Low-Latency Searches for Gravitational Waves and their Electromagnetic Counterparts with Advanced LIGO and Virgo

For the first time in history, advanced detectors are available to observe the stretching and squeezing of space---gravitational waves---from violent astrophysical events. This opens up the prospect of joint detections with instruments of traditional astronomy, creating the new field of multi-messenger astrophysics. Joint detections allow us to form a coherent picture of the unfolding event as told by the various channels of information: mass and energy dynamics from gravitational waves, charged particle environments (along with magnetic field and specific element environments) from electromagnetic radiation, and thermonuclear reactions/relativistic particle outflows from neutrinos. In this work, I motivate low-latency electromagnetic and neutrino follow-up of sources known to emit gravitational radiation in the sensitivity band of ground-based interferometric detectors, Advanced LIGO and Advanced Virgo. To this end, I describe the low-latency infrastructure I developed with colleagues to select and enable successful follow-up of the first few gravitational-wave candidate events in history, including the first binary black hole merger, named GW150914, and binary neutron star coalescence, named GW170817, from the first and second observing runs. As a review, I outline the theory behind gravitational waves and explain how the advanced detectors, low-latency searches, and data quality vetting procedures work. To highlight the newness of the field, I also share results from an offline search for a more speculative source of gravitational waves, intersecting cosmic strings, from the second observing run. Finally, I address how LIGO/Virgo is prepared to adapt to challenges that will arise during the upcoming third observing run, an era that will be marked by near-weekly binary black hole candidate events and near-monthly binary neutron star candidate events. To handle this load, we made several improvements to our low-latency infrastructure, including a new, streamlined candidate event selection process, expansions I helped develop for temporal coincidence searches with electromagnetic/neutrino triggers, and data quality products on source classification and probability of astrophysical origin to provide to our observing partners for potential compact binary coalescences. These measures will further our prospects for multi-messenger astrophysics and increase our science returns

Cyber-Human Systems, Space Technologies, and Threats

CYBER-HUMAN SYSTEMS, SPACE TECHNOLOGIES, AND THREATS is our eighth textbook in a series covering the world of UASs / CUAS/ UUVs / SPACE. Other textbooks in our series are Space Systems Emerging Technologies and Operations; Drone Delivery of CBNRECy – DEW Weapons: Emerging Threats of Mini-Weapons of Mass Destruction and Disruption (WMDD); Disruptive Technologies with applications in Airline, Marine, Defense Industries; Unmanned Vehicle Systems & Operations On Air, Sea, Land; Counter Unmanned Aircraft Systems Technologies and Operations; Unmanned Aircraft Systems in the Cyber Domain: Protecting USA’s Advanced Air Assets, 2nd edition; and Unmanned Aircraft Systems (UAS) in the Cyber Domain Protecting USA’s Advanced Air Assets, 1st edition. Our previous seven titles have received considerable global recognition in the field. (Nichols & Carter, 2022) (Nichols, et al., 2021) (Nichols R. K., et al., 2020) (Nichols R. , et al., 2020) (Nichols R. , et al., 2019) (Nichols R. K., 2018) (Nichols R. K., et al., 2022)https://newprairiepress.org/ebooks/1052/thumbnail.jp

Technical Sensoriums: A Speculative Investigation into the Entanglement and Convergence of Surveillance and Technology

Surveillance and technology are among the most prevalent phenomena in the developed world, the proliferation of which is abetted by an ever increasing profusion of products and services extending the competencies of these capabilities into new opportunities and markets worldwide. More significantly, this momentum is leading to a convergence of these disparate competencies towards a common techno-surveillant milieu. Yet much of what is written and theoretically understood about these topics (singularly and collectively) fails to provide for a unified accounting that anticipates either the trajectory or the heterogeneous forms of this converging phenomenon. This projects sets out to excavate why our understanding of techno-surveillance is so myopic. Following the evidence, I assert that this short-sightedness is not simply the result of methodological shortcomings. Rather, most researchers of surveillance and technology are blinded by philosophical presumptions (primarily grounded in epistemology) that exclude the kinds of questions (largely ontological) they must ask to go deeper in their investigations. This study examines the archaeological detritus of an early techno-surveillant system, the characteristics of which are typical of the kinds of systems that have come to challenge researchers about the implications of their analyses. Based on this analysis, this study proposes an ontological model, which I call ontigeny that is consistent with the evidence and helps to explain the heterogeneity of techno-surveillance, as well as its potential trajectories

