Recent Advances in Digital Image and Video Forensics, Anti-forensics and Counter Anti-forensics

Image and video forensics have recently gained increasing attention due to the proliferation of manipulated images and videos, especially on social media platforms, such as Twitter and Instagram, which spread disinformation and fake news. This survey explores image and video identification and forgery detection covering both manipulated digital media and generative media. However, media forgery detection techniques are susceptible to anti-forensics; on the other hand, such anti-forensics techniques can themselves be detected. We therefore further cover both anti-forensics and counter anti-forensics techniques in image and video. Finally, we conclude this survey by highlighting some open problems in this domain

Multimedia Forensics

This book is open access. Media forensics has never been more relevant to societal life. Not only media content represents an ever-increasing share of the data traveling on the net and the preferred communications means for most users, it has also become integral part of most innovative applications in the digital information ecosystem that serves various sectors of society, from the entertainment, to journalism, to politics. Undoubtedly, the advances in deep learning and computational imaging contributed significantly to this outcome. The underlying technologies that drive this trend, however, also pose a profound challenge in establishing trust in what we see, hear, and read, and make media content the preferred target of malicious attacks. In this new threat landscape powered by innovative imaging technologies and sophisticated tools, based on autoencoders and generative adversarial networks, this book fills an important gap. It presents a comprehensive review of state-of-the-art forensics capabilities that relate to media attribution, integrity and authenticity verification, and counter forensics. Its content is developed to provide practitioners, researchers, photo and video enthusiasts, and students a holistic view of the field

Multimedia Forensics

This book is open access. Media forensics has never been more relevant to societal life. Not only media content represents an ever-increasing share of the data traveling on the net and the preferred communications means for most users, it has also become integral part of most innovative applications in the digital information ecosystem that serves various sectors of society, from the entertainment, to journalism, to politics. Undoubtedly, the advances in deep learning and computational imaging contributed significantly to this outcome. The underlying technologies that drive this trend, however, also pose a profound challenge in establishing trust in what we see, hear, and read, and make media content the preferred target of malicious attacks. In this new threat landscape powered by innovative imaging technologies and sophisticated tools, based on autoencoders and generative adversarial networks, this book fills an important gap. It presents a comprehensive review of state-of-the-art forensics capabilities that relate to media attribution, integrity and authenticity verification, and counter forensics. Its content is developed to provide practitioners, researchers, photo and video enthusiasts, and students a holistic view of the field

Extracción y análisis de características para identificación, agrupamiento y modificación de la fuente de imágenes generadas por dispositivos móviles

