33,851 research outputs found

    Cultural modernity in China : what is it?

    Full text link

    Introduction: magazines and/as media: periodical studies and the question of disciplinarity

    Get PDF
    No abstract available

    “While the imagination strains / after deer”: William Carlos Williams’s Interrogations of the American Transcendental Imagination and the Proto-Suburban Scene

    Get PDF
    Oftentimes the American suburbs are considered through the lens of architecture, economics, fiction, and visual media. And, typically, the conversation centers on their cultural zenith in the 1950s. One literary form is neglected in this conversation: poetry. This omission is peculiar, as a fascination with the vastness of the continent’s landscape—and its significance—pervades the history of the American verse. For Ralph Waldo Emerson, the apparently endless expanses of space and rejuvenative qualities of the American landscape provide the poet’s ideal inspiration, and Walt Whitman, in perhaps the most important collection of poetry of the nineteenth century, Leaves of Grass, is very much concerned with rendering the American experience through the landscape. As America approached modernity, suburbanization subsumed the American Romantic attitude toward the landscape and the evacuated rural spaces outside of urban cores to produce a new space for the bourgeois upper class. This relocation of the emergent bourgeois upper class to the outskirts of the city created a new hybridized space for Modernist poets to consider. William Carlos Williams’s poetry stands out from that of his Modernist counterparts in that it is able to identify and dismantle the illusion of proto-suburban spaces. That is to say, Williams notices that both the American proto-suburbs and the pastoral ideal rely upon ignoring the material reality of the rural and suburban poor. Through an analysis of Williams’s poetry, the history of the pastoral form, the history of the American suburbs, and contemporary literary criticism, this essay will consider how Williams responded to the subsumption of the American countryside

    Reading Graphic Design in Cultural Context

    Get PDF
    Bloomsbury Publishing Plc 2019.Reading Graphic Design: •Is a much needed examination of graphic design in the expanded field •Forms an introduction to writing critically about graphic design through twelve chapters providing exemplary analyses of the semantic richness of the selected case studies •Goes beyond aesthetic judgments to explore how graphic design and illustration function as fields of industry and commerce in the West •Will inform, challenge and entertain undergraduate students of graphic design internationall

    Review Of The Identifying Fictions Of Toni Morrison: Modernist Authenticity And Postmodern Blackness By J.N. Duvall

    Get PDF

    Introduction

    Full text link

    Misdirect movies

    Get PDF
    Misdirect Movies is a curated touring exhibition exploring new possibilities of collage, employing material gleaned from cinema. With access to digital formats, artists are now able to appropriate films to create different and innovative approaches to collage. This builds upon research disseminated in artworks such as The Jump and Frames and the curated exhibition, Unspooling: Artists & Cinema The selected artists explore these ideas in diverse ways to work with narrative through different media. The exhibition will be supplemented by a catalogue, new artwork commissions, a series of artist/curator talks, film screenings, workshops and a website. The idea of the exhibition is to make us look anew at the familiarity of artist's use of collage, moving image and the cinema space. The exhibition includes work by the curators, alongside five artists from the UK, Germany and USA- Elizabeth McAlpine, Dave Griffiths, Cathy Lomax, Rosa Barba and David Reed. The selected artists work across different mediums and have a sustained engagement with the subject of the exhibition. There will be three new commissions launching at touring venues from the selected artists. The exhibition tours from Royal Standard, Liverpool (16-31 March 2013) and tours to Standpoint Gallery, London (5 July- 17 August 2013), Greyfriars, Lincoln (4-26 October 2013) and Meter Room, Coventry (8 November - 1 December 2013). The catalogue is published by Cornerhouse Publications and feature essays by Andrew Bracey, Dr. John Rimmer, Dr. Jaimie Baron, Dr. Maria Walsh and an interview between Dr. Sam George and Sir Christopher Frayling. The catalogue essays reflect the interdisciplinary nature of the exhibition's curatorial focus and feature contributions from visual arts, English literature and film studies backgrounds. The research is further disseminated by talks, critical essays on the website and introduced screenings of artist's films

    Serial Cities: Australian Literary Cities and the Rhetoric of Scale

    Get PDF
    A review essay of New South Books' 'City Series': Sophie Cunningham, Melbourne (2011)Matthew Condon, Brisbane (2010)Paul Daley, Canberra (2012)Delia Falconer, Sydney (2010)Kerryn Goldsworthy, Adelaide (2011)Eleanor Hogan, Alice Springs (2012)Tess Lea, Darwin (2014)Peter Timms, In Search of Hobart (2012)David Whish-Wilson, Perth (2013

    Приглашение к танцу: интермедиальные аллюзии в ранней поэзии Т. С. Элиота

    Get PDF
    В статье рассматриваются связи между танцем, изобразительным искусством и модернистской поэзией, послужившие основой поэтического эксперимен­та
    corecore