Singing Voice Synthesis with Vibrato Modeling and Latent Energy Representation

This paper proposes an expressive singing voice synthesis system by introducing explicit vibrato modeling and latent energy representation. Vibrato is essential to the naturalness of synthesized sound, due to the inherent characteristics of human singing. Hence, a deep learning-based vibrato model is introduced in this paper to control the vibrato's likeliness, rate, depth and phase in singing, where the vibrato likeliness represents the existence probability of vibrato and it would help improve the singing voice's naturalness. Actually, there is no annotated label about vibrato likeliness in existing singing corpus. We adopt a novel vibrato likeliness labeling method to label the vibrato likeliness automatically. Meanwhile, the power spectrogram of audio contains rich information that can improve the expressiveness of singing. An autoencoder-based latent energy bottleneck feature is proposed for expressive singing voice synthesis. Experimental results on the open dataset NUS48E show that both the vibrato modeling and the latent energy representation could significantly improve the expressiveness of singing voice. The audio samples are shown in the demo website

Pan European Voice Conference - PEVOC 11

The Pan European VOice Conference (PEVOC) was born in 1995 and therefore in 2015 it celebrates the 20th anniversary of its establishment: an important milestone that clearly expresses the strength and interest of the scientific community for the topics of this conference. The most significant themes of PEVOC are singing pedagogy and art, but also occupational voice disorders, neurology, rehabilitation, image and video analysis. PEVOC takes place in different European cities every two years (www.pevoc.org). The PEVOC 11 conference includes a symposium of the Collegium Medicorum Theatri (www.comet collegium.com

Application of singing synthesis techniquest to bertsolaritza

237 p

Comparison for Improvements of Singing Voice Detection System Based on Vocal Separation

Singing voice detection is the task to identify the frames which contain the singer vocal or not. It has been one of the main components in music information retrieval (MIR), which can be applicable to melody extraction, artist recognition, and music discovery in popular music. Although there are several methods which have been proposed, a more robust and more complete system is desired to improve the detection performance. In this paper, our motivation is to provide an extensive comparison in different stages of singing voice detection. Based on the analysis a novel method was proposed to build a more efficiently singing voice detection system. In the proposed system, there are main three parts. The first is a pre-process of singing voice separation to extract the vocal without the music. The improvements of several singing voice separation methods were compared to decide the best one which is integrated to singing voice detection system. And the second is a deep neural network based classifier to identify the given frames. Different deep models for classification were also compared. The last one is a post-process to filter out the anomaly frame on the prediction result of the classifier. The median filter and Hidden Markov Model (HMM) based filter as the post process were compared. Through the step by step module extension, the different methods were compared and analyzed. Finally, classification performance on two public datasets indicates that the proposed approach which based on the Long-term Recurrent Convolutional Networks (LRCN) model is a promising alternative.Comment: 15 page

Application of singing synthesis techniquest to bertsolaritza

237 p

Toward Leveraging Pre-Trained Self-Supervised Frontends for Automatic Singing Voice Understanding Tasks: Three Case Studies

Automatic singing voice understanding tasks, such as singer identification, singing voice transcription, and singing technique classification, benefit from data-driven approaches that utilize deep learning techniques. These approaches work well even under the rich diversity of vocal and noisy samples owing to their representation ability. However, the limited availability of labeled data remains a significant obstacle to achieving satisfactory performance. In recent years, self-supervised learning models (SSL models) have been trained using large amounts of unlabeled data in the field of speech processing and music classification. By fine-tuning these models for the target tasks, comparable performance to conventional supervised learning can be achieved with limited training data. Therefore, in this paper, we investigate the effectiveness of SSL models for various singing voice recognition tasks. We report the results of experiments comparing SSL models for three different tasks (i.e., singer identification, singing voice transcription, and singing technique classification) as initial exploration and aim to discuss these findings. Experimental results show that each SSL model achieves comparable performance and sometimes outperforms compared to state-of-the-art methods on each task. We also conducted a layer-wise analysis to further understand the behavior of the SSL models.Comment: Submitted to APSIPA 202