Video Recommendations Based on Visual Features Extracted with Deep Learning

Postponed access: the file will be accessible after 2022-06-01When a movie is uploaded to a movie Recommender System (e.g., YouTube), the system can exploit various forms of descriptive features (e.g., tags and genre) in order to generate personalized recommendation for users. However, there are situations where the descriptive features are missing or very limited and the system may fail to include such a movie in the recommendation list, known as Cold-start problem. This thesis investigates recommendation based on a novel form of content features, extracted from movies, in order to generate recommendation for users. Such features represent the visual aspects of movies, based on Deep Learning models, and hence, do not require any human annotation when extracted. The proposed technique has been evaluated in both offline and online evaluations using a large dataset of movies. The online evaluation has been carried out in a evaluation framework developed for this thesis. Results from the offline and online evaluation (N=150) show that automatically extracted visual features can mitigate the cold-start problem by generating recommendation with a superior quality compared to different baselines, including recommendation based on human-annotated features. The results also point to subtitles as a high-quality future source of automatically extracted features. The visual feature dataset, named DeepCineProp13K and the subtitle dataset, CineSub3K, as well as the proposed evaluation framework are all made openly available online in a designated Github repository.Masteroppgave i informasjonsvitenskapINFO390MASV-INF

Automated generation of movie tributes

O objetivo desta tese é gerar um tributo a um filme sob a forma de videoclip, considerando como entrada um filme e um segmento musical coerente. Um tributo é considerado um vídeo que contém os clips mais significativos de um filme, reproduzidos sequencialmente, enquanto uma música toca. Nesta proposta, os clips a constar do tributo final são o resultado da sumarização das legendas do filme com um algoritmo de sumarização genérico. É importante que o artefacto seja coerente e fluido, pelo que há a necessidade de haver um equilíbrio entre a seleção de conteúdo importante e a seleção de conteúdo que esteja em harmonia com a música. Para tal, os clips são filtrados de forma a garantir que apenas aqueles que contêm a mesma emoção da música aparecem no vídeo final. Tal é feito através da extração de vetores de características áudio relacionadas com emoções das cenas às quais os clips pertencem e da música, e, de seguida, da sua comparação por meio do cálculo de uma medida de distância. Por fim, os clips filtrados preenchem a música cronologicamente. Os resultados foram positivos: em média, os tributos produzidos obtiveram 7 pontos, numa escala de 0 a 10, em critérios como seleção de conteúdo e coerência emocional, fruto de avaliação humana.This thesis’ purpose is to generate a movie tribute in the form of a videoclip for a given movie and music. A tribute is considered to be a video containing meaningful clips from the movie playing along with a cohesive music piece. In this work, we collect the clips by summarizing the movie subtitles with a generic summarization algorithm. It is important that the artifact is coherent and fluid, hence there is the need to balance between the selection of important content and the selection of content that is in harmony with the music. To achieve so, clips are filtered so as to ensure that only those that contain the same emotion as the music are chosen to appear in the final video. This is made by extracting vectors of emotion-related audio features from the scenes they belong to and from the music, and then comparing them with a distance measure. Finally, filtered clips fill the music length in a chronological order. Results were positive: on average, the produced tributes obtained scores of 7, on a scale from 0 to 10, on content selection, and emotional coherence criteria, from human evaluation

Using data science to understand the film industry’s gender gap

Data science can offer answers to a wide range of social science questions. Here we turn attention to the portrayal of women in movies, an industry that has a significant influence on society, impacting such aspects of life as self-esteem and career choice. To this end, we fused data from the online movie database IMDb with a dataset of movie dialogue subtitles to create the largest available corpus of movie social networks (15,540 networks). Analyzing this data, we investigated gender bias in on-screen female characters over the past century. We find a trend of improvement in all aspects of women's roles in movies, including a constant rise in the centrality of female characters. There has also been an increase in the number of movies that pass the well-known Bechdel test, a popular-albeit flawed-measure of women in fiction. Here we propose a new and better alternative to this test for evaluating female roles in movies. Our study introduces fresh data, an open-code framework, and novel techniques that present new opportunities in the research and analysis of movies

A Multi-modal Approach to Fine-grained Opinion Mining on Video Reviews

Despite the recent advances in opinion mining for written reviews, few works have tackled the problem on other sources of reviews. In light of this issue, we propose a multi-modal approach for mining fine-grained opinions from video reviews that is able to determine the aspects of the item under review that are being discussed and the sentiment orientation towards them. Our approach works at the sentence level without the need for time annotations and uses features derived from the audio, video and language transcriptions of its contents. We evaluate our approach on two datasets and show that leveraging the video and audio modalities consistently provides increased performance over text-only baselines, providing evidence these extra modalities are key in better understanding video reviews.Comment: Second Grand Challenge and Workshop on Multimodal Language ACL 202

Multimodal Character Representation for Visual Story Understanding

Stories are one of the main tools that humans use to make sense of the world around them. This ability is conjectured to be uniquely human, and concepts of agency and interaction have been found to develop during childhood. However, state-of-the-art artificial intelligence models still find it very challenging to represent or understand such information about the world. Over the past few years, there has been a lot of research into building systems that can understand the contents of images, videos, and text. Despite several advances made, computers still struggle to understand high-level discourse structures or how visuals and language are organized to tell a coherent story. Recently, several efforts have been made towards building story understanding benchmarks. As characters are the key component around which the story events unfold, character representations are crucial for deep story understanding such as their names, appearances, and relations to other characters. As a step towards endowing systems with a richer understanding of characters in a given narrative, this thesis develops new techniques that rely on the vision, audio and language channels to address three important challenges: i) speaker recognition and identification, ii) character representation and embedding, and iii) temporal modeling of character relations. We propose a multi-modal unsupervised model for speaker naming in movies, a novel way to represent movie character names in dialogues, and a multi-modal supervised character relation classification model. We also show that our approach improves systems ability to understand narratives, which is measured using several tasks such as their ability to answer questions about stories on several benchmarks.PHDComputer Science & EngineeringUniversity of Michigan, Horace H. Rackham School of Graduate Studieshttps://deepblue.lib.umich.edu/bitstream/2027.42/153444/1/mazab_1.pd