AES-EPO study program, volume II Final study report

Packaging, machine organization, error detection, and fabrication and test in determining solution to long-term and time-critical reliability of Apollo command module guidance-control compute

Cumulative index to NASA Tech Briefs, 1986-1990, volumes 10-14

Tech Briefs are short announcements of new technology derived from the R&D activities of the National Aeronautics and Space Administration. These briefs emphasize information considered likely to be transferrable across industrial, regional, or disciplinary lines and are issued to encourage commercial application. This cumulative index of Tech Briefs contains abstracts and four indexes (subject, personal author, originating center, and Tech Brief number) and covers the period 1986 to 1990. The abstract section is organized by the following subject categories: electronic components and circuits, electronic systems, physical sciences, materials, computer programs, life sciences, mechanics, machinery, fabrication technology, and mathematics and information sciences

Advances in Computer Science and Engineering

The book Advances in Computer Science and Engineering constitutes the revised selection of 23 chapters written by scientists and researchers from all over the world. The chapters cover topics in the scientific fields of Applied Computing Techniques, Innovations in Mechanical Engineering, Electrical Engineering and Applications and Advances in Applied Modeling

Incoherent Beasts: Victorian Literature and the Problem of Species

This dissertation argues that the destabilization of species categories over the course of the nineteenth century generated vital new approaches to animal figuration in British poetry and prose. Taxonomized by the followers of Linnaeus and organized into moral hierarchies by popular zoology, animals entered nineteenth-century British culture as fixed types, differentiated by the hand of God and invested with allegorical significance. By the 1860s, evolutionary theory had dismantled the idea of an ordered, cleanly subdivided “animal kingdom,” leading to an attendant problem of meaning: How could animals work as figures—how could they signify in any coherent way—when their species identities were no longer stable? Examining works in a wide range of genres, I argue that the problem of species produced modes of figuration that grapple with—and in many ways, embrace—the increasing categorical and referential messiness of nonhuman creatures. My first chapter centers on dog poems by Elizabeth Barrett Browning and Michael Field, in which tropes of muteness express the category-crossings of dogs and the erotic ambiguities of the human-pet relationship. Chapter 2 looks at midcentury novels by Charles Dickens and Charlotte Brontë, arguing that the trope of metonymy—a key trope of both novels and pets—expresses the semantic wanderings of animals and their power to subvert the identities of humans. Chapter 3 examines two works of literary nonsense, Charles Kingsley’s The Water-Babies and Lewis Carroll’s Alice’s Adventures in Wonderland, arguing that they invert and critique prior genres that contained and controlled the queerness of creaturely life—including, in Kingsley’s case, aquarium writing, which literally and figuratively domesticated ocean ecologies in the Victorian imaginary. In my fourth and fifth chapters, I turn to Tennyson’s Idylls of the King and H.G. Wells’ The Island of Doctor Moreau, two late-nineteenth-century works that explore the destabilization of the human species while still fighting against the overwhelming irresistibility of both human exceptionalism and an anthropocentric, category-based worldview. Throughout the dissertation, I argue that these representational approaches achieve three major effects that represent a break from the more indexical, allegorical forms of animal figuration that were standard when the century began. Rather than reducing animals to static types, they foreground the alterity and queerness of individual creatures. At the same time, they challenge the very idea of individuality as such, depicting creatures—including the human—tangled in irreducible webs of ecological enmeshment. Most of all, they call into question their own ability to translate the creaturely world into language, destabilizing the Adamic relationship between names and things and allowing animals to mean in ways that subvert the agency of humans. By figuring animals differently, these texts invite us to see the many compelling possibilities—ontological, relational, ethical—in a world unstructured by the taxonomical gaze