The Foundation of Hallyu – K-Pop's Coming of Age

We are still, collectively struggling to come to terms with Hallyu, Korean Wave. This is seen in the multitude of contrasting perspective that have been applied by journalists and academics alike since the turn of the new millennium. This article explores the various different approaches, argues for new theoretical paradigms, and explores, as a case study, how foundations for K-Pop as Korean Wave were built in the years before the term itself, Hallyu, was created

Confuciansim and Korean Dramas: How Cultural and Social Proximity, Hybridization of Modernity and Tradition, and Dissimilar Confucian Trajectories Affect Importation Rates of Korean Broadcasting Programs between Japan and China

On April 3, 2004, five thousand Japanese citizens arrived at Haneda, Tokyo Airport to meet famous Korean actor Bae Yong Joon: the male love interest in the Korean drama Winter Sonata (Lee 12). Commonly referred to as Yon-sama (roughly translated to “Prince Yon”), Bae Yong Joon quickly amassed a fanbase of love-struck, middle-aged Japanese women who fell in love with his character. Never before had the relationship between Japan and South Korea been as amicable as it had when Bae made his debut. Not even the 2002 jointly hosted World Cup had succeeded in easing tensions between the two neighboring countries

Hallyu Sebagai Fenomena Transnasional

In recent years, Republic of Koreas (ROK) cultural industry attracted more half of world by unique and peace culture. It known as Hallyu or Korean Wave which has entertained international public with several cultural contents like; television drama (K-Drama), film, music (K-Pop), fashion (K-Fashion), etc. In 2010 ROKs government apply new cultural policy to spreading Hallyu all over the world, like; High Speed Internet Service Program. This policy used social media as instrument to spreading cultural contents. Hallyu became transnational phenomenon because it successfully attracted international public as good influence for world cultural development. This research focuses about Hallyu as local culture became successful as transnational phenomenon including the actors, mass media and spreading strategy. The actors refers to government, chaebol, idol grouped whose involve into public diplomacy to promote Hallyu. Mass media as instrument to promote Hallyu in creative ways by K-Drama, K-Pop, cartoon and many others. Spreading strategy refers to how actors and mass media as an instrument to create mind and though of international public about Hallyu as positive influence which bring peace missions by attractive culture. In other hand, ROKs government has succeed to promote local culture to the world in creative and attractive ways.Keywords: Cultural Diplomacy, Hallyu, Popular Culture, Public Diplomacy

Parsing the Australian English curriculum: Grammar, multimodality and cross-cultural texts

The release of the Australian Curriculum English (ACE) by the Australian Curriculum, Assessment and Reporting Authority (ACARA) has revived debates about the role of grammar as English content knowledge. We consider some of the discussion circulating in the mainstream media vis-à-vis the intent of the ACE. We conclude that this curriculum draws upon the complementary tenets of traditional Latin-based grammar and systemic functional linguistics across the three strands of Language, Literature and Literacy in innovative ways. We argue that such an approach is necessary for working with contemporary multimodal and cross-cultural texts. To demonstrate the utility of this new approach, we draw out a set of learning outcomes from Year 6 and then map out a framework for relating the outcomes to the form and function of multimodal language. As a case in point, our analysis is of two online Coca-Cola advertising texts, one each from South Korea and Australia

