Steps to an advanced Ada programming environment

Conceptual simplicity, tight coupling of tools, and effective support of host-target software development will characterize advanced Ada programming support environments. Several important principles have been demonstrated in the Arcturus system, including template-assisted Ada editing, command completion using Ada as a command language, and combining the advantages of interpretation and compliation. Other principles, relating to analysis, testing, and debugging of concurrent Ada programs, have appeared in other contexts. This paper discusses several of these topics, considers how they can be integrated, and argues for their inclusion in an environment appropriate for software development in the late 1980's

Computer graphics application in the engineering design integration system

The computer graphics aspect of the Engineering Design Integration (EDIN) system and its application to design problems were discussed. Three basic types of computer graphics may be used with the EDIN system for the evaluation of aerospace vehicles preliminary designs: offline graphics systems using vellum-inking or photographic processes, online graphics systems characterized by direct coupled low cost storage tube terminals with limited interactive capabilities, and a minicomputer based refresh terminal offering highly interactive capabilities. The offline line systems are characterized by high quality (resolution better than 0.254 mm) and slow turnaround (one to four days). The online systems are characterized by low cost, instant visualization of the computer results, slow line speed (300 BAUD), poor hard copy, and the early limitations on vector graphic input capabilities. The recent acquisition of the Adage 330 Graphic Display system has greatly enhanced the potential for interactive computer aided design

Barry Truax Riverrun (1986/2004), a case study from the TaCEM project, exploring new approaches to techniques of analysis and re-synthesis in the study of concert electroacoustic works

At last year’s EMS in Lisbon we introduced the TaCEM project (Technology and Creativity in Electroacoustic Music), a 30-month project funded by the UK’s Arts and Humanities Research Council, and demonstrated the generic TIAALS software being produced as part of this project. This year we present an update on the project, focusing particularly on the first of our case studies, Barry Truax’s Riverrun. Eight works have been selected for the project, taking into account criteria such as historical context, the nature of the synthesis techniques employed, and the aesthetics that have underpinned their realisation. Key considerations have included the accessibility of the technical resources and composing materials used in their production, and opportunities to pursue particular lines of enquiry with the composer concerned. In selecting the eight works for detailed study, a further consideration has been the extent to which the composers explored techniques that were already available at the time in ways that are unique and distinctive, or alternatively developed entirely new methods of synthesis in pursuit of their creative goals. The pioneering work of Barry Truax in terms of developing techniques of granular synthesis assign his achievements almost exclusively to the latter classification, and the composition of Riverrun (1986/2004) is a landmark achievement in this regard. Truax’s composing environment evolved from the early study of interactive real-time synthesis techniques at the Institute of Sonology, Utrecht 1971-73, exploring the possibilities of using Poisson-ordered distributions in the generation of microsound, to the emergence of entirely granular techniques at Simon Fraser University, British Columbia a decade later, culminating in the development of his program GSX designed specifically for waveform-based synthesis and first used to compose Riverrun, and its later extension, GSAMX, that extended these granular techniques to include the manipulation of previously sampled sound material. At the time of composition conventional minicomputers still lacked the capacity to generate multiple voices of granulated sound material in real time, but for Truax the acquisition in 1982 of a high speed bit slice array processor, the DMX-1000, provided the enhancedprocessing power necessary for achieving such a goal. The unique characteristics of its special hardware and associated programming environment, managed in turn via a host PDP 11/23 computer, both empowered his creative objectives and also materially shaped and influenced the ways in which they could be practically achieved. The significance of such causal relationships in the evolution of the electroacoustic music repertory has yet to be widely understood, and this study of Riverrun corroborates the importance of such a line of investigation. In this case it has been possible to carry out a detailed study of the original system, still maintained in working order by Truax, leading to a reconstruction of key elements of Riverrun using a Max-based simulation of GSX, the authenticity of the results being assessed both subjectively by means of a direct aural comparison and also measured objectively using software. Our presentation at this year’s EMS in Berlin included a demonstration of examples of the software we have developed to enable readers to engage with Riverrun interactively, both by analysing the original recordings and by using our emulation of the GSX system to be able to recreate passages of the work and manipulate the techniques employed in order to learn more about them. We also gave examples of other materials we have collected in relation to this case study, including videos of the composer himself working with the GSX system and discussing the composition of Riverrun

Informaticology: combining Computer Science, Data Science, and Fiction Science

Motivated by an intention to remedy current complications with Dutch terminology concerning informatics, the term informaticology is positioned to denote an academic counterpart of informatics where informatics is conceived of as a container for a coherent family of practical disciplines ranging from computer engineering and software engineering to network technology, data center management, information technology, and information management in a broad sense. Informaticology escapes from the limitations of instrumental objectives and the perspective of usage that both restrict the scope of informatics. That is achieved by including fiction science in informaticology and by ranking fiction science on equal terms with computer science and data science, and framing (the study of) game design, evelopment, assessment and distribution, ranging from serious gaming to entertainment gaming, as a chapter of fiction science. A suggestion for the scope of fiction science is specified in some detail. In order to illustrate the coherence of informaticology thus conceived, a potential application of fiction to the ontology of instruction sequences and to software quality assessment is sketched, thereby highlighting a possible role of fiction (science) within informaticology but outside gaming

Feasibility study of an Integrated Program for Aerospace-vehicle Design (IPAD) system. Volume 1: Summary

An overview is provided of the Ipad System, including its goals and objectives, organization, capabilities and future usefulness. The systems implementation is also presented with operational cost summaries