Raum-Zeit Interpolationstechniken

The photo-realistic modeling and animation of complex scenes in 3D requires a lot of work and skill of artists even with modern acquisition techniques. This is especially true if the rendering should additionally be performed in real-time. In this thesis we follow another direction in computer graphics to generate photo-realistic results based on recorded video sequences of one or multiple cameras. We propose several methods to handle scenes showing natural phenomena and also multi-view footage of general complex 3D scenes. In contrast to other approaches, we make use of relaxed geometric constraints and focus especially on image properties important to create perceptually plausible in-between images. The results are novel photo-realistic video sequences rendered in real-time allowing for interactive manipulation or to interactively explore novel view and time points.Das Modellieren und die Animation von 3D Szenen in fotorealistischer Qualität ist sehr arbeitsaufwändig, auch wenn moderne Verfahren benutzt werden. Wenn die Bilder in Echtzeit berechnet werden sollen ist diese Aufgabe um so schwieriger zu lösen. In dieser Dissertation verfolgen wir einen alternativen Ansatz der Computergrafik, um neue photorealistische Ergebnisse aus einer oder mehreren aufgenommenen Videosequenzen zu gewinnen. Es werden mehrere Methoden entwickelt die für natürlicher Phänomene und für generelle Szenen einsetzbar sind. Im Unterschied zu anderen Verfahren nutzen wir abgeschwächte geometrische Einschränkungen und berechnen eine genaue Lösung nur dort wo sie wichtig für die menschliche Wahrnehmung ist. Die Ergebnisse sind neue fotorealistische Videosequenzen, die in Echtzeit berechnet und interaktiv manipuliert, oder in denen neue Blick- und Zeitpunkte der Szenen frei erkundet werden können

An Overview on Image Forensics

The aim of this survey is to provide a comprehensive overview of the state of the art in the area of image forensics. These techniques have been designed to identify the source of a digital image or to determine whether the content is authentic or modified, without the knowledge of any prior information about the image under analysis (and thus are defined as passive). All these tools work by detecting the presence, the absence, or the incongruence of some traces intrinsically tied to the digital image by the acquisition device and by any other operation after its creation. The paper has been organized by classifying the tools according to the position in the history of the digital image in which the relative footprint is left: acquisition-based methods, coding-based methods, and editing-based schemes

Coping with Data Scarcity in Deep Learning and Applications for Social Good

The recent years are experiencing an extremely fast evolution of the Computer Vision and Machine Learning fields: several application domains benefit from the newly developed technologies and industries are investing a growing amount of money in Artificial Intelligence. Convolutional Neural Networks and Deep Learning substantially contributed to the rise and the diffusion of AI-based solutions, creating the potential for many disruptive new businesses. The effectiveness of Deep Learning models is grounded by the availability of a huge amount of training data. Unfortunately, data collection and labeling is an extremely expensive task in terms of both time and costs; moreover, it frequently requires the collaboration of domain experts. In the first part of the thesis, I will investigate some methods for reducing the cost of data acquisition for Deep Learning applications in the relatively constrained industrial scenarios related to visual inspection. I will primarily assess the effectiveness of Deep Neural Networks in comparison with several classical Machine Learning algorithms requiring a smaller amount of data to be trained. Hereafter, I will introduce a hardware-based data augmentation approach, which leads to a considerable performance boost taking advantage of a novel illumination setup designed for this purpose. Finally, I will investigate the situation in which acquiring a sufficient number of training samples is not possible, in particular the most extreme situation: zero-shot learning (ZSL), which is the problem of multi-class classification when no training data is available for some of the classes. Visual features designed for image classification and trained offline have been shown to be useful for ZSL to generalize towards classes not seen during training. Nevertheless, I will show that recognition performances on unseen classes can be sharply improved by learning ad hoc semantic embedding (the pre-defined list of present and absent attributes that represent a class) and visual features, to increase the correlation between the two geometrical spaces and ease the metric learning process for ZSL. In the second part of the thesis, I will present some successful applications of state-of-the- art Computer Vision, Data Analysis and Artificial Intelligence methods. I will illustrate some solutions developed during the 2020 Coronavirus Pandemic for controlling the disease vii evolution and for reducing virus spreading. I will describe the first publicly available dataset for the analysis of face-touching behavior that we annotated and distributed, and I will illustrate an extensive evaluation of several computer vision methods applied to the produced dataset. Moreover, I will describe the privacy-preserving solution we developed for estimating the \u201cSocial Distance\u201d and its violations, given a single uncalibrated image in unconstrained scenarios. I will conclude the thesis with a Computer Vision solution developed in collaboration with the Egyptian Museum of Turin for digitally unwrapping mummies analyzing their CT scan, to support the archaeologists during mummy analysis and avoiding the devastating and irreversible process of physically unwrapping the bandages for removing amulets and jewels from the body

Multimedia Forensics

This book is open access. Media forensics has never been more relevant to societal life. Not only media content represents an ever-increasing share of the data traveling on the net and the preferred communications means for most users, it has also become integral part of most innovative applications in the digital information ecosystem that serves various sectors of society, from the entertainment, to journalism, to politics. Undoubtedly, the advances in deep learning and computational imaging contributed significantly to this outcome. The underlying technologies that drive this trend, however, also pose a profound challenge in establishing trust in what we see, hear, and read, and make media content the preferred target of malicious attacks. In this new threat landscape powered by innovative imaging technologies and sophisticated tools, based on autoencoders and generative adversarial networks, this book fills an important gap. It presents a comprehensive review of state-of-the-art forensics capabilities that relate to media attribution, integrity and authenticity verification, and counter forensics. Its content is developed to provide practitioners, researchers, photo and video enthusiasts, and students a holistic view of the field

Multimedia Forensics

This book is open access. Media forensics has never been more relevant to societal life. Not only media content represents an ever-increasing share of the data traveling on the net and the preferred communications means for most users, it has also become integral part of most innovative applications in the digital information ecosystem that serves various sectors of society, from the entertainment, to journalism, to politics. Undoubtedly, the advances in deep learning and computational imaging contributed significantly to this outcome. The underlying technologies that drive this trend, however, also pose a profound challenge in establishing trust in what we see, hear, and read, and make media content the preferred target of malicious attacks. In this new threat landscape powered by innovative imaging technologies and sophisticated tools, based on autoencoders and generative adversarial networks, this book fills an important gap. It presents a comprehensive review of state-of-the-art forensics capabilities that relate to media attribution, integrity and authenticity verification, and counter forensics. Its content is developed to provide practitioners, researchers, photo and video enthusiasts, and students a holistic view of the field

Inverse rendering techniques for physically grounded image editing

From a single picture of a scene, people can typically grasp the spatial layout immediately and even make good guesses at materials properties and where light is coming from to illuminate the scene. For example, we can reliably tell which objects occlude others, what an object is made of and its rough shape, regions that are illuminated or in shadow, and so on. It is interesting how little is known about our ability to make these determinations; as such, we are still not able to robustly "teach" computers to make the same high-level observations as people. This document presents algorithms for understanding intrinsic scene properties from single images. The goal of these inverse rendering techniques is to estimate the configurations of scene elements (geometry, materials, luminaires, camera parameters, etc) using only information visible in an image. Such algorithms have applications in robotics and computer graphics. One such application is in physically grounded image editing: photo editing made easier by leveraging knowledge of the physical space. These applications allow sophisticated editing operations to be performed in a matter of seconds, enabling seamless addition, removal, or relocation of objects in images