A robust image watermarking technique based on quantization noise visibility thresholds

International audienceA tremendous amount of digital multimedia data is broadcasted daily over the internet. Since digital data can be very quickly and easily duplicated, intellectual property right protection techniques have become important and first appeared about fifty years ago (see [I.J. Cox, M.L. Miller, The First 50 Years of Electronic Watermarking, EURASIP J. Appl. Signal Process. 2 (2002) 126-132. [52]] for an extended review). Digital watermarking was born. Since its inception, many watermarking techniques have appeared, in all possible transformed spaces. However, an important lack in watermarking literature concerns the human visual system models. Several human visual system (HVS) model based watermarking techniques were designed in the late 1990's. Due to the weak robustness results, especially concerning geometrical distortions, the interest in such studies has reduced. In this paper, we intend to take advantage of recent advances in HVS models and watermarking techniques to revisit this issue. We will demonstrate that it is possible to resist too many attacks, including geometrical distortions, in HVS based watermarking algorithms. The perceptual model used here takes into account advanced features of the HVS identified from psychophysics experiments conducted in our laboratory. This model has been successfully applied in quality assessment and image coding schemes M. Carnec, P. Le Callet, D. Barba, An image quality assessment method based on perception of structural information, IEEE Internat. Conf. Image Process. 3 (2003) 185-188, N. Bekkat, A. Saadane, D. Barba, Masking effects in the quality assessment of coded images, in: SPIE Human Vision and Electronic Imaging V, 3959 (2000) 211-219. In this paper the human visual system model is used to create a perceptual mask in order to optimize the watermark strength. The optimal watermark obtained satisfies both invisibility and robustness requirements. Contrary to most watermarking schemes using advanced perceptual masks, in order to best thwart the de-synchronization problem induced by geometrical distortions, we propose here a Fourier domain embedding and detection technique optimizing the amplitude of the watermark. Finally, the robustness of the scheme obtained is assessed against all attacks provided by the Stirmark benchmark. This work proposes a new digital rights management technique using an advanced human visual system model that is able to resist various kind of attacks including many geometrical distortions

Spread spectrum-based video watermarking algorithms for copyright protection

Merged with duplicate record 10026.1/2263 on 14.03.2017 by CS (TIS)Digital technologies know an unprecedented expansion in the last years. The consumer can now benefit from hardware and software which was considered state-of-the-art several years ago. The advantages offered by the digital technologies are major but the same digital technology opens the door for unlimited piracy. Copying an analogue VCR tape was certainly possible and relatively easy, in spite of various forms of protection, but due to the analogue environment, the subsequent copies had an inherent loss in quality. This was a natural way of limiting the multiple copying of a video material. With digital technology, this barrier disappears, being possible to make as many copies as desired, without any loss in quality whatsoever. Digital watermarking is one of the best available tools for fighting this threat. The aim of the present work was to develop a digital watermarking system compliant with the recommendations drawn by the EBU, for video broadcast monitoring. Since the watermark can be inserted in either spatial domain or transform domain, this aspect was investigated and led to the conclusion that wavelet transform is one of the best solutions available. Since watermarking is not an easy task, especially considering the robustness under various attacks several techniques were employed in order to increase the capacity/robustness of the system: spread-spectrum and modulation techniques to cast the watermark, powerful error correction to protect the mark, human visual models to insert a robust mark and to ensure its invisibility. The combination of these methods led to a major improvement, but yet the system wasn't robust to several important geometrical attacks. In order to achieve this last milestone, the system uses two distinct watermarks: a spatial domain reference watermark and the main watermark embedded in the wavelet domain. By using this reference watermark and techniques specific to image registration, the system is able to determine the parameters of the attack and revert it. Once the attack was reverted, the main watermark is recovered. The final result is a high capacity, blind DWr-based video watermarking system, robust to a wide range of attacks.BBC Research & Developmen

