Copyright Protection of 3D Digitized Artistic Sculptures by Adding Unique Local Inconspicuous Errors by Sculptors

In recent years, digitization of cultural heritage objects, for the purpose of creating virtual museums, is becoming increasingly popular. Moreover, cultural institutions use modern digitization methods to create three-dimensional (3D) models of objects of historical significance to form digital libraries and archives. This research aims to suggest a method for protecting these 3D models from abuse while making them available on the Internet. The proposed method was applied to a sculpture, an object of cultural heritage. It is based on the digitization of the sculpture altered by adding local clay details proposed by the sculptor and on sharing on the Internet a 3D model obtained by digitizing the sculpture with a built-in error. The clay details embedded in the sculpture are asymmetrical and discreet to be unnoticeable to an average observer. The original sculpture was also digitized and its 3D model created. The obtained 3D models were compared and the geometry deviation was measured to determine that the embedded error was invisible to an average observer and that the watermark can be extracted. The proposed method simultaneously protects the digitized image of the artwork while preserving its visual experience. Other methods cannot guarantee this

Copyright Protection of 3D Digitized Artistic Sculptures by Adding Unique Local Inconspicuous Errors by Sculptors

In recent years, digitization of cultural heritage objects, for the purpose of creating virtual museums, is becoming increasingly popular. Moreover, cultural institutions use modern digitization methods to create three-dimensional (3D) models of objects of historical significance to form digital libraries and archives. This research aims to suggest a method for protecting these 3D models from abuse while making them available on the Internet. The proposed method was applied to a sculpture, an object of cultural heritage. It is based on the digitization of the sculpture altered by adding local clay details proposed by the sculptor and on sharing on the Internet a 3D model obtained by digitizing the sculpture with a built-in error. The clay details embedded in the sculpture are asymmetrical and discreet to be unnoticeable to an average observer. The original sculpture was also digitized and its 3D model created. The obtained 3D models were compared and the geometry deviation was measured to determine that the embedded error was invisible to an average observer and that the watermark can be extracted. The proposed method simultaneously protects the digitized image of the artwork while preserving its visual experience. Other methods cannot guarantee this

Copyright Protection of 3D Digitized Sculptures by Use of Haptic Device for Adding Local-Imperceptible Bumps

This research aims to improve some approaches for protecting digitized 3D models of cultural heritage objects such as the approach shown in the authors\u27 previous research on this topic. This technique can be used to protect works of art such as 3D models of sculptures, pottery, and 3D digital characters for animated film and gaming. It can also be used to preserve architectural heritage. In the research presented here adding protection to the scanned 3D model of the original sculpture was achieved using the digital sculpting technique with a haptic device. The original 3D model and the model with added protection were after that printed at the 3D printer, and then such 3D printed models were scanned. In order to measure the thickness of added protection, the original 3D model and the model with added protection were compared. Also, two scanned models of the printed sculptures were compared to define the amount of added material. The thickness of the added protection is up to 2 mm, whereas the highest difference detected between a matching scan of the original sculpture (or protected 3D model) and a scan of its printed version (or scan of the protected printed version) is about 1 mm

AXMEDIS 2008

The AXMEDIS International Conference series aims to explore all subjects and topics related to cross-media and digital-media content production, processing, management, standards, representation, sharing, protection and rights management, to address the latest developments and future trends of the technologies and their applications, impacts and exploitation. The AXMEDIS events offer venues for exchanging concepts, requirements, prototypes, research ideas, and findings which could contribute to academic research and also benefit business and industrial communities. In the Internet as well as in the digital era, cross-media production and distribution represent key developments and innovations that are fostered by emergent technologies to ensure better value for money while optimising productivity and market coverage

Towards Optimal Copyright Protection Using Neural Networks Based Digital Image Watermarking

In the field of digital watermarking, digital image watermarking for copyright protection has attracted a lot of attention in the research community. Digital watermarking contains varies techniques for protecting the digital content. Among all those techniques,Discrete Wavelet Transform (DWT) provides higher image imperceptibility and robustness. Over the years, researchers have been designing watermarking techniques with robustness in mind, in order for the watermark to be resistant against any image processing techniques. Furthermore, the requirements of a good watermarking technique includes a tradeoff between robustness, image quality (imperceptibility) and capacity. In this paper, we have done an extensive literature review for the existing DWT techniques and those combined with other techniques such as Neural Networks. In addition to that, we have discuss the contribution of Neural Networks in copyright protection. Finally we reached our goal in which we identified the research gaps existed in the current watermarking schemes. So that, it will be easily to obtain an optimal techniques to make the watermark object robust to attacks while maintaining the imperceptibility to enhance the copyright protection