HALLYU WAVE DAN DAMPAKNYA TERHADAP REMAJA INDONESIA TAHUN 1997-2015

Skripsi berjudul “Hallyu Wave dan Dampaknya Terhadap Remaja Indonesia Tahun 1997-2015” berisi mengenai gambaran perkembangan Hallyu di Korea Selatan dan Asia serta dampaknya terhadap remaja Indonesia. Sehingga masalah utama yang dibahas dalam skripsi ini adalah “Bagaimana perkembangan Hallyu Wave dan dampaknya bagi remaja Indonesia”. Masalah utama tersebut kemudian dibagi menjadi empat pertanyaan penelitian, yaitu 1. Bagaimana perkembangan Hallyu Wave tahun 1997? 2. Bagaimana proses masuk dan berkembangnya Hallyu Wave di Indonesia? 3. Bagaimana K-Pop di Indonesia? 4. Bagaimana dampak dari Halllyu Wave terhadap remaja Indonesia?. Metode yang digunakan ialah metode historis dengan melakukan empat langkah penelitian yaitu heuristik, kritik, interpretasi dan historiografi. Sedangkan untuk pengumpulan data penulis melakukan teknik studi literatur yaitu mengkaji sumber-sumber yang relevan dengan kajian penulis serta wawancara kepada remaja. Krisis ekonomi yang melanda Korea Selatan tahun 1997 memaksa mereka untuk mencari cara untuk keluar dari krisis. Menjual budaya mereka keluar adalah jalan yang diambil. Setelah sukses di China mereka mulai menyebarkan Hallyu ke negara Asia lainnya termasuk Indonesia. Hallyu adalah sebutan untuk menyebarnya budaya Korea Selatan. Di Indonesia Hallyu masuk tahun 2002 bersamaan dengan piala dunia yang diadakan di Korea Selatan. Selanjutnya Hallyu terus berkembang dan diminati masyarakat Indonesia, dan K-Pop menjadi primadona remaja Indonesia. Hallyu Wave memberikan dampak bagi remaja Indonesia seperti adanya imitasi dengan meniru gaya berpakaian artis idola, melakukan cover dance. Selain itu hedonisme juga berkembang karena mereka gemar membeli barang-barang yang berbau idola seperti tas, baju, poster, bahkan album original dari Korea Selatan. ---- This research is entitled “Hallyu Wave and its impact for Indonesian Teenagers on 1997-2015” fill about the respresentation of development of Hallyu in South Korea and also the impact to Indonesian teenagers. The main problem of this research is “How is the development of Hallyu Wave and its impact to Indonesian teenagers?”. The main problem is divided into 4 questions of the research, is : 1. How is the development of Hallyu Wave on 1997? 2. How the prosess of the Hallyu Wave entered and it’s development in indonesia? 3. How is K-Pop in Indonesian? 4. How is the impact of Hallyu Wave for Indonesia teenager?. The mothod that used in this research is historical method use 4 steps of the research : heuristic, critical, interpretation dan historiography. While to collecdate the writer is do the study technic literature and interview. Economy crisis who attact south Korea in 1997 has force to look for manner to out from crissis to sell the culture out. Is the way to give after the succes from China. They are begin spread Hallyu to other countries includes indonesia. Hallyu is a name for develovment of Korean Culture. In indonesia Hallyu come in 2002 with the cup of the world with held in south korea. Next hallyu develope and and intriguing indonesian people and k-pop become concidert indonesian teenager. Hallyu wave give impact from indonesian teenager as immitation existence with immitate manner idol actrees, do cover dance. Beside that hedonism so developed because they are like to bought idol item. Such as : bag, clouthes, poster, or original album from Korea

Pengaruh Hallyu Terhadap Minat Masyarakat Indonesia Untuk Berwisata Ke Korea Selatan

This reseearch discusses the influence of Hallyu againts the public interest in Indonesia to travel to South Korea. Tourism is now a requirement in various communities. Hallyu is the term for spreading the South Korean pop culture in various parts of the world. Hallyu consisting of drama, music, and dance managed to have an impact on the increase in the South Korea tourism. The emergence of Hallyu has become the main attraction for tourists to travel to South Korea.This article was developed using the theory of globalization that is supported by the International community level analysis,where Hallyu emerged as phenomenon that affects the world community en masse.The focus of this study is to see the influence of hallyu that is also growing rapidly in Indonesia. Hallyu becoming known in Indonesia since the 2000s and increasingly popular with the public in 2009. along with the growing popularity of Korean dramas and music, turned out to have an impact on the public interest in Indonesia to travel to South Korea

Hallyu and the Traditional Cultural Genes of Korea

Since the year 2000, South Korea has been the propagator of the Hallyu (Korean Wave) that has spread across the world, demonstrating the country’s cultural potential. The subject of Hallyu can be approached from several perspectives, first by identifying its origins, current status, and trends by genre; by looking at its effects and the measures that can sustain the Hallyu phenomenon; and also by examining Hallyu trends by country. This paper analyzes Korea’s traditional cultural genes that affected the creation and spread of Hallyu from a humanistic point of view. The three factors for this analysis are: i) community and courtesy, ii) dynamics and excitement, and iii) intuition and harmony. This study is expected to deepen the understanding of the relation between Hallyu and Korean traditional cultural resources

Panel I: Dissecting the Filipino Content in Hallyu

The panel examined the niche that Hallyu has created for itself in Philippine popular culture and how it has captured the imagination of Filipino Fans who have become co-creators in the spread of Hallyu in the Philippine setting. The panel established that Filipino fans are not passive consumers of hallyu content.Papers in this panel are: ―Formation, Purpose and Gains: An Exploratory study of Hallyu Fanclubs in the Philippines‖ by Catherine Deen; ―Painting the Scenario of Filipino Kpop Fan Culture‖ by Patrick Capili; and ―Stagnant Fans and Retired Fans: The Other Side of Hallyu Fandom in the Philippines‖ by Gilbert Que. Herdy La. Yumul is the Panel Chair

Stagnant Fans and Retired Fans: The Other Side of Hallyu Fandom in the Philippines

The study aimed to answer the questions of how both hallyu itself has evolved, as well as the Filipino fans of hallyu, and why some of these fans lie low or drop out of the hallyu fandom. Results showed that a Filipino fan's interest on hallyu evolve over time. However, the interest and knowledge of Korea's traditional and modern, cultural, and linguistic aspects continue to benefit even the so-called stagnant and retired fans