and present the songs in a lecture recital that demonstrated the efficacy of the vocal works as literature for the trombone. The song sets chosen for this project represent three different periods of music composition, from Romantic to mid-twentieth century. The Romantic song set of Drei Gesänge von Goethe by Ludwig von Beethoven was chosen to best display the melodic and vocal quality of the trombone. Sieben frühe Lieder by Alban Berg was chosen to demonstrate the chromatic capability of the trombone as a melodic instrument. The tonal and dynamic ranges of the trombone, as well as its rhythmic and articulation abilities were exercised in Fünf Lieder by Witold Lutoslawski

Former CPA and Attorney with Deloitte Tax Will Deliver M.B.A. Lecture on Feb. 26

M.B.A. lecture speaker is Stephen Boocock, now a part-time instructor at Winthrop. M.B.A. lecture is Feb. 26 at 7 p.m. in Barnes Recital Hall

Summary of Dissertation Recitals Three Programs of Piano Music

1. First Dissertation Lecture Recital. “Thematic Development and Continuity in Sonata No. 1 in F Minor, Op. 6 by Alexander Scriabin.” Tuesday, January 22, 2013 at 8:00 pm in the Moore Building, Britton Recital Hall. The lecture explored how Scriabin’s Sonata No. 1 achieves continuity and unity of thematic development throughout the all the movements by using inter-related motivic ideas, and how his technique of transforming the character of the theme relates to the emotional and spiritual arc of the piece. 2. Second Dissertation Recital. Wednesday, March 20, 2013 in Britton Recital Hall, E. V. Moore Building. The recital program included Beethoven’s Piano Sonata No. 28 in A Major, Op. 101 and Sergei Rachmaninoff ‘s Piano Sonata No. 1 in D Minor, Op. 28. 3. Third Dissertation Recital. Tuesday, May 14, 2013 in Stamps Auditorium, Walgreen Drama Center. The recital featured Mozart’s Piano Sonata in E-flat Major, K. 282, Beethoven’s Piano Sonata No. 31, in A-flat Major, Op. 110 and Schumann’s Symphonic Etudes, the version of 1852.AMUMusic: PerformanceUniversity of Michigan, Horace H. Rackham School of Graduate Studieshttps://deepblue.lib.umich.edu/bitstream/2027.42/147478/1/jinhwa_1.pd