Analyzing Input and Output Representations for Speech-Driven Gesture Generation

This paper presents a novel framework for automatic speech-driven gesture generation, applicable to human-agent interaction including both virtual agents and robots. Specifically, we extend recent deep-learning-based, data-driven methods for speech-driven gesture generation by incorporating representation learning. Our model takes speech as input and produces gestures as output, in the form of a sequence of 3D coordinates. Our approach consists of two steps. First, we learn a lower-dimensional representation of human motion using a denoising autoencoder neural network, consisting of a motion encoder MotionE and a motion decoder MotionD. The learned representation preserves the most important aspects of the human pose variation while removing less relevant variation. Second, we train a novel encoder network SpeechE to map from speech to a corresponding motion representation with reduced dimensionality. At test time, the speech encoder and the motion decoder networks are combined: SpeechE predicts motion representations based on a given speech signal and MotionD then decodes these representations to produce motion sequences. We evaluate different representation sizes in order to find the most effective dimensionality for the representation. We also evaluate the effects of using different speech features as input to the model. We find that mel-frequency cepstral coefficients (MFCCs), alone or combined with prosodic features, perform the best. The results of a subsequent user study confirm the benefits of the representation learning.Comment: Accepted at IVA '19. Shorter version published at AAMAS '19. The code is available at https://github.com/GestureGeneration/Speech_driven_gesture_generation_with_autoencode

Capture, Learning, and Synthesis of 3D Speaking Styles

Audio-driven 3D facial animation has been widely explored, but achieving realistic, human-like performance is still unsolved. This is due to the lack of available 3D datasets, models, and standard evaluation metrics. To address this, we introduce a unique 4D face dataset with about 29 minutes of 4D scans captured at 60 fps and synchronized audio from 12 speakers. We then train a neural network on our dataset that factors identity from facial motion. The learned model, VOCA (Voice Operated Character Animation) takes any speech signal as input - even speech in languages other than English - and realistically animates a wide range of adult faces. Conditioning on subject labels during training allows the model to learn a variety of realistic speaking styles. VOCA also provides animator controls to alter speaking style, identity-dependent facial shape, and pose (i.e. head, jaw, and eyeball rotations) during animation. To our knowledge, VOCA is the only realistic 3D facial animation model that is readily applicable to unseen subjects without retargeting. This makes VOCA suitable for tasks like in-game video, virtual reality avatars, or any scenario in which the speaker, speech, or language is not known in advance. We make the dataset and model available for research purposes at http://voca.is.tue.mpg.de.Comment: To appear in CVPR 201

The Effect of Real-Time Constraints on Automatic Speech Animation

Machine learning has previously been applied successfully to speech-driven facial animation. To account for carry-over and anticipatory coarticulation a common approach is to predict the facial pose using a symmetric window of acoustic speech that includes both past and future context. Using future context limits this approach for animating the faces of characters in real-time and networked applications, such as online gaming. An acceptable latency for conversational speech is 200ms and typically network transmission times will consume a significant part of this. Consequently, we consider asymmetric windows by investigating the extent to which decreasing the future context effects the quality of predicted animation using both deep neural networks (DNNs) and bi-directional LSTM recurrent neural networks (BiLSTMs). Specifically we investigate future contexts from 170ms (fully-symmetric) to 0ms (fullyasymmetric