Netflix nations: the geography of digital distribution

How streaming services and internet distribution have transformed global television culture. Television, once a broadcast medium, now also travels through our telephone lines, fiber optic cables, and wireless networks. It is delivered to viewers via apps, screens large and small, and media players of all kinds. In this unfamiliar environment, new global giants of television distribution are emerging-including Netflix, the world's largest subscription video-on-demand service. Combining media industry analysis with cultural theory, Ramon Lobato explores the political and policy tensions at the heart of the digital distribution revolution, tracing their longer history through our evolving understanding of media globalization. Netflix Nations considers the ways that subscription video-on-demand services, but most of all Netflix, have irrevocably changed the circulation of media content. It tells the story of how a global video portal interacts with national audiences, markets, and institutions, and what this means for how we understand global media in the internet age. Netflix Nations addresses a fundamental tension in the digital media landscape - the clash between the internet's capacity for global distribution and the territorial nature of media trade, taste, and regulation. The book also explores the failures and frictions of video-on-demand as experienced by audiences. The actual experience of using video platforms is full of subtle reminders of market boundaries and exclusions: platforms are geo-blocked for out-of-region users ("this video is not available in your region"); catalogs shrink and expand from country to country; prices appear in different currencies; and subtitles and captions are not available in local languages. These conditions offer rich insight for understanding the actual geographies of digital media distribution. Contrary to popular belief, the story of Netflix is not just an American one. From Argentina to Australia, Netflix's ascension from a Silicon Valley start-up to an international television service has transformed media consumption on a global scale. Netflix Nations will help readers make sense of a complex, ever-shifting streaming media environment

Pivot 2021: Dismantling/Reassembling

Pivot is a series of virtual conferences organized by the Pluriversal Design Special Interest Group (SIG) of the Design Research Society (DRS). Pivot’s first edition, PIVOT 2020: Designing a world of many centers, was hosted by the Phyllis M. Taylor Center for Social Innovation and Design Thinking at Tulane University. The 2021 edition was hosted by OCAD University (Toronto, Canada)

The Art of Movies

Movie is considered to be an important art form; films entertain, educate, enlighten and inspire audiences. Film is a term that encompasses motion pictures as individual projects, as well as — in metonymy — the field in general. The origin of the name comes from the fact that photographic film (also called filmstock) has historically been the primary medium for recording and displaying motion pictures. Many other terms exist — motion pictures (or just pictures or “picture”), the silver screen, photoplays, the cinema, picture shows, flicks — and commonly movies

The Music Sound

A guide for music: compositions, events, forms, genres, groups, history, industry, instruments, language, live music, musicians, songs, musicology, techniques, terminology , theory, music video. Music is a human activity which involves structured and audible sounds, which is used for artistic or aesthetic, entertainment, or ceremonial purposes. The traditional or classical European aspects of music often listed are those elements given primacy in European-influenced classical music: melody, harmony, rhythm, tone color/timbre, and form. A more comprehensive list is given by stating the aspects of sound: pitch, timbre, loudness, and duration. Common terms used to discuss particular pieces include melody, which is a succession of notes heard as some sort of unit; chord, which is a simultaneity of notes heard as some sort of unit; chord progression, which is a succession of chords (simultaneity succession); harmony, which is the relationship between two or more pitches; counterpoint, which is the simultaneity and organization of different melodies; and rhythm, which is the organization of the durational aspects of music