Speech Enhancement Using Speech Synthesis Techniques

Traditional speech enhancement systems reduce noise by modifying the noisy signal to make it more like a clean signal, which suffers from two problems: under-suppression of noise and over-suppression of speech. These problems create distortions in enhanced speech and hurt the quality of the enhanced signal. We propose to utilize speech synthesis techniques for a higher quality speech enhancement system. Synthesizing clean speech based on the noisy signal could produce outputs that are both noise-free and high quality. We first show that we can replace the noisy speech with its clean resynthesis from a previously recorded clean speech dictionary from the same speaker (concatenative resynthesis). Next, we show that using a speech synthesizer (vocoder) we can create a clean resynthesis of the noisy speech for more than one speaker. We term this parametric resynthesis (PR). PR can generate better prosody from noisy speech than a TTS system which uses textual information only. Additionally, we can use the high quality speech generation capability of neural vocoders for better quality speech enhancement. When trained on data from enough speakers, these vocoders can generate speech from unseen speakers, both male, and female, with similar quality as seen speakers in training. Finally, we show that using neural vocoders we can achieve better objective signal and overall quality than the state-of-the-art speech enhancement systems and better subjective quality than an oracle mask-based system

Singing voice resynthesis using concatenative-based techniques

Tese de Doutoramento. Engenharia Informática. Faculdade de Engenharia. Universidade do Porto. 201

Noise-Robust Voice Conversion

A persistent challenge in speech processing is the presence of noise that reduces the quality of speech signals. Whether natural speech is used as input or speech is the desirable output to be synthesized, noise degrades the performance of these systems and causes output speech to be unnatural. Speech enhancement deals with such a problem, typically seeking to improve the input speech or post-processes the (re)synthesized speech. An intriguing complement to post-processing speech signals is voice conversion, in which speech by one person (source speaker) is made to sound as if spoken by a different person (target speaker). Traditionally, the majority of speech enhancement and voice conversion methods rely on parametric modeling of speech. A promising complement to parametric models is an inventory-based approach, which is the focus of this work. In inventory-based speech systems, one records an inventory of clean speech signals as a reference. Noisy speech (in the case of enhancement) or target speech (in the case of conversion) can then be replaced by the best-matching clean speech in the inventory, which is found via a correlation search method. Such an approach has the potential to alleviate intelligibility and unnaturalness issues often encountered by parametric modeling speech processing systems. This work investigates and compares inventory-based speech enhancement methods with conventional ones. In addition, the inventory search method is applied to estimate source speaker characteristics for voice conversion in noisy environments. Two noisy-environment voice conversion systems were constructed for a comparative study: a direct voice conversion system and an inventory-based voice conversion system, both with limited noise filtering at the front end. Results from this work suggest that the inventory method offers encouraging improvements over the direct conversion method

Singing voice resynthesis using concatenative-based techniques

Dissertação submetida à Faculdade de Engenharia da Universidade do Porto para satisfação parcial dos requisitos do grau de doutor em Engenharia Informática.Singing has an important role in our life, and although synthesizers have been trying to replicate every musical instrument for decades, is was only during the last nine years that commercial singing synthesizers started to appear, allowing the ability to merge music and text, i.e., singing. These solutions may present realistic results on some situations, but they require time consuming processes and experienced users. The goal of this research work is to develop, create or adapt techniques that allow the resynthesis of the singing voice, i.e., allow the user to directly control a singing voice synthesizer using his/her own voice. The synthesizer should be able to replicate, as close as possible, the same melody, same phonetic sequence, and the same musical performance. Initially, some work was developed trying to resynthesize piano recordings with evolutionary approaches, using Genetic Algorithms, where a population of individuals (candidate solutions) representing a sequence of music notes evolved over time, tries to match an original audio stream. Later, the focus would return to the singing voice, exploring techniques as Hidden Markov Models, Neural Network Self Organized Maps, among others. Finally, a Concatenative Unit Selection approach was chosen as the core of a singing voice resynthesis system. By extracting energy, pitch and phonetic information (MFCC, LPC), and using it within a phonetic similarity Viterbi-based Unit Selection System, a sequence of internal sound library frames is chosen to replicate the original audio performance. Although audio artifacts still exist, preventing its use on professional applications, the concept of a new audio tool was created, that presents high potential for future work, not only in singing voice, but in other musical or speech domains.This dissertation had the kind support of FCT (Portuguese Foundation for Science and Technology, an agency of the Portuguese Ministry for Science, Technology and Higher Education) under grant SFRH / BD / 30300 / 2006, and has been articulated with research project PTDC/SAU-BEB/104995/2008 (Assistive Real-Time Technology in Singing) whose objectives include the development of interactive technologies helping the teaching and learning of singing

A review of differentiable digital signal processing for music and speech synthesis

The term “differentiable digital signal processing” describes a family of techniques in which loss function gradients are backpropagated through digital signal processors, facilitating their integration into neural networks. This article surveys the literature on differentiable audio signal processing, focusing on its use in music and speech synthesis. We catalogue applications to tasks including music performance rendering, sound matching, and voice transformation, discussing the motivations for and implications of the use of this methodology. This is accompanied by an overview of digital signal processing operations that have been implemented differentiably, which is further supported by a web book containing practical advice on differentiable synthesiser programming (https://intro2ddsp.github.io/). Finally, we highlight open challenges, including optimisation pathologies, robustness to real-world conditions, and design trade-offs, and discuss directions for future research

Audio Resynthesis on the Dancefloor: A Music Structural Approach

This technical report improves and extends existing methods in the research area of audio resynthesis and retargeting and extends its usage scopes. The existing approach analyzes a musical piece for possible cut points that allow the resynthesis of a novel soundtrack by lining up the source segments according to specified rules. For the improvement of matching harmonic and rhythmic structures during cut points search, beat tracking is used as core component of this work. Segment rearrangement is improved by employing faster and better suited algorithms