flockOmania 1 exhibition, performance event & catalogue

The shaping of an exhibition programme for a gallery in a university can take on some quite different and interesting perspectives from those that might drive the selection of shows in other sorts of venues. The opportunity we identified in our first discussions about Zoe Robertson using the Lanchester Gallery was to use the exhibition both as a lever, or fulcrum, around which to explore ‘objectiveness’ of her works, and as an event in which performativity could be manifest

Word Works Satellite Exhibition/Performance Event 4th Biennale Sydney

‘Word Works’ were performed by Jon Cockburn on Tuesday, 27 April 1982, 7.30-9.30pm, at ‘An Evening of Performance Art’ a satellite program organized by Derek Kreckler, during the 4th Biennale of Sydney, and held at the Shepherd and Newman Warehouse, Darlinghurst, Sydney. The list of word works performed by Jon Cockburn included some, if not all, of the following titles • Suicide • Terence Maloon • A Shove in the Right Direction • The Reason Why • Terry Smith • Loosing Confidence...or Post Modern Sexuality • of Joseph Beuys • Four light pieces for interlude in a Performance (Above word works written between early 1981 and April 1982). Other participants in ‘An Evening of Performance Art’ on Tuesday 27 April 1982 were: • Simone Mangos • John Lyall • Kim Machin • Lionel Doolan • John Gillies • Sally Hollis-McLeod and Derek War

Buffalo Arts and Culture Organizations

Open Buffalo and Partnership for the Public Good collaboratively compiled a directory of organizations that promote social justice through locally based arts and cultural programmatic efforts. This directory has contact information, as well as the mission and social justice commitment of the various organizations

Cultural capital investment interim impact evaluation

This report provides interim impact evaluation evidence on a major initiative to develop the quality and opportunity of cultural provision in the East Midlands. Eight venues across the region have been supported through an investment totalling £120 million, which include a mix of brand new buildings and bringing new life to existing facilities. This report sets out what the investment has achieved so far and how information on the impact of the venues will be collected in the future

2000 September

Morehead State University press releases for September of 2000

Creative Downtown: The Role of Culture in Rebuilding Lower Manhattan

Examines how NYC arts groups and artists below Canal Street were affected by September 11, and possible actions the city, state, and private sector could take on behalf of arts and culture in rebuilding and revitalizing the downtown area

Knowing in, through and about : the PhD journey

This study involves an account of the factors leading to the development and evolution of three public art spaces concerned with contemporary art in the 1980s in Melbourne. The three spaces &ndash; Heide Park and Art Gallery, 200 Gertrude Street, and the Australian Centre for Contemporary Art developed programs that promoted and presented contemporary art throughout the eighties. Prior to the 1980s the National Gallery of Victoria was the major public institution concerned with the promotion and presentation of contemporary art in Melbourne.The study describes and analyses events leading to the establishment of each new space and investigates the formations and groups who played leading roles. A case study approach has been used which explores the networks and groupings that developed in setting up and maintaining each space. Theoretical perspectives drawn from Bourdieu, Williams and Wolff are employed in order to explore the social and cultural meanings of the networks and groups responsible for developing the three art spaces. These perspectives are used to help account for the motives and ideology employed by individuals and groups, such as artists, academics and politicians.Each of the three spaces mainly developed from different clusters and groups, although some individuals had involvement in more than one of the spaces. The study concludes with a cultural analysis that identifies several key factors, such as forms of patronage, government policy direction and the power and influence of various sectors and formations. Government funding for art is a complex area of activity that draws upon a wide constituency of individuals and agents that include artists, wealthy business people, collectors, and so on. The study reveals much about government intervention and cultural and social formations promoting art in Melbourne during the 1980s.<br /

Synergies in scholarship at the research teaching nexus

Survey instrument for examining research synergies in scholarship at the research teaching nexu

Spartan Daily, March 11, 1964

Volume 51, Issue 88https://scholarworks.sjsu.edu/spartandaily/4575/thumbnail.jp