Toward an interpretive framework of two-dimensional speech-signal processing

Thesis (Ph. D.)--Harvard-MIT Division of Health Sciences and Technology, 2011.Cataloged from PDF version of thesis.Includes bibliographical references (p. 177-179).Traditional representations of speech are derived from short-time segments of the signal and result in time-frequency distributions of energy such as the short-time Fourier transform and spectrogram. Speech-signal models of such representations have had utility in a variety of applications such as speech analysis, recognition, and synthesis. Nonetheless, they do not capture spectral, temporal, and joint spectrotemporal energy fluctuations (or "modulations") present in local time-frequency regions of the time-frequency distribution. Inspired by principles from image processing and evidence from auditory neurophysiological models, a variety of twodimensional (2-D) processing techniques have been explored in the literature as alternative representations of speech; however, speech-based models are lacking in this framework. This thesis develops speech-signal models for a particular 2-D processing approach in which 2-D Fourier transforms are computed on local time-frequency regions of the canonical narrowband or wideband spectrogram; we refer to the resulting transformed space as the Grating Compression Transform (GCT). We argue for a 2-D sinusoidal-series amplitude modulation model of speech content in the spectrogram domain that relates to speech production characteristics such as pitch/noise of the source, pitch dynamics, formant structure and dynamics, and offset/onset content. Narrowband- and wideband-based models are shown to exhibit important distinctions in interpretation and oftentimes "dual" behavior. In the transformed GCT space, the modeling results in a novel taxonomy of signal behavior based on the distribution of formant and onset/offset content in the transformed space via source characteristics. Our formulation provides a speech-specific interpretation of the concept of "modulation" in 2-D processing in contrast to existing approaches that have done so either phenomenologically through qualitative analyses and/or implicitly through data-driven machine learning approaches. One implication of the proposed taxonomy is its potential for interpreting transformations of other time-frequency distributions such as the auditory spectrogram which is generally viewed as being "narrowband"/"wideband" in its low/high-frequency regions. The proposed signal model is evaluated in several ways. First, we perform analysis of synthetic speech signals to characterize its properties and limitations. Next, we develop an algorithm for analysis/synthesis of spectrograms using the model and demonstrate its ability to accurately represent real speech content. As an example application, we further apply the models in cochannel speaker separation, exploiting the GCT's ability to distribute speaker-specific content and often recover overlapping information through demodulation and interpolation in the 2-D GCT space. Specifically, in multi-pitch estimation, we demonstrate the GCT's ability to accurately estimate separate and crossing pitch tracks under certain conditions. Finally, we demonstrate the model's ability to separate mixtures of speech signals using both prior and estimated pitch information. Generalization to other speech-signal processing applications is proposed.by Tianyu Tom Wang.Ph.D

Digital neuromorphic auditory systems

This dissertation presents several digital neuromorphic auditory systems. Neuromorphic systems are capable of running in real-time at a smaller computing cost and consume lower power than on widely available general computers. These auditory systems are considered neuromorphic as they are modelled after computational models of the mammalian auditory pathway and are capable of running on digital hardware, or more specifically on a field-programmable gate array (FPGA). The models introduced are categorised into three parts: a cochlear model, an auditory pitch model, and a functional primary auditory cortical (A1) model. The cochlear model is the primary interface of an input sound signal and transmits the 2D time-frequency representation of the sound to the pitch models as well as to the A1 model. In the pitch model, pitch information is extracted from the sound signal in the form of a fundamental frequency. From the A1 model, timbre information in the form of time-frequency envelope information of the sound signal is extracted. Since the computational auditory models mentioned above are required to be implemented on FPGAs that possess fewer computational resources than general-purpose computers, the algorithms in the models are optimised so that they fit on a single FPGA. The optimisation includes using simplified hardware-implementable signal processing algorithms. Computational resource information of each model on FPGA is extracted to understand the minimum computational resources required to run each model. This information includes the quantity of logic modules, register quantity utilised, and power consumption. Similarity comparisons are also made between the output responses of the computational auditory models on software and hardware using pure tones, chirp signals, frequency-modulated signal, moving ripple signals, and musical signals as input. The limitation of the responses of the models to musical signals at multiple intensity levels is also presented along with the use of an automatic gain control algorithm to alleviate such limitations. With real-world musical signals as their inputs, the responses of the models are also tested using classifiers – the response of the auditory pitch model is used for the classification of monophonic musical notes, and the response of the A1 model is used for the classification of musical instruments with their respective monophonic signals. Classification accuracy results are shown for model output responses on both software and hardware. With the hardware implementable auditory pitch model, the classification score stands at 100% accuracy for musical notes from the 4th and 5th octaves containing 24 classes of notes. With the hardware implementation auditory timbre model, the classification score is 92% accuracy for 12 classes musical instruments. Also presented is the difference in memory requirements of the model output responses on both software and hardware – pitch and timbre responses used for the classification exercises use 24 and 2 times less memory space for hardware than software