Speech-driven Animation with Meaningful Behaviors

Conversational agents (CAs) play an important role in human computer interaction. Creating believable movements for CAs is challenging, since the movements have to be meaningful and natural, reflecting the coupling between gestures and speech. Studies in the past have mainly relied on rule-based or data-driven approaches. Rule-based methods focus on creating meaningful behaviors conveying the underlying message, but the gestures cannot be easily synchronized with speech. Data-driven approaches, especially speech-driven models, can capture the relationship between speech and gestures. However, they create behaviors disregarding the meaning of the message. This study proposes to bridge the gap between these two approaches overcoming their limitations. The approach builds a dynamic Bayesian network (DBN), where a discrete variable is added to constrain the behaviors on the underlying constraint. The study implements and evaluates the approach with two constraints: discourse functions and prototypical behaviors. By constraining on the discourse functions (e.g., questions), the model learns the characteristic behaviors associated with a given discourse class learning the rules from the data. By constraining on prototypical behaviors (e.g., head nods), the approach can be embedded in a rule-based system as a behavior realizer creating trajectories that are timely synchronized with speech. The study proposes a DBN structure and a training approach that (1) models the cause-effect relationship between the constraint and the gestures, (2) initializes the state configuration models increasing the range of the generated behaviors, and (3) captures the differences in the behaviors across constraints by enforcing sparse transitions between shared and exclusive states per constraint. Objective and subjective evaluations demonstrate the benefits of the proposed approach over an unconstrained model.Comment: 13 pages, 12 figures, 5 table

Continuous Analysis of Affect from Voice and Face

Human affective behavior is multimodal, continuous and complex. Despite major advances within the affective computing research field, modeling, analyzing, interpreting and responding to human affective behavior still remains a challenge for automated systems as affect and emotions are complex constructs, with fuzzy boundaries and with substantial individual differences in expression and experience [7]. Therefore, affective and behavioral computing researchers have recently invested increased effort in exploring how to best model, analyze and interpret the subtlety, complexity and continuity (represented along a continuum e.g., from −1 to +1) of affective behavior in terms of latent dimensions (e.g., arousal, power and valence) and appraisals, rather than in terms of a small number of discrete emotion categories (e.g., happiness and sadness). This chapter aims to (i) give a brief overview of the existing efforts and the major accomplishments in modeling and analysis of emotional expressions in dimensional and continuous space while focusing on open issues and new challenges in the field, and (ii) introduce a representative approach for multimodal continuous analysis of affect from voice and face, and provide experimental results using the audiovisual Sensitive Artificial Listener (SAL) Database of natural interactions. The chapter concludes by posing a number of questions that highlight the significant issues in the field, and by extracting potential answers to these questions from the relevant literature. The chapter is organized as follows. Section 10.2 describes theories of emotion, Sect. 10.3 provides details on the affect dimensions employed in the literature as well as how emotions are perceived from visual, audio and physiological modalities. Section 10.4 summarizes how current technology has been developed, in terms of data acquisition and annotation, and automatic analysis of affect in continuous space by bringing forth a number of issues that need to be taken into account when applying a dimensional approach to emotion recognition, namely, determining the duration of emotions for automatic analysis, modeling the intensity of emotions, determining the baseline, dealing with high inter-subject expression variation, defining optimal strategies for fusion of multiple cues and modalities, and identifying appropriate machine learning techniques and evaluation measures. Section 10.5 presents our representative system that fuses vocal and facial expression cues for dimensional and continuous prediction of emotions in valence and arousal space by employing the bidirectional Long Short-Term Memory neural networks (BLSTM-NN), and introduces an output-associative fusion framework that incorporates correlations between the emotion dimensions to further improve continuous affect prediction. Section 10.6 concludes the chapter

Learning Landmarks Motion from Speech for Speaker-Agnostic 3D Talking Heads Generation

This paper presents a novel approach for generating 3D talking heads from raw audio inputs. Our method grounds on the idea that speech related movements can be comprehensively and efficiently described by the motion of a few control points located on the movable parts of the face, i.e., landmarks. The underlying musculoskeletal structure then allows us to learn how their motion influences the geometrical deformations of the whole face. The proposed method employs two distinct models to this aim: the first one learns to generate the motion of a sparse set of landmarks from the given audio. The second model expands such landmarks motion to a dense motion field, which is utilized to animate a given 3D mesh in neutral state. Additionally, we introduce a novel loss function, named Cosine Loss, which minimizes the angle between the generated motion vectors and the ground truth ones. Using landmarks in 3D talking head generation offers various advantages such as consistency, reliability, and obviating the need for manual-annotation. Our approach is designed to be identity-agnostic, enabling high-quality facial animations for any users without additional data or training