Tesis inédita de la Universidad Complutense de Madrid, Facultad de Informática, Departamento de Ingeniería del Software e Inteligencia Artificial, leída el 02/10/2017.Nowadays, digital images play an important role in our society. The presence of mobile devices with integrated cameras is growing at an unrelenting pace, resulting in the majority of digital images coming from this kind of device. Technological development not only facilitates the generation of these images, but also the malicious manipulation of them. Therefore, it is of interest to have tools that allow the device that has generated a certain digital image to be identified. The digital image source can be identified through the features that the generating device permeates it with during the creation process. In recent years most research on techniques for identifying the source has focused solely on traditional cameras. The forensic analysis techniques of digital images generated by mobile devices are therefore of particular importance since they have specific characteristics which allow for better results, and forensic techniques for digital images generated by another kind of device are often not valid. This thesis provides various contributions in two of the main research lines of forensic analysis, the field of identification techniques and the counter-forensics or attacks on these techniques. In the field of digital image source acquisition identification techniques, both closed and open scenarios are addressed. In closed scenarios, the images whose acquisition source are to be determined belong to a group of devices known a priori. Meanwhile, an open scenario is one in which the images under analysis belong to a set of devices that is not known a priori by the fo rensic analyst. In this case, the objective is not t he concrete image acquisition source identification, but their classification into groups whose images all belong to the same mobile device. The image clustering t echniques are of particular interest in real situations since in many cases the forensic analyst does not know a priori which devices have generated certain images. Firstly, techniques for identifying the device type (computer, scanner or digital camera of the mobile device) or class (make and model) of the image acquisition source in mobile devices are proposed, which are two relevant branches of forensic analysis of mobile device images. An approach based on different types of image features and Support Vector Machine as a classifier is presented. Secondly, a technique for the ident ification in open scenarios that consists of grouping digital images of mobile devices according to the acquisition source is developed, that is to say, a class-grouping of all input images is performed. The proposal is based on the combination of hierarchical grouping and flat grouping using the Sensor Pattern Noise. Lastly, in the area of att acks on forensic t echniques, topics related to the robustness of the image source identificat ion forensic techniques are addressed. For this, two new algorithms based on the sensor noise and the wavelet transform are designed, one for the destruction of t he image identity and another for its fo rgery. Results obtained by the two algorithms were compared with other tools designed for the same purpose. It is worth mentioning that the solution presented in this work requires less amount and complexity of input data than the tools to which it was compared. Finally, these identification t echniques have been included in a tool for the forensic analysis of digital images of mobile devices called Theia. Among the different branches of forensic analysis, Theia focuses mainly on the trustworthy identification of make and model of the mobile camera that generated a given image. All proposed algorithms have been implemented and integrated in Theia thus strengthening its functionality.Actualmente las imágenes digitales desempeñan un papel importante en nuestra sociedad. La presencia de dispositivos móviles con cámaras fotográficas integradas crece a un ritmo imparable, provocando que la mayoría de las imágenes digitales procedan de este tipo de dispositivos. El desarrollo tecnológico no sólo facilita la generación de estas imágenes, sino también la manipulación malintencionada de éstas. Es de interés, por tanto, contar con herramientas que permitan identificar al dispositivo que ha generado una cierta imagen digital. La fuente de una imagen digital se puede identificar a través de los rasgos que el dispositivo que la genera impregna en ella durante su proceso de creación. La mayoría de las investigaciones realizadas en los últimos años sobre técnicas de identificación de la fuente se han enfocado únicamente en las cámaras tradicionales. Las técnicas de análisis forense de imágenes generadas por dispositivos móviles cobran, pues, especial importancia, ya que éstos presentan características específicas que permiten obtener mejores resultados, no siendo válidas muchas veces además las técnicas forenses para imágenes digitales generadas por otros tipos de dispositivos. La presente Tesis aporta diversas contribuciones en dos de las principales líneas del análisis forense: el campo de las t écnicas de identificación de la fuente de adquisición de imágenes digitales y las contramedidas o at aques a est as técnicas. En el primer campo se abordan tanto los escenarios cerrados como los abiertos. En el escenario denominado cerrado las imágenes cuya fuente de adquisición hay que determinar pertenecen a un grupo de dispositivos conocidos a priori. Por su parte, un escenario abierto es aquel en el que las imágenes pertenecen a un conjunto de dispositivos que no es conocido a priori por el analista forense. En este caso el obj etivo no es la identificación concreta de la fuente de adquisición de las imágenes, sino su clasificación en grupos cuyas imágenes pertenecen todas al mismo dispositivo móvil. Las técnicas de agrupamiento de imágenes son de gran interés en situaciones reales, ya que en muchos casos el analist a forense desconoce a priori cuáles son los dispositivos que generaron las imágenes. En primer lugar se presenta una técnica para la identificación en escenarios cerrados del tipo de dispositivo (computador, escáner o cámara digital de dispositivo móvil) o la marca y modelo de la fuente en dispositivos móviles, que son dos problemáticas relevantes del análisis forense de imágenes digitales. La propuesta muestra un enfoque basado en distintos tipos de características de la imagen y en una clasificación mediante máquinas de soporte vectorial. En segundo lugar se diseña una técnica para la identificación en escenarios abiertos que consiste en el agrupamiento de imágenes digitales de dispositivos móviles según la fuente de adquisición, es decir, se realiza un agrupamiento en clases de todas las imágenes de ent rada. La propuesta combina agrupamiento jerárquico y agrupamiento plano con el uso del patrón de ruido del sensor. Por último, en el área de los ataques a las técnicas fo renses se tratan temas relacionados con la robustez de las técnicas forenses de identificación de la fuente de adquisición de imágenes. Se especifican dos algoritmos basados en el ruido del sensor y en la transformada wavelet ; el primero destruye la identidad de una imagen y el segundo falsifica la misma. Los resultados obtenidos por estos dos algoritmos se comparan con otras herramientas diseñadas para el mismo fin, observándose que la solución aquí presentada requiere de menor cantidad y complejidad de datos de entrada. Finalmente, estas técnicas de identificación han sido incluidas en una herramienta para el análisis forense de imágenes digitales de dispositivos móviles llamada Theia. Entre las diferentes ramas del análisis forense, Theia se centra principalmente en la identificación confiable de la marca y el modelo de la cámara móvil que generó una imagen dada. Todos los algoritmos desarrollados han sido implementados e integrados en Theia, reforzando así su funcionalidad.Depto. de Ingeniería de Software e Inteligencia Artificial (ISIA)Fac. de InformáticaTRUEunpu