Intellectual Property Protection of Digital Cultural Heritage

Use of information and communication technologies are becoming a crucial part of our lives, which creates new opportunities for promoting Cultural Heritage through digital technologies and the internet. Use of techniques for intellectual property protection of digital content by cultural heritage institutions has gotten little attention up to this point. As technology evolves rapidly, concerns about protecting intellectual property have arisen, as digital content could be modified using freely available software. The paper focuses on watermarking techniques that could be used in the digitization process and analyses of algorithms for protecting intellectual property of digital heritage content

Color-decoupled photo response non-uniformity for digital image forensics

The last few years have seen the use of photo response non-uniformity noise (PRNU), a unique fingerprint of imaging sensors, in various digital forensic applications such as source device identification, content integrity verification and authentication. However, the use of a colour filter array for capturing only one of the three colour components per pixel introduces colour interpolation noise, while the existing methods for extracting PRNU provide no effective means for addressing this issue. Because the artificial colours obtained through the colour interpolation process is not directly acquired from the scene by physical hardware, we expect that the PRNU extracted from the physical components, which are free from interpolation noise, should be more reliable than that from the artificial channels, which carry interpolation noise. Based on this assumption we propose a Couple-Decoupled PRNU (CD-PRNU) extraction method, which first decomposes each colour channel into 4 sub-images and then extracts the PRNU noise from each sub-image. The PRNU noise patterns of the sub-images are then assembled to get the CD-PRNU. This new method can prevent the interpolation noise from propagating into the physical components, thus improving the accuracy of device identification and image content integrity verification

IPEA: the digital archive use case

Now is the time to migrate tape-based media archives to digital file-based archives for television broadcasters. These archives not only address the issue of tape-deterioration, they also create new possibilities for opening up the archive. However, the switch from tape-based to file-based is something only the very big television broadcasters can manage individually. Outer- broadcasters should work together to accomplish this task. In the Flemish part of Belgium, the two largest broadcasters in Flanders, namely the commercial broadcaster VMMa and the public broadcaster VRT, the television facilities supporting company Videohouse, and different university research groups associated with the Interdisciplinary Institute for Broadband Technology joined forces and started the "Innovative Platform on Electronic Archiving" project. The goal of this project is to develop common standards for the exchange and archiving of audio-visual data. In this paper, we give a detailed overview of this project and its different research topics

Digital Right Management (DRM) and Library Copyright Policy

The purpose of this paper is to introduce Digital Rights Management (DRM) and its implications for content producers, consumers, and libraries. Simply stated, DRM is a technology that allows copyright owners to regulate and manage their content when it is disseminated in a digital format, and it is the reason why some patrons cannot access some of the downloadable digital content provided by libraries. In the first part of this paper, we provide a short introduction to DRM by outlining the entities, the various technologies used as well as usage restrictions that come with DRM. In the second part of the paper are discussed the alternatives for the libraries, using DRM as a tool for library copyright policy and the main documents, which present the position of library organizations towards information legislation

DIGITAL SECURITY: 3D GEOMETRY PROTECTION OF THE AUTOMATICALLY RESTITUTED HISTORICAL BUILDINGS

This paper describes a novel method of data protection of the three-dimensional (3D) models that are obtained from automatic process of geometric restitution, using old two-dimensional (2D) architectural and artistic drawings. The first contribution of our research is the algorithm that includes several image processing steps, which are required in order to define walls, staircases and openings from the digitalized hand drawn architectural plans. The result of this step is detailed 3D model of the digitally processed historical building plans. The experimental confirmation of the algorithm accuracy is 3D model of the Chateau de Versailles, which is descripted by old hand drawings, dating between the end of the XVII and the XIX century. Next part of our research is theoretical and mathematical analysis of geometrical features of such 3D model that is a result of the image processing algorithm. The key-achievement of this part is new method of protecting the geometrical data using optimized adaptive Sparse Quantization Index Modulation (QIM) for embedding data bits into essential structure of the generated model. As a final result we present a secure authentication of the automatically restituted 3D model of the historically important artifact