Vol. 25 no. 2 Semester 2 (2013)

https://researchonline.nd.edu.au/in_principio2010s/1009/thumbnail.jp

Walter Campbell:A distinguished life

An efficient and simple synthesis approach to form stable (68) Ga-labeled nanogels is reported and their fundamental properties investigated. Nanogels are obtained by self-assembly of amphiphilic statistical prepolymers derivatised with chelating groups for radiometals. The resulting nanogels exhibit a well-defined spherical shape with a diameter of 290 +/- 50 nm. The radionuclide (68) Ga is chelated in high radiochemical yields in an aqueous medium at room temperature. The phagocytosis assay demonstrates a highly increased internalization of nanogels by activated macrophages. Access to these (68) Ga-nanogels will allow the investigation of general behavior and clearance pathways of nanogels in vivo by nuclear molecular imaging

Leipzig Philharmonic, November 9, 2010

This is the concert program of the Leipzig Philharmonic performance on Tuesday, November 9, 2010 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were "Schindler's List" Main Theme for orchestra by John Williams, Piano Concerto No. 18 in B-flat major, K. 456 and Concerto for two pianos and orchestra in E-flat major, K. 365 by Wolfgang Amadeus Mozart, and Symphony No. 1, op. 11 by Felix Mendelssohn. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund

The Conflicts Between Two Generations Reflected in Thank You Music Video

A song by MKTO which entitled “Thank You” is used by the writer to analyze its music video. The purpose of this study is to do a research about the conflicts between the old and young generation, which is related with social and symbolic power. Theories that are used are textual and contextual theories. The textual theory is used to analyze the verbal aspects (lyrics), aural aspects (music), and visual aspects (clips). Meanwhile the contextual theory is used to analyze the social issues which become the source of the conflict

The Drottningholm Trio, October 6, 1995

This is the concert program of the The Drottningholm Trio performance on Friday, October 6, 1995 at 8:30 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were II.e Suite in B Minor from Sonates à violon seul et suites pour la flûte traversière by Antonie Dornel, Les Folies d'Espagne by Marin Marais, Sonata Seconda in B minor from Troisième Livre de Sonates by Michel Blavet, Two Pieces for a solo instrument by Anonymous, Bravade and Courante from De Fluyten Lust-hof by Jacob van Eyck, Sonata No. 5 in C minor from XII Sonatas or Solos by Jean-Baptiste Loeillet de Gant, and Sonata Sesta by Francesco Maria Veracini. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Guidebook use by Japanese tourists: a qualitative study of Australia inbound travellers

This qualitative investigation into guidebook use reports on in-depth interviews conducted with 26 Japanese individuals and one couple who had visited Australia during the five previous years. Focussing on the stages before, during and after travel the research framework was based on Vogt and Fesenmaier’s model of information needs (1998). It was found that functional needs were the dominant influences during the prior to travel phase, with some non-functional needs, (hedonic, aesthetic, and innovation) also being influential. During the travel phase, only functional needs were evident. Some respondents were identified as being deliberate non-users of guidebooks. The variable “tourist type” was found to be helpful for distinguishing between users and non-users and for identifying those with functional needs. The use of guidebooks by those whose needs are both functional and non-functional may be unaffected by this variable. When the attitudes of those who actively dislike guidebooks and those who hesitate to use them are aggregated, a view emerges of guidebooks as a symbol of standardised tourism

Blackfriars Dance Concert 2017 Playbill

Blackfriars Dance Concert 2017 DIRECTED BY Wendy Oliver CHOREOGRAPHERS Ali Kenner Brodsky Cayley Christoforou Bill Evans Sara Lustig Wendy Oliver (with the dancers) Eva Marie Pacheco Kathleen Nasti COSTUME COORDINATOR Maxine Wheelock LIGHTING DESIGNER Daniel Caplin Angell DANCERS Kirsten Coffey, Stephanie Cameron, Daniela Diaz, Deirdre McMahon, Samantha Oakley, Katherine Pineo, Jamie Podracky, Gabriella Ricciardone, Maya Young. Gillian Klein, Maria Fonts, Natalie Phelps, Abbey Raser, Alanna Daley, Devon Guanci, Emma Lederer, Kaitlin McGovern, Lela Biggus, Emma Flanagan, Meg Frazier, Anna Sabo, Claudia Seguin, Ali Kenner Brodsky, Caroline Mallon Angell Blackfriars Theatre November 17, 7:30PM November 18, 2PMhttps://digitalcommons.providence.edu/bdc_2017_pubs/1000/thumbnail.jp

Vol.16 no.3 Summer (2005)

https://researchonline.nd.edu.au/in_principio2000s/1022/thumbnail.jp