RemNet: Remnant Convolutional Neural Network for Camera Model Identification and Image Manipulation Detection

Camera model identification (CMI) and image manipulation detection are of paramount importance in image forensics as digitally altered images are becoming increasingly commonplace. In this thesis, we propose a novel convolutional neural network (CNN) architecture for performing these two crucial tasks. Our proposed Remnant Convolutional Neural Network (RemNet) is designed with emphasis given on the preprocessing task considered to be inevitable for removing the scene content that heavily obscures the camera model fingerprints and image manipulation artifacts. Unlike the conventional approaches where fixed filters are used for preprocessing, the proposed remnant blocks, when coupled with a classification block and trained end-to-end, learn to suppress the unnecessary image contents dynamically. This helps the classification block extract more robust images forensics features from the remnant of the image. We also propose a variant of the network titled L2-constrained Remnant Convolutional Neural Network (L2-constrained RemNet), where an L2 loss is applied to the output of the preprocessor block, and categorical crossentropy loss is calculated based on the output of the classification block. The whole network is trained in an end-to-end manner by minimizing the total loss, which is a combination of the L2 loss and the categorical crossentropy loss. The whole network, consisting of a preprocessing block and a shallow classification block, when trained on 18 models from the Dresden database, shows 100% accuracy for 16 camera models with an overall accuracy of 98.15% on test images from unseen devices and scenes, outperforming the state-of-the-art deep CNNs used in CMI. Furthermore, the proposed remnant blocks, when cascaded with the existing deep CNNs, e.g., ResNet, DenseNet, boost their performances by a large margin. The proposed approach proves to be very robust in identifying the source camera models, even if the original images are post-processed. It also achieves an overall accuracy of 95.49% on the IEEE Signal Processing Cup 2018 dataset, which indicates its generalizability. Furthermore, we attain an overall accuracy of 99.68% in image manipulation detection, which implies that it can be used as a general-purpose network for image forensic tasks

Physical Invisible Backdoor Based on Camera Imaging

Backdoor attack aims to compromise a model, which returns an adversary-wanted output when a specific trigger pattern appears yet behaves normally for clean inputs. Current backdoor attacks require changing pixels of clean images, which results in poor stealthiness of attacks and increases the difficulty of the physical implementation. This paper proposes a novel physical invisible backdoor based on camera imaging without changing nature image pixels. Specifically, a compromised model returns a target label for images taken by a particular camera, while it returns correct results for other images. To implement and evaluate the proposed backdoor, we take shots of different objects from multi-angles using multiple smartphones to build a new dataset of 21,500 images. Conventional backdoor attacks work ineffectively with some classical models, such as ResNet18, over the above-mentioned dataset. Therefore, we propose a three-step training strategy to mount the backdoor attack. First, we design and train a camera identification model with the phone IDs to extract the camera fingerprint feature. Subsequently, we elaborate a special network architecture, which is easily compromised by our backdoor attack, by leveraging the attributes of the CFA interpolation algorithm and combining it with the feature extraction block in the camera identification model. Finally, we transfer the backdoor from the elaborated special network architecture to the classical architecture model via teacher-student distillation learning. Since the trigger of our method is related to the specific phone, our attack works effectively in the physical world. Experiment results demonstrate the feasibility of our proposed approach and robustness against various backdoor defenses

Conditional Adversarial Camera Model Anonymization

The model of camera that was used to capture a particular photographic image (model attribution) is typically inferred from high-frequency model-specific artifacts present within the image. Model anonymization is the process of transforming these artifacts such that the apparent capture model is changed. We propose a conditional adversarial approach for learning such transformations. In contrast to previous works, we cast model anonymization as the process of transforming both high and low spatial frequency information. We augment the objective with the loss from a pre-trained dual-stream model attribution classifier, which constrains the generative network to transform the full range of artifacts. Quantitative comparisons demonstrate the efficacy of our framework in a restrictive non-interactive black-box setting.Comment: ECCV 2020 - Advances in Image Manipulation workshop (AIM 2020