Classification of music genres using sparse representations in overcomplete dictionaries

This paper presents a simple, but efficient and robust, method for music genre classification that utilizes sparse representations in overcomplete dictionaries. The training step involves creating dictionaries, using the K-SVD algorithm, in which data corresponding to a particular music genre has a sparse representation. In the classification step, the Orthogonal Matching Pursuit (OMP) algorithm is used to separate feature vectors that consist only of Linear Predictive Coding (LPC) coefficients. The paper analyses in detail a popular case study from the literature, the ISMIR 2004 database. Using the presented method, the correct classification percentage of the 6 music genres is 85.59, result that is comparable with the best results published so far

Spectrogram classification using dissimilarity space

In this work, we combine a Siamese neural network and different clustering techniques to generate a dissimilarity space that is then used to train an SVM for automated animal audio classification. The animal audio datasets used are (i) birds and (ii) cat sounds, which are freely available. We exploit different clustering methods to reduce the spectrograms in the dataset to a number of centroids that are used to generate the dissimilarity space through the Siamese network. Once computed, we use the dissimilarity space to generate a vector space representation of each pattern, which is then fed into an support vector machine (SVM) to classify a spectrogram by its dissimilarity vector. Our study shows that the proposed approach based on dissimilarity space performs well on both classification problems without ad-hoc optimization of the clustering methods. Moreover, results show that the fusion of CNN-based approaches applied to the animal audio classification problem works better than the stand-alone CNNs

Non-Negative Tensor Factorization Applied to Music Genre Classification

Music genre classification techniques are typically applied to the data matrix whose columns are the feature vectors extracted from music recordings. In this paper, a feature vector is extracted using a texture window of one sec, which enables the representation of any 30 sec long music recording as a time sequence of feature vectors, thus yielding a feature matrix. Consequently, by stacking the feature matrices associated to any dataset recordings, a tensor is created, a fact which necessitates studying music genre classification using tensors. First, a novel algorithm for non-negative tensor factorization (NTF) is derived that extends the non-negative matrix factorization. Several variants of the NTF algorithm emerge by employing different cost functions from the class of Bregman divergences. Second, a novel supervised NTF classifier is proposed, which trains a basis for each class separately and employs basis orthogonalization. A variety of spectral, temporal, perceptual, energy, and pitch descriptors is extracted from 1000 recordings of the GTZAN dataset, which are distributed across 10 genre classes. The NTF classifier performance is compared against that of the multilayer perceptron and the support vector machines by applying a stratified 10-fold cross validation. A genre classification accuracy of 78.9% is reported for the NTF classifier demonstrating the superiority of the aforementioned multilinear classifier over several data matrix-based state-of-the-art classifiers