Human Visual System Models in Digital Image Watermarking

In this paper some Human Visual System (HVS) models used in digital image watermarking are presented. Four different HVS models, which exploit various properties of human eye, are described. Two of them operate in transform domain of Discrete Cosine Transform (DCT) and Discrete Wavelet Transform (DWT). HVS model in DCT domain consists of Just Noticeable Difference thresholds for corresponding DCT basis functions corrected by luminance sensitivity and self- or neighborhood contrast masking. HVS model in DWT domain is based on different HVS sensitivity in various DWT subbands. The third presented HVS model is composed of contrast thresholds as a function of spatial frequency and eye's eccentricity. We present also a way of combining these three basic models to get better tradeoff between conflicting requirements of digital watermarks. The fourth HVS model is based on noise visibility in an image and is described by so called Noise Visibility Function (NVF). The possible ways of exploiting of the described HVS models in digital image watermarking are also briefly discussed

Audio Coding Based on Integer Transforms

Die Audiocodierung hat sich in den letzten Jahren zu einem sehr populären Forschungs- und Anwendungsgebiet entwickelt. Insbesondere gehörangepasste Verfahren zur Audiocodierung, wie etwa MPEG-1 Layer-3 (MP3) oder MPEG-2 Advanced Audio Coding (AAC), werden häufig zur effizienten Speicherung und Übertragung von Audiosignalen verwendet. Für professionelle Anwendungen, wie etwa die Archivierung und Übertragung im Studiobereich, ist hingegen eher eine verlustlose Audiocodierung angebracht. Die bisherigen Ansätze für gehörangepasste und verlustlose Audiocodierung sind technisch völlig verschieden. Moderne gehörangepasste Audiocoder basieren meist auf Filterbänken, wie etwa der überlappenden orthogonalen Transformation "Modifizierte Diskrete Cosinus-Transformation" (MDCT). Verlustlose Audiocoder hingegen verwenden meist prädiktive Codierung zur Redundanzreduktion. Nur wenige Ansätze zur transformationsbasierten verlustlosen Audiocodierung wurden bisher versucht. Diese Arbeit präsentiert einen neuen Ansatz hierzu, der das Lifting-Schema auf die in der gehörangepassten Audiocodierung verwendeten überlappenden Transformationen anwendet. Dies ermöglicht eine invertierbare Integer-Approximation der ursprünglichen Transformation, z.B. die IntMDCT als Integer-Approximation der MDCT. Die selbe Technik kann auch für Filterbänke mit niedriger Systemverzögerung angewandt werden. Weiterhin ermöglichen ein neuer, mehrdimensionaler Lifting-Ansatz und eine Technik zur Spektralformung von Quantisierungsfehlern eine Verbesserung der Approximation der ursprünglichen Transformation. Basierend auf diesen neuen Integer-Transformationen werden in dieser Arbeit neue Verfahren zur Audiocodierung vorgestellt. Die Verfahren umfassen verlustlose Audiocodierung, eine skalierbare verlustlose Erweiterung eines gehörangepassten Audiocoders und einen integrierten Ansatz zur fein skalierbaren gehörangepassten und verlustlosen Audiocodierung. Schließlich wird mit Hilfe der Integer-Transformationen ein neuer Ansatz zur unhörbaren Einbettung von Daten mit hohen Datenraten in unkomprimierte Audiosignale vorgestellt.In recent years audio coding has become a very popular field for research and applications. Especially perceptual audio coding schemes, such as MPEG-1 Layer-3 (MP3) and MPEG-2 Advanced Audio Coding (AAC), are widely used for efficient storage and transmission of music signals. Nevertheless, for professional applications, such as archiving and transmission in studio environments, lossless audio coding schemes are considered more appropriate. Traditionally, the technical approaches used in perceptual and lossless audio coding have been separate worlds. In perceptual audio coding, the use of filter banks, such as the lapped orthogonal transform "Modified Discrete Cosine Transform" (MDCT), has been the approach of choice being used by many state of the art coding schemes. On the other hand, lossless audio coding schemes mostly employ predictive coding of waveforms to remove redundancy. Only few attempts have been made so far to use transform coding for the purpose of lossless audio coding. This work presents a new approach of applying the lifting scheme to lapped transforms used in perceptual audio coding. This allows for an invertible integer-to-integer approximation of the original transform, e.g. the IntMDCT as an integer approximation of the MDCT. The same technique can also be applied to low-delay filter banks. A generalized, multi-dimensional lifting approach and a noise-shaping technique are introduced, allowing to further optimize the accuracy of the approximation to the original transform. Based on these new integer transforms, this work presents new audio coding schemes and applications. The audio coding applications cover lossless audio coding, scalable lossless enhancement of a perceptual audio coder and fine-grain scalable perceptual and lossless audio coding. Finally an approach to data hiding with high data rates in uncompressed audio signals based on integer transforms is described

