The First World War Letters of H.J.C. Peirs: A Digital History

This poster provides a high-level overview of The First World War Letters of H.J.C. Peirs: A Digital History project, giving information on its creation, the collection of letters, how it has used digital mapping, and its use in the classroom

Digital mapping of mountain snowcover under European conditions

The author has identified the following significant results. A method for monitoring the snow cover in high mountain terrain such as the Swiss Alps includes the rapid classification of multitemporal data for small watersheds with very high accuracy. In addition to LANDSAT channels 4,5,6 and 7 an artificial channel was created containing the average altitude information of each pixel and allowing a subdivision of the watershed in accordance to the requirements of the runoff model. Even in very small watersheds of about 40 sq km the results achieved from LANDSAT data are at least as accurate as the ones gained from measurements of orthophotographs

DIGITAL MAPPING FOR ARCHAEOLOGICAL HERITAGE

This essay intends to show the results of a research about Phlegraean Fields, a large zone which extends to the west of the city of Naples, very important from an historical, archaeological and landscape point of view. Surveying and representation methods have been experimented which can read and effectively represent the complexity of areas characterized by the presence of archaeological sites. A the same time, the potential of the techniques of interactive representation including immersive shoots have been verified, with the goal of identifying new methods of spreading knowledge to enhance cultural assets

Digital mapping interfaces : from immutable mobiles to mutable images

In this article, I discuss how digital mapping interfaces ask users to engage with images on screens in far more performative and active ways and how this changes the immutable status of the map image. Digital mapping interfaces invite us to touch, talk and move with them, actions that have a reciprocal effect on the look of the image of the map. Images change constantly through absorbing our mobile and physical actions. I approach digital mapping interfaces as mediators: They do not so much collect information as create spatial transformations for the user of the interface, thus instigating new moves on his or her part that are fed once again into the interface. I argue that it is therefore short-sighted to view digital mapping interfaces as mere points of passage. They are better understood as mediators that create spatial meanings by translating between and inviting movements of users, vehicles, programs and so on

Coral Gables Digital & Mapping Initiatives

Collaborative Projects with Florida International Universit

The Digital Cultural Atlas Project: Design Research and Cultural Narratives. An Experiential Approach for Design Education.

This paper outlines an approach developed for teaching research methods in a graphic design program, working in an interdisciplinary context with cultural researchers. Initially, the Digital Cultural Atlas (DCA) is introduced, as a 'work-in-progress' web site, which locates a diversity of geographic and place-based cultural resources across Greater Western Sydney. The initial information architecture consists of ‘bird’s eye view’ cartographic maps and cultural project resources. Through a teaching project in design research, students consider ways in which experiential ‘on the ground’ visual stories can be included. Initial student research identifies a diversity of observed cultural community contexts and situations. This is followed by a second smaller scale study of fewer sites, using an understanding of participatory design research. In this stage, each student researches an individual community context using two 'voices' of the self - as participant, and as observer. These engagements with the self as 'actor' are recorded in a journal format across a specific time period, with reference to reflections prior to, during, and after 'action'. These provide the basis for the new visual stories in the DCA. This paper describes and critiques this approach to teaching design research in visual communication, based on the DCA. In so doing, it links design research with human experiences of community and culture to engage with wider debates about the design of digital mapping spaces as information systems. The paper concludes with some reflections about the project's possible future as an ongoing participatory community resource which engages with both geographic and experiential web content and form. Keywords: Design Education; Participatory Design; Visual Narrative; Digital Mapping Systems; Community Identity; Designer As Actor</p

Using Geographic Information Science to Map the Flight of the Regicides in Seventeenth- century New England

In mid-seventeenth century two of the judges who condemned King Charles I of England to death became regicide fugitives when his son came to the throne as Charles II. The two men fled to New England and eluded their Royalist pursuers for twenty years. I am attempting to track their travels and hideouts through standard historical research and, more recently, the use of Geographic Information Science (GIS), a form of digital mapping technology which organizes information in a geographical format by adding spatial coordinates to existing data to form a geodatabase. This article describes the application of GIS to test an eighteenth-century historian’s description of the regicides’ movements in Connecticut during the spring and summer of 1661

A Research-Based Model for Digital Mapping and Art History: Notes from the Field

Most digital mapping in art history today divides the research process from the visualization aspects of the project. This problem became the focus of a summer institute that Paul Jaskot and Anne Kelly Knowles ran at Middlebury College with the support of the Samuel H. Kress Foundation. Our article both reports on the institute and suggests how research questions can complement digital mapping methods. We conclude with three case studies of spatial questions in art history and discuss the Fellows’ use of GIS to explore examples from Qing Dynasty China, medieval Gotland, and contemporary New York City

Cartography of irregularly shaped satellites

Irregularly shaped satellites, such as Phobos and Amalthea, do not lend themselves to mapping by conventional methods because mathematical projections of their surfaces fail to convey an accurate visual impression of the landforms, and because large and irregular scale changes make their features difficult to measure on maps. A digital mapping technique has therefore been developed by which maps are compiled from digital topographic and spacecraft image files. The digital file is geometrically transformed as desired for human viewing, either on video screens or on hard copy. Digital files of this kind consist of digital images superimposed on another digital file representing the three-dimensional form of a body