Audio Coding Based on Integer Transforms

Die Audiocodierung hat sich in den letzten Jahren zu einem sehr populären Forschungs- und Anwendungsgebiet entwickelt. Insbesondere gehörangepasste Verfahren zur Audiocodierung, wie etwa MPEG-1 Layer-3 (MP3) oder MPEG-2 Advanced Audio Coding (AAC), werden häufig zur effizienten Speicherung und Übertragung von Audiosignalen verwendet. Für professionelle Anwendungen, wie etwa die Archivierung und Übertragung im Studiobereich, ist hingegen eher eine verlustlose Audiocodierung angebracht. Die bisherigen Ansätze für gehörangepasste und verlustlose Audiocodierung sind technisch völlig verschieden. Moderne gehörangepasste Audiocoder basieren meist auf Filterbänken, wie etwa der überlappenden orthogonalen Transformation "Modifizierte Diskrete Cosinus-Transformation" (MDCT). Verlustlose Audiocoder hingegen verwenden meist prädiktive Codierung zur Redundanzreduktion. Nur wenige Ansätze zur transformationsbasierten verlustlosen Audiocodierung wurden bisher versucht. Diese Arbeit präsentiert einen neuen Ansatz hierzu, der das Lifting-Schema auf die in der gehörangepassten Audiocodierung verwendeten überlappenden Transformationen anwendet. Dies ermöglicht eine invertierbare Integer-Approximation der ursprünglichen Transformation, z.B. die IntMDCT als Integer-Approximation der MDCT. Die selbe Technik kann auch für Filterbänke mit niedriger Systemverzögerung angewandt werden. Weiterhin ermöglichen ein neuer, mehrdimensionaler Lifting-Ansatz und eine Technik zur Spektralformung von Quantisierungsfehlern eine Verbesserung der Approximation der ursprünglichen Transformation. Basierend auf diesen neuen Integer-Transformationen werden in dieser Arbeit neue Verfahren zur Audiocodierung vorgestellt. Die Verfahren umfassen verlustlose Audiocodierung, eine skalierbare verlustlose Erweiterung eines gehörangepassten Audiocoders und einen integrierten Ansatz zur fein skalierbaren gehörangepassten und verlustlosen Audiocodierung. Schließlich wird mit Hilfe der Integer-Transformationen ein neuer Ansatz zur unhörbaren Einbettung von Daten mit hohen Datenraten in unkomprimierte Audiosignale vorgestellt.In recent years audio coding has become a very popular field for research and applications. Especially perceptual audio coding schemes, such as MPEG-1 Layer-3 (MP3) and MPEG-2 Advanced Audio Coding (AAC), are widely used for efficient storage and transmission of music signals. Nevertheless, for professional applications, such as archiving and transmission in studio environments, lossless audio coding schemes are considered more appropriate. Traditionally, the technical approaches used in perceptual and lossless audio coding have been separate worlds. In perceptual audio coding, the use of filter banks, such as the lapped orthogonal transform "Modified Discrete Cosine Transform" (MDCT), has been the approach of choice being used by many state of the art coding schemes. On the other hand, lossless audio coding schemes mostly employ predictive coding of waveforms to remove redundancy. Only few attempts have been made so far to use transform coding for the purpose of lossless audio coding. This work presents a new approach of applying the lifting scheme to lapped transforms used in perceptual audio coding. This allows for an invertible integer-to-integer approximation of the original transform, e.g. the IntMDCT as an integer approximation of the MDCT. The same technique can also be applied to low-delay filter banks. A generalized, multi-dimensional lifting approach and a noise-shaping technique are introduced, allowing to further optimize the accuracy of the approximation to the original transform. Based on these new integer transforms, this work presents new audio coding schemes and applications. The audio coding applications cover lossless audio coding, scalable lossless enhancement of a perceptual audio coder and fine-grain scalable perceptual and lossless audio coding. Finally an approach to data hiding with high data rates in uncompressed audio signals based on integer transforms is described

Study and Implementation of Watermarking Algorithms

Water Making is the process of embedding data called a watermark into a multimedia object such that watermark can be detected or extracted later to make an assertion about the object. The object may be an audio, image or video. A copy of a digital image is identical to the original. This has in many instances, led to the use of digital content with malicious intent. One way to protect multimedia data against illegal recording and retransmission is to embed a signal, called digital signature or copyright label or watermark that authenticates the owner of the data. Data hiding, schemes to embed secondary data in digital media, have made considerable progress in recent years and attracted attention from both academia and industry. Techniques have been proposed for a variety of applications, including ownership protection, authentication and access control. Imperceptibility, robustness against moderate processing such as compression, and the ability to hide many bits are the basic but rat..

Image adaptive watermarking using wavelet transform

The availability of versatile multimedia processing software and the far-reaching coverage of the interconnected networks have facilitated flawless copying, manipulations and distribution of the digital multimedia (digital video, audio, text, and images). The ever-advancing storage and retrieval technologies have also smoothed the way for large-scale multimedia database applications. However, abuses of these facilities and technologies pose pressing threats to multimedia security management in general, and multimedia copyright protection and content integrity verification in particular. Although cryptography has a long history of application to information and multimedia security, the undesirable characteristic of providing no protection to the media once decrypted has limited the feasibility of its widespread use. For example, an adversary can obtain the decryption key by purchasing a legal copy of the media but then redistribute the decrypted copies of the original. In response to these challenges; digital watermarking techniques have been proposed in the last decade. Digital watermarking is the procedure whereby secret information (the watermark) is embedded into the host multimedia content, such that it is: (1) hidden, i.e., not perceptually visible; and (2) recoverable, even after the content is degraded by different attacks such as filtering, JPEG compression, noise, cropping etc. The two basic requirements for an effective watermarking scheme, imperceptibility and robustness, conflict with each other. The main focus of this thesis is to provide good tradeoff between perceptual quality of the watermarked image and its robustness against different attacks. For this purpose, we have discussed two robust digital watermarking techniques in discrete wavelet (DWT) domain. One is fusion based watermarking, and other is spread spectrum based watermarking. Both the techniques are image adaptive and employ a contrast sensitivity based human visual system (HVS) model. The HVS models give us a direct way to determine the maximum strength of watermark signal that each portion of an image can tolerate without affecting the visual quality of the image. In fusion based watermarking technique, grayscale image (logo) is used as watermark. In watermark embedding process, both the host image and watermark image are transformed into DWT domain where their coefficients are fused according to a series combination rule that take into account contrast sensitivity characteristics of the HVS. The method repeatedly merges the watermark coefficients strongly in more salient components at the various resolution levels of the host image which provides simultaneous spatial localization and frequency spread of the watermark to provide robustness against different attacks. Watermark extraction process requires original image for watermark extraction. In spread spectrum based watermarking technique, a visually recognizable binary image is used as watermark. In watermark embedding process, the host image is transformed into DWT domain. By utilizing contrast sensitivity based HVS model, watermark bits are adaptively embedded through a pseudo-noise sequence into the middle frequency sub-bands to provide robustness against different attacks. No original image is required for watermark extraction. Simulation results of various attacks are also presented to demonstrate the robustness of both the algorithms. Simulation results verify theoretical observations and demonstrate the feasibility of the digital watermarking algorithms for use in multimedia standards

High capacity data embedding schemes for digital media

High capacity image data hiding methods and robust high capacity digital audio watermarking algorithms are studied in this thesis. The main results of this work are the development of novel algorithms with state-of-the-art performance, high capacity and transparency for image data hiding and robustness, high capacity and low distortion for audio watermarking.En esta tesis se estudian y proponen diversos métodos de data hiding de imágenes y watermarking de audio de alta capacidad. Los principales resultados de este trabajo consisten en la publicación de varios algoritmos novedosos con rendimiento a la altura de los mejores métodos del estado del arte, alta capacidad y transparencia, en el caso de data hiding de imágenes, y robustez, alta capacidad y baja distorsión para el watermarking de audio.En aquesta tesi s'estudien i es proposen diversos mètodes de data hiding d'imatges i watermarking d'àudio d'alta capacitat. Els resultats principals d'aquest treball consisteixen en la publicació de diversos algorismes nous amb rendiment a l'alçada dels millors mètodes de l'estat de l'art, alta capacitat i transparència, en el cas de data hiding d'imatges, i robustesa, alta capacitat i baixa distorsió per al watermarking d'àudio.Societat de la informació i el coneixemen

Towards Optimal Copyright Protection Using Neural Networks Based Digital Image Watermarking

In the field of digital watermarking, digital image watermarking for copyright protection has attracted a lot of attention in the research community. Digital watermarking contains varies techniques for protecting the digital content. Among all those techniques,Discrete Wavelet Transform (DWT) provides higher image imperceptibility and robustness. Over the years, researchers have been designing watermarking techniques with robustness in mind, in order for the watermark to be resistant against any image processing techniques. Furthermore, the requirements of a good watermarking technique includes a tradeoff between robustness, image quality (imperceptibility) and capacity. In this paper, we have done an extensive literature review for the existing DWT techniques and those combined with other techniques such as Neural Networks. In addition to that, we have discuss the contribution of Neural Networks in copyright protection. Finally we reached our goal in which we identified the research gaps existed in the current watermarking schemes. So that, it will be easily to obtain an optimal techniques to make the watermark object robust to attacks while maintaining the imperceptibility to enhance the copyright protection

Digital watermark technology in security applications

With the rising emphasis on security and the number of fraud related crimes around the world, authorities are looking for new technologies to tighten security of identity. Among many modern electronic technologies, digital watermarking has unique advantages to enhance the document authenticity. At the current status of the development, digital watermarking technologies are not as matured as other competing technologies to support identity authentication systems. This work presents improvements in performance of two classes of digital watermarking techniques and investigates the issue of watermark synchronisation. Optimal performance can be obtained if the spreading sequences are designed to be orthogonal to the cover vector. In this thesis, two classes of orthogonalisation methods that generate binary sequences quasi-orthogonal to the cover vector are presented. One method, namely "Sorting and Cancelling" generates sequences that have a high level of orthogonality to the cover vector. The Hadamard Matrix based orthogonalisation method, namely "Hadamard Matrix Search" is able to realise overlapped embedding, thus the watermarking capacity and image fidelity can be improved compared to using short watermark sequences. The results are compared with traditional pseudo-randomly generated binary sequences. The advantages of both classes of orthogonalisation inethods are significant. Another watermarking method that is introduced in the thesis is based on writing-on-dirty-paper theory. The method is presented with biorthogonal codes that have the best robustness. The advantage and trade-offs of using biorthogonal codes with this watermark coding methods are analysed comprehensively. The comparisons between orthogonal and non-orthogonal codes that are used in this watermarking method are also made. It is found that fidelity and robustness are contradictory and it is not possible to optimise them simultaneously. Comparisons are also made between all proposed methods. The comparisons are focused on three major performance criteria, fidelity, capacity and robustness. aom two different viewpoints, conclusions are not the same. For fidelity-centric viewpoint, the dirty-paper coding methods using biorthogonal codes has very strong advantage to preserve image fidelity and the advantage of capacity performance is also significant. However, from the power ratio point of view, the orthogonalisation methods demonstrate significant advantage on capacity and robustness. The conclusions are contradictory but together, they summarise the performance generated by different design considerations. The synchronisation of watermark is firstly provided by high contrast frames around the watermarked image. The edge detection filters are used to detect the high contrast borders of the captured image. By scanning the pixels from the border to the centre, the locations of detected edges are stored. The optimal linear regression algorithm is used to estimate the watermarked image frames. Estimation of the regression function provides rotation angle as the slope of the rotated frames. The scaling is corrected by re-sampling the upright image to the original size. A theoretically studied method that is able to synchronise captured image to sub-pixel level accuracy is also presented. By using invariant transforms and the "symmetric phase only matched filter" the captured image can be corrected accurately to original geometric size. The method uses repeating watermarks to form an array in the spatial domain of the watermarked image and the the array that the locations of its elements can reveal information of rotation, translation and scaling with two